Moser
Refugee
I think U2 cares a whole lot more about radio play than Oscars.
i've decided, the only thing i like about the Epworth version is the nice heavy bass, but other than that it's a bit meh, and a bit too X-Factor-y for me, and i really don't like how it's structured - doesn't flow nicely at all with that beginning... the DM version is really beautiful and subtle and gentle, contemplative - i love that one the more i listen to it
Yeah just seen that. So given it was for the Oscars, 11 days (almost 2 weeks) passed before resulting on the chart. That's how the Billboard chart work.
Could this be the album mix!!
I think GOYB was on for 2 weeks. Debuted in top 40, fell to like the 80s/90s, then left the chart.
I am happy to be wrong, but GOYB debuted at #37 and I think it fell off the next week. If this is incorrect, please let us know the exact numbers.
"Magnificent" debuted at #79 and fell off the next week.
"Crazy Tonight" did not reach the Hot 100 in the U.S.
Is this new Interscope version on Youtube?? Could somebody post the link?
I didn't listen to them back to back but I can't tell much difference between this new Interscope version and the original. I guess the children's chorus is different eh?
The posted U2 Billboard 100 Chart is missing:
When Love Comes To Town - US Billboard Hot 100 - #68
Discothèque - U.S. Billboard Hot 100 - #10
I'm starting to worry about Billboard...
Ordinary Love and Invisible are songs that make me cry that we never got a full Danger Mouse produced album.Ah, I heard this song today and it sounds better every year. Might be one of the best songs of the 10's.