I hope Danger Mouse comes out and slams U2 in the media.
This article leads me to believe that they're scrapping the work completely.
Sent from my Nexus 5 using U2 Interference mobile app
Funny you should say that. Broken Bells interviewed on The Nerdist podcast that came out today. No direct questions or reference to the U2 record, but there is this generic quote that it's hard not to read into, given the latest news. Also, there is a minor joke at the expense of Bono at the end that I can try to transcribe later. The context of the below is a question about the difference between producing other’s material versus his own (24:52):
Hardwick: How do you figure out the vibe of someone else’s energy if, you know, the higher and higher profile bands you are working with, I’m sure they have ideas about stuff, and there’s probably egos, so how do you draw the line and where do you compromise or do you just go look it’s this way or don’t work with me.
DM: I’ve been fortunate though . . . I usually don’t go that deep in anything if it doesn’t work out pretty quick early on . . . with tastes and the ability to do that, because that kind of stuff keeps me up at night, the idea of man there’s this one part of the song that it’s gonna keep on there . . . and I want it off and I can’t, like that drives me nuts, I can’t do it. So luckily I’ve been mostly been able to work with people who want me to like it, so that’s a good deal. I want them to like stuff I bring to the table and they want me to like it, so if they don’t then I try something else. And if usually if I don’t like what they do they try something else. I’ve been lucky like that. But bands it’s a little more complicated, but I mostly have worked with kind of one person usually. You know, Beck, I mean like he’s just two people, Damon was one, James is one, Sparklehorse one, a lot of stuff I did was just one person at a time, full bands not so much.
Jonah Ray: I lot of egos floating around in that situation probably?
DM: Yeah, it can be a little bit political here and there, but usually it’s one-on-one, it’s . . . Ok, because if you don’t like somebody and it’s just you two, you just keep going or you stop. You either like somebody or you don’t, you get along or you don’t, so . . .