I would concur. If this were still 1991. I am fully cognizant that Brian Eno supposedly rejected songs that sounded "too U2". However, if that was really true, then it's amazing how many U2 sounding-songs were left on the album.
After the passage of 20 years, we now have the advantage of perspective. While there are some obvious differences on AB compared to U2's prior work, upon closer examination, the departure is not nearly as dramatic.
It's like with "Pop" - the first three songs on the album are quite different for U2. But many of the remaining songs blend in with U2's other albums. Some respected artists even felt "Pop" was a bit of a "Best Of" type of album as it seemed to cover all aspects of U2's career.
I won't say that AB is some sort of "Best Of", but it's similar to "Pop" in that there are dramatic differences, but there are also songs - especially the ones on latter half of the album - that could work on JT or R&H. And that was my point - the new always has hints of the old. It's inherent because of who is writing the music.
If I did not make this point clear enough with this third post, then so be it.
My real point of writing this is to try to slightly calm the upcoming and inevitable backlash from people who state how the new album isn't really "that different" or "experimental enough" based on what they thought it would be.