breathe
Refugee
Really confused. The thread about the coda gets merged into a thread about Hitler jokes and the TV show Lost?
You can never go wrong with hitler jokes and lost!
Really confused. The thread about the coda gets merged into a thread about Hitler jokes and the TV show Lost?
Okay, here's an update on my Invisible impression. After listening to the song almost exclusively for a week (it was punctuated by a few spins of TUF thanks to this forum) the euphoria has died down. I was one of the majority on this site who liked the song and I still do. I said it seemed like a heavyweight on the second day. Not sure about that now, maybe it is, maybe not. Time will tell. I don't think this is U2 4.0, not saying that the album won't be. This, to me, is a very good U2 song. But I feel encouraged by the fact that I was compelled to go back for so many repeated listens. Didn't happen with Boots but did happen with NLOTH2, and I still love the latter. Invisible gives me hope for the new album, genuine hope that it is going to be better than their last two. The reason for this hope is in no small part due to Bono's measured and assured vocals and the unpretentious lyrics. I think the strongest part of Invisible (apart from that almost magical 'all those frozen days, and your frozen ways) is the simplicity of the lyrics, which somehow sink deeper upon repeated listens. It makes the song at once immediately accessible and (for lack of a better word) intellectual. In summation, chuffed with the new song and eagerly waiting for the album. Drop baby drop (don't for a minute think it will be a minute sooner than June).
I honestly think invisible is not just a great U2 song but a great song in general, I loved no line was it U2's best work? No where even close. But it was a great album in it's entirety, but it was missing that raw in your face passion, I feel that invisible has that passion, it's just a really good song, we can't over think it. It's a very in your face song, the fact that Bono wrote it when U2 were getting turned down even makes it better, it's a very like look at me
Now song, which is something we have not seen them do in years, and from a musicians point of view the music is crazy good, very different from what we usually see them do.
The reason for this hope is in no small part due to Bono's measured and assured vocals.
I agree! I think that Bono's voice sounds a lot better on Invisible than it did on the entire NLOTH album. To be honest, that album had some cringe moments for me in terms of Bono's voice.
It's almost like the wrinkles and age spots of his voice have been photoshopped out.
Am I the only one who thinks this headline reads like something from The Onion?
Sent from my android cause iphones are for old people
It's possible...yes.
Not to belabor the voice processing discussion, (and admittedly I know almost nothing about it) but I found this interesting article about autotune. Seduced by ‘perfect’ pitch: how Auto-Tune conquered pop music | The Verge Apparently it's much more the rule than the exception. Of course I want Bono to sound great but I like that they allowed some of his pitchy parts to stand on NLOTH.
It makes sense that he may sound better in the studio after a long rest, and hopefully he IS using great technique and all, but his voice sounds suspiciously textureless to me, especially on the front end of the song. It's almost like the wrinkles and age spots of his voice have been photoshopped out.
You CANNOT hear if autotune has been used to touch up a recording.
No, not egregious. Just a LOT of cleaning up, none of those characteristic flaws/idiosyncracies that Headache mentions. I understand why they feel like the need that to compete and even why it fits the song, but personally I'm all about the freckles, the wrinkles and the passionately oversung flats. I like the gravitas that Bono's voice has gained over time, though I do wish he'd stop smoking.
Yes you can. You just have to be around it for 15 years.
The vocals during the outro are pretty bad so that's definitely not auto-tuned. Those strung out ...there is no the-eeeeeeeem's don't sound all that good to these ears.
Yeah that's my least favourite part, especially the last 'there is no them' which to me sounded like someone had suddenly told him that its the last line of the song and that the music will stop just a second later. Too abrupt
Sent from my GT-I9300 using U2 Interference mobile app
JOFO, can you hear a single "massaged" note, as one engineer in the article describes doing?
And what do you think about the general smoothness of his tone? Does that seem like his natural voice just sounding well or like it had some sort of production assistance?
There's no autotune. I doubt that Bono's ego would even allow anyone to suggest autotune be used.