U2 is capturing every concert in digital format

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jaimearodriguez

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According to the article:

"U2 has not decided exactly how it will monetize the video it captures from its concerts."

"U2 decided it might be a good idea to capture every concert in a digital format."

(U2 Finds What It's Looking For in EMC Storage | Computer Technology Hardware Solutions and News content from The VAR Guy)

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U2 Finds What It's Looking For in EMC Storage

Channel partners are always on the lookout for a new use case for applying technology that not only makes money, but actually might be fun to implement. With that in mind, solution providers should pay a little extra attention to what EMC (EMC) is up to with the rock band U2.

During its iNNOCENCE + eXPERIENCE concert tour, U2 decided it might be a good idea to capture every concert in a digital format. To that end, U2 engaged EMC to deploy an all-Flash array version of VNXe 3200 storage system and its Data Domain backup systems.

Normally found in a 2u rack inside a data center, these 3.5-inch tall storage systems are, at least as far as U2 is concerned, portable. Each night before the concert starts, Live Nation, the company U2 contracted to film its concerts, takes over a suite at the venue to set up systems that capture streaming video using eight high-definition cameras. Each concert can generate as much as 2TB of data, depending on the actual length of the concert and whether there are guest performers joining the band on stage. Connected to both PCs running Windows 7 and Mac OS operating systems, the version of the VNXe storage array being used by Live Nation is configured with 22.9TB of solid-state disk (SSD) storage. The Data Domain systems then provide and addition 6PB of backup storage.

Perhaps most important from Live Nation's perspective, it doesn’t take a dedicated IT staff to set up these systems before every show. The same roadies used to set up the stage and the HD cameras also plug in the EMC storage.

Chris Ratcliffe, senior vice president of Marketing and Product Management for emerging technologies at EMC, said what’s really interesting about all this from a solution provider perspective is that not only is this solution replicable to other live venues, it also can be applied to just about any event, including everything from the local high school football game to, say, graduation ceremonies. Rather than rely on a USB stick to capture video, Ratcliffe said HD video cameras and Flash storage technologies have advanced to the point where arrays can be taken directly to the place where the video needs to be captured to preserve the highest quality video experience possible.

Ratcliffe said U2 has not decided exactly how it will monetize the video it captures from its concerts. But HD video is such a major part of the monetization strategy for just about anybody participating in an event worth preserving for posterity. For solution providers, that means that any firm or company looking to capture video professionally represents a new use case for connecting storage arrays to servers as well as something as simple as a basic PC system.

Of course, not every one of those events may be as cool as a U2 concert. But then again, there are a lot more of them than there are rock concerts.
 
Hmmm... well, now the question is how they're capturing it, exactly. Through the camera guys or ones set up around the place. Both?
 
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Posted this yesterday, think its possible:

so this is probably way too optimistic, but what if they skipped the traditional dvd for something completely different.

Every show is being filmed and stored in very high quality digital video. Why not make all shows available in a library and let people assemble their own set list from different shows and pay a set price. Limit your custom show to say 25 songs for $25 dollars. The technology isn't overly complicated and their tour sponsor can assist. or apple with iTunes, they have talked about a different way to deliver music. They would probably increase the revenue they would receive because a good number of us would buy more than one show or more than one personalized setlist, whereas we would only buy a single copy if it was a fixed show.

i'm probably overlooking potential problems, but the main one i would foresee is copyright issues with snippets.
 
Yeah, just sell them all. I would easily drop money on the show I went to along with a couple other ones as well.
 
Boring. Just release the audio from each show. Something for their hard core fans. Serioulsy they've lost it. Everything has to be part of a strategy or campaign. Everything must be 'big'. Absolutely zero connection with their hard core fan base. Their whole existence both musically and personally is entirely corporatised.
 
Boring. Just release the audio from each show. Something for their hard core fans. Serioulsy they've lost it. Everything has to be part of a strategy or campaign. Everything must be 'big'. Absolutely zero connection with their hard core fan base. Their whole existence both musically and personally is entirely corporatised.

I would not call having your guitarist and bassist show up unannounced at a fan party corporate. But your point is well taken. They can do more, for e.g. Pearl Jam make a lot more music available to hardcore fans.
 
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