PLEBA Misc U2 News and Articles #2

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There's a facebook page for the film (it's amazing what you discover when you're supposed to be revising) and earlier today there were two pictures on it (the one with Ben Barnes in costume - the one linked earlier - and that guy). I thought I'd do some tenuous linking and suggest the possibility! Now, though, the one of Ben has been removed...making the link seem much more tenuous than before...erm...
 
Here's a link from Hot Press about who is playing Bono in "Killing Bono."

Bono film starts shooting in Belfast

The article:

Bono film starts shooting in Belfast

11 Jan 2010
Jason Byrne and Deirdre O'Kane both have cameos.

Belfast is awash with U2 lookalikes this week as work begins to transform former HP scribe Neil McCormick’s I Was Bono’s Doppelganger memoir into a big screen blockbuster.

Renamed Killing Bono for the benefit of the American market, it’s being shot in the North to avail of their generous tax breaks for filmmakers.

Playing the youthful Bono is Martin McCann who also has a role in the upcoming sword ‘n’ sorcery epic Clash Of The Titans. Mark Griffin (The Edge) and David Tudor (Adam Clayton) both come from a TV and theatre backround while Sean Doyle (Larry Mullen) is a complete novice who was spotted at last year’s Hot Press Music Show in the RDS.

The cast also includes Ben Barnes, Robert Sheehan, Krysten Ritter, Pete Postlethwaite, Peter Serafinowicz, Jason Byrne and Deirdre O’Kane.

Stay tuned to hotpress.com for regular updates.

Some pics of Martin McCann:

MartinMcCannPSLargeWebview.jpg


martinmccann.jpg


04hot_martin_mccann000193_display.jpg


martinmccannkillingbono2.jpg
 
David Tudor / Adam (on right)???

davidtudor.jpg

The Haymarket’s production of The Lion, The Witch and The Wardrobe sees (from left) Anne-Marie Piazza play Susan, while Martina Horrigan, Michael Bryher and David Tudor play her siblings, Lucy, Edmund and Peter
 



The further adventures of The Edge and his Malibu plans



A Sierra Club task force opposes the U2 guitarist's five-house project, and one observer clarifies his position while condemning what he sees as foes' hypocrisy.

Maybe I should just go ahead and move to Malibu, or at least open a satellite office there. The drama there just doesn't quit.

My last dispatch from The Bu involved a dust-up on the mountain above Surfrider Beach just outside city limits, where the U2 guitarist known as The Edge wants to build not one, two, three, or four, but FIVE houses the size of aircraft carriers. And he's calling the project -- I'm not kidding here, by the way -- Leaves in the Wind.

Attentive readers will recall that surfing legend and incoming mayor Zuma Jay was in a huff about the project, arguing that yet another famous supposed environmental do-gooder was destroying what's left of paradise.

The Edge was unavailable for comment, though his lobbying/marketing people assured me that the project

will be a model of sustain-

able, eco-friendly con-

struction and referred me to leavesinthewind.com, where The Edge pledges to honor the sacred ground around his compound.

I noted in the column that Mark Massara, who made his mark as a crusading environmentalist for the Sierra Club, was featured in The Edge's video in a way that made it look like he was sold on the guitarist's mountaintop dreamscape.

Then, while I was away on vacation in late December, Massara went ballistic over my column. He argued in a letter to the editor that he did not think of his appearance on the video as an endorsement of the project. Massara's letter ran in early January, which brought Sierra Club officials into the act.

They wanted to clarify two things:

First, that Massara had left the Sierra Club as of Jan. 1.

And second, that the San Francisco-based organization had not endorsed The Edge's project, and was in fact awaiting an official position by members of its Santa Monica Mountains Task Force.

A club spokesperson said

The Edge's people will be asked to drop Massara's designation as a Sierra Club representative on leavesinthewind

.com.

Well, on Monday I finally caught up with Massara to hear how he ended up on a slick website promoting a project he insists he hasn't endorsed.

