Its part of Willies Diary, but ok
Auckland. Production rehearsals.
...Finally I braced it and suggested that they might consider debuting Scarlet, a 30-year-old instrumental album track, a suggestion that produced the most interesting range of facial expressions I think I’ve ever seen from these guys. Given that the piece is largely a bass solo, I left it to Adam to make the call as to whether this was too much to take on, or if it was worth pursuing at all. After they had recovered composure, I was surprised and delighted that Adam immediately picked up an acoustic bass guitar and started to pick out the hook phrase of the song. Out on stage (the rain having subsided to a mere drizzle) the phrase grew into the whole piece and, through the giant 360 sound system, it sounded absolutely wonderful, “Rejoi-oi-oice….!” They played on, and the thing built into something quite dizzying, like time-travel. It’s a little astonishing to imagine a group of nineteen-year-olds writing a song like that, but such is the mystery of U2. Bono began rapping over the spaces in the music and I could guess what was in his mind – something very clever. I love these U2 ambient pieces… The Ocean, Into the Heart, Scarlet, 4th of July. Perhaps we should look at putting Fez into the show whilst we’re at it.
FEZ
Being Born
Get On Your Boots
Magnicficent
Beautiful Day
I Will Follow
C'mon Willie, coax them into Fez. It'll be criminal if U2 yet again don't play the best song from an album live.
FEZ
Being Born
Get On Your Boots
Magnicficent
Beautiful Day
I Will Follow
Didn't they open with 4 obscure NLOTH tracks on Legs 1 and 2?
It didn't work. A lot of the audience was dumbfounded and it took a while to pick up steam.
Auckland. Show 1.
I spent an hour this morning trying to have a bath. I got the damn thing run and ready, then a barrage of calls, mails and texts kept me on the hop to almost comedic proportions. The final hurrah came when I had quite literally got one toe in the water and there was a knock on the door (Joe asking about the set list), at which point I gave up.
It was a busy day at the gig, getting all the final (for now) versions of the new video and audio pieces rendered and in place. U2 didn’t sound check today, which was a good call. Rehearsals are all-consuming at the best of times, but trying it with kiwi-quality jet-lag has been a whole new world of disorientation.
The doors opened at 4pm and in came the crowd. I watched almost all of Jay-Z’s set from the mix position and he absolutely rocked the house. I was surprised how much I enjoyed it, so am hoping that seeing him perform regularly during this tour may begin to open the door to this genre for me. I was also surprised by how much of his material was familiar, so there’s hope for me yet.
It was very cold by the time U2 went on stage and it was one of those nights when it got very cold very suddenly. This is absolute murder on guitar strings and vocal cords, but the guys made it through and the show was a fine start to the tour. I was very pleased with the new pieces, bar a few details that I’ll tweak tomorrow. The miners’ tribute seemed to be very well received and the audience appreciative. One Tree Hill was beautiful and Scarlet with Jay-Z was just fantastic. I was beside myself with delight. Oh, and the silhouettes video piece for Moment of Surrender was promising too – again a few tweaks needed but it seems perfect for the mood.
I’d like to say we partied into the wee small hours in a way bad-ass rock-and-roll fashion, but that would be a complete lie. Back at the hotel I did manage a cup of tea though, before Mr. Jet Lag came to call, so the night wasn’t entirely bereft of celebration.
Willie Williams said:I’d like to say we partied into the wee small hours in a way bad-ass rock-and-roll fashion, but that would be a complete lie. Back at the hotel I did manage a cup of tea though, before Mr. Jet Lag came to call, so the night wasn’t entirely bereft of celebration.
FEZ
Being Born
Get On Your Boots
Magnicficent
Beautiful Day
I Will Follow
ooh, another thing i forgot to say in my last post. as we know, just because willie mentions a song he'd like u2 to play doesn't mean they ever will. so yeah he mentions fez and everyone's excited about it and talking about fez-being born possibly being played live.
i'd say it's more likely fez was played than fez-being born. especially since willie just mentions fez, nothing about being born.
i don't think nloth has been around long enough to call anything off it obscure. maybe the tracks that haven't been played off it, but even then i think it's a stretch. in ten years' time sure white as snow could be considered obscure (assuming it never gets played live). but it's a major stretch to call breathe obscure. they played it on snl!
given their modus operandi (as well as most bands who tour to promote their latest album - as opposed to the more novelty acts who just play older stuff) tends to be opening with a new song and all...i won't go into the breathe sucks argument (i for one happen to like the song but eh, everyone's entitled to their own opinion) but you can't deny that until recently, u2 has always opened with a song off their latest album for the past several tours. i forget when the last time was when they'd done it previously, the pre-uf leg i think?
i could go into some long rambly thing about what they should've opened with but that's for another thread. but yeah.
I think that Fez is the name of the song. We all know they're 2 different songs, but just to make it simpler, we name the first one. But those 2 songs can't be set apart... it's 1 song
No, Fez is the 1-minute intro loop. Being Born is the part of the song with lyrics. It's also not ambient-like, which Fez is.
I still don't know why so many people here want to have U2 play that 1-minute loop in concert, but that's me.
While you are technically correct, "Fez" has long since become popular shorthand for the whole song, both the Fez and Being Born parts (especially natural amongst people not aware the intro is meant to be considered a distinct piece), and when I say that I'd like them to play Fez, I mean the whole thing. I don't see the problem with such usage, honestly. It's usually pretty clear people mean the whole song.