bono_212
Blue Crack Distributor
I can't wait to find out.
Uptown Funk (by Mark Ronson feat. Bruno Mars) could be the song of the summer.
With the coming of warmer weather and an overall sense optimism creeping in, I think I'll do a sunshine pop/psychedelic pop list. I had a full one on an old hard drive that also mixed in psych rock, Brazilian folk and jazz fusion, so I can probably pare down from that.
Yeah, it must be regionally trending, the top videos here are 2x Drake and Bruno/Anderson.
What's really great about this Wiggles video, if you happen to know, and maybe they talk about it in the interview, is that Murray and Jeff are in it. They've been retired for quite a while now.
The original Blue Wiggle, Anthony, is also in the clip of their original song.
Ah, but Anthony has never left the band. He's the only remaining OG Wiggle still on the show.
The things you know having children is interesting, gang.
Also, Phanan was talking about some of the best album runs that don't get mentioned as much; I think Billy Joel's six-album run from Turnstiles in 1976 to An Innocent Man in 1983 deserves a mention. We don't talk about him much here, and I think at least one of you is actively not a fan, but I think he's one of the great songwriters ever, and this is his classic period.
Turnstiles(1976)
The Stranger(1977)
52nd Street(1978)
Glass Houses(1980)
The Nylon Curtain(1982)
An Innocent Man(1983)
I'm over a week late here, but I've been meaning to comment on the Stevie Wonder talk a few days ago, and I'm glad that some attention was drawn to a couple of the albums outside the "big 4". But I guess I have a bit of a contrarian opinion in that, while I have all these albums from his peak era and enjoy the hell out of them, I do think it's a bit damning that his creative well dried up so quickly and never really returned. And it's baffling in that he was a legitimate genius who, like Prince, could sing and write so well, and play a multitude of instruments, a one-man music factory.
The difference is that Prince did this across 5 decades, whereas Stevie's classic album run lasted less than 10 years. So there's a reason why he might be "underrated" and it's because he didn't really have much staying power. I guess one could say the same of Brian Wilson, but he has the excuse of a mental breakdown.
Even if we just judged Prince on his first 10 years, compared to Wonder's run from 1970 to 1980, you're looking at:
For You
Prince
Dirty Mind
Controversy
1999
Purple Rain
Around the World in a Day
Parade
Sign O' The Times + Crystal Ball
(The Black Album)
Lovesexy
Sorry, but even without the 3 Album of the Year Grammys, that blows Wonder out of the water IMO.
And while the consistency and overall quality of Prince's albums may have flagged by the mid-90s and 2000s, and his popularity would fluctuate over the years, he was still cranking out a fuckload of stellar material, year after year after year, and was still going when he died.
Now obviously that's a high standard to hold any other artist to. But even beyond Prince, if we look at other solo legends with long careers, like Dylan, Bowie, Van Morrison, Lou Reed, Springsteen, Joni Mitchell, Neil Young...hell, even Madonna...they all had their ups and downs and fallow periods, but they all rebounded from them, some numerous times. You didn't see that with Stevie, unless you consider Conversation Peace or A Time To Love notable comebacks, which I don't.
By comparison, he appears more like Sly Stone, who had an explosive run and then fizzled out, never coming close to that level again. Or, to be more fair, Brian Wilson as I mentioned above. Which still is an impressive distinction. But it does put him below these other artists who had a lot more left in the tank and gave us 30+ years of good-to-great music.
Well, I've heard the most Ashley-Core album I'm ever going to hear:
https://rateyourmusic.com/release/album/trevor-rabin/cant-look-away/
A mini DI? Yeah, sure. I can put a list together.