Vlad n U 2
Blue Crack Addict
- Joined
- Jul 6, 2008
- Messages
- 28,386
only good songs are Pride and Bad
You don't like Unforgettable Fire, Wire or A Sort Of Homecoming?
Its still your opinion though.
only good songs are Pride and Bad
You don't like Unforgettable Fire, Wire or A Sort Of Homecoming?
Its still your opinion though.
so basically all this thread established is that U2 fans will never reach a consencus on album rank......
Friday can't come soon enough, all my download attempts have so far failed.
Gees I feel sorry for you. Has the link expired or is it your computer? Would like to help you out here.
The North African influence
The Moroccan sessions didn't come through as strongly as I hoped they would, but when they do they're truly excellent. I think people are underestimating how much of the influence is in there -- it's not just on Fez -- so I thought I'd break it down a little bit for those of you who haven't been listening to the background noise as obsessively as I have been. I'm probably overlooking a few as well:
a.) NLOTH - Synth/guitar drone in the left channel (0:09). Drums on right channel, kicking in at the 1:15 mark.
b.) Magnificent - Synth behind the guitar solo. (Reminds me of Dubai at night.)
c.) Unknown Caller - Intro.
d.) FEZ-Being Born (whole song, obviously.)
This is a Top3 album (if you only have three U2 albums, of course).
Forty-eight hours later, and I still cannot stop listening to this album.
Going into it with low expectations probably helped... Honestly, I thought we would get HTDAAB Pt. II with a couple of boops and beeps thrown in here and there to create the illusion of a departure. I have never been more wrong in my life, and I've never been happier to be wrong. It's just a really great time to be a U2 fan. I recognise that the album might slip a little in my rankings given a little time, but as of now, it's up there with the great ones.
Some random comments...
The North African influence
The Moroccan sessions didn't come through as strongly as I hoped they would, but when they do they're truly excellent. I think people are underestimating how much of the influence is in there -- it's not just on Fez -- so I thought I'd break it down a little bit for those of you who haven't been listening to the background noise as obsessively as I have been. I'm probably overlooking a few as well:
a.) NLOTH - Synth/guitar drone in the left channel (0:09). Drums on right channel, kicking in at the 1:15 mark.
b.) Magnificent - Synth behind the guitar solo. (Reminds me of Dubai at night.)
c.) Unknown Caller - Intro.
d.) FEZ-Being Born (whole song, obviously.)
The solo in Magnificent just sounds...well, fucking magnificent. I've already associated a picture with it in my mind, and it looks something like this: Marrakech at Night on Flickr - Photo Sharing! (incidently, I think that would make a great album cover)
The atmospheric soundscapes
NLOTH is absolutely chock full of soundscapes. We all owe a big thank you to Brian Eno for that one. The thing I'm probably loving most about this album is that I can close my eyes and imagine scenes in my head as I'm listening to the songs -- something I can't really do with HTDAAB or ATYCLB. I've already mentioned the solo during Magnificent... Others include pretty much all of Moment of Surrender, the intro to Unknown Caller, all of Fez-Being Born (still cannot fucking get over how incredible it sounds when Bono starts yelling), all of White As Snow, all of Cedars Of Lebanon. Speaking of Cedars Of Lebanon... So, so, so good. Some people seem to think it's too depressing, but fuck that. It's so dark, and we haven't had dark U2 in ages. I cannot tell you how much that intro affects me. It sounds like something you'd hear on Kid A. The "return the call to home" line chokes me up. The delivery is perfect. And when last have we heard such pure poetry from Bono?
The Edge
He's on fire. Sure, he relies on the old sound quite a bit, but there are moments when you just have to sit up and say, "fucking hell, Edge." The solo in Moment of Surrender gets to me like you would not believe. It's almost Gilmourish. Then there's the solo in Unknown Caller... And the section from 2:26-2:58 in Stand Up Comedy... I don't really care for that song, but that section almost makes up for it. When last did Edge use his flanger? If he'd have busted out a Zoo TV Mysterious Ways-like solo at the end there, it might have pushed the song up a bit higher for me. Too bad. Maybe on the tour, Edge? Please?
Overall, I'm just beyond pleased with NLOTH. It's cohesive, it's carefree, it flows, and even the worst songs have moments I can appreciate. Is it as good as JT and AB? Not by a mile. It might be the closest they've come to writing the third masterpiece, however. I'd rank it alongside UF and Pop at the moment. Thanks, U2. You've pulled me back. (Those are tears of joy, by the way.)
Heard the album once on myspace and that's it. waiting for the release but I'll have to agree with corcovadosong that Stand-Up Comedy is Stand-Out bad, pedestrian track the kills the flowThere's a cohesion in everything eno and lanois produced, of which the heavily multi-tracked harmonies are a sign. it's really beautiful, and I'm still piecing it together. But i can unequivocally say, Stand-Up Comedy only works to the album's detriment
Heard the album once on myspace and that's it. waiting for the release but I'll have to agree with corcovadosong that Stand-Up Comedy is Stand-Out bad, pedestrian track the kills the flow
I disagree. SUC is the funkiest thing they've done since Mysterious Ways. Imo they should definitely release it as a single as it would definitely grab people's attentions and confirm to transient music fans that U2 have changed direction.