And then I found out that the task force voted Monday night, 6 to 0, to oppose The Edge's project for several reasons, including potential wildfire hazards and habitat destruction.

Let's start with Massara, whose departure from the Sierra Club after many years of exemplary service had nothing to do with his appearance on the Leaves in the Wind video -- the surfing attorney has taken a position with the wetsuit company O'Neill.

He explained that when I tried to reach him before writing my first column last month, he was on a plane to the East Coast and had missed the call. If I'd gotten hold of him, he said, he would have explained that geological studies haven't been completed and he doesn't know enough about the specifics of The Edge's proposal to be able to endorse it.

Well, I was sure fooled. It seems to me that if you appear on a video that exists for the sole purpose of promoting the project and overcoming opposition, you're either on board or you're being used.

"It's going to take those visionary leaders being associated with projects like these . . . to make the California coastline a model of sustainability," Massara says on the video.

Massara said he was referring generally to the work of the architects on The Edge's project rather than to this specific proposal. He does think, however, that this project has many visually attractive and environmentally sensitive features, and he also thinks some of the people trying to spike it have allowed hundreds of monstrosities to be constructed in the area over the years.

No argument there. Driving along Pacific Coast Highway, you find yourself wondering who paid whom and why

more people haven't been locked up.

Massara saved his sharpest stick for members of the Santa Monica Mountains Conservancy, who wrote a letter to the California Coastal Commission denouncing The Edge's project for violating the intent of the Coastal Act and for "unavoidable significant adverse visual and ecological impacts."

Massara called the letter "one of the most inflammatory, useless, self-serving and disingenuous land-use analyses I've ever seen."

Frankly, I thought the letter made lots of good points

But to Massara, it was an act of hypocrisy, and so is

much of the opposition to The Edge.

"I can't believe anybody would jump out of their skin on this. Why aren't they looking at all this other stuff?" said Massara, who said a proposal for one property near the ball fields along PCH in Malibu calls for several mammoth mansions that would destroy habitat. "And yet there's all this rage over The Edge, 24/7, and he's trying to do something 10 times more exemplary."

Malibu councilman and incoming mayor Jefferson "Zuma Jay" Wagner said Massara's right about all the horrible construction approved in the past.

But "it's not fair to compare one project to another," he went on, saying the development near the ball field isn't on a highly visible and pristine ridge line, and it's closer to water supplies and existing construction.

"The Edge is building in the wrong place," said Dave Brown, conservation chairman of the Santa Monica Mountains Task Force, the Sierra Club group that voted Monday to oppose the project.

"We're not opposed to the efforts he's making to be sustainable. He just doesn't understand the environment he's dealing with. This is not the Emerald Isle, and it does burn, and you have to take account of that."

Making the Irish rocker's compound safe would require clearing chaparral, Brown said. For a project spread across 156 acres, that means destroying a lot of habitat. And when that happens, Brown said, the quake-fractured ground becomes unstable and prone to landslides. Many millions of tax dollars have been spent, Brown said, on disaster relief for some of the wealthiest homeowners in the nation.

He also said that pumping water roughly 2,000 feet up the hill would burn a lot of energy and make development more attractive to other landowners. Then, of course, you'd have new roads and more piecemeal incursions into the Santa Monica Mountains National Recreation Area, a unit of the national park system.

No matter how discreet the architecture, Brown said, that mountain is visible from the Westside, the South Bay and the northwestern San Fernando Valley. And he added that L.A. County has adopted an ordinance, which awaits action by the Coastal Commission, "to make building on a ridge line illegal."

Stay tuned, folks.

This is going to be a good fight, and it's only just begun.

steve.lopez@latimes.com
 
BBC admits it went too far in U2 tie-up
BBC's editorial complaints unit says promotion, which included concert on roof of Broadcasting House, breached guidelines

John Plunkett
guardian.co.uk, Wednesday 13 January 2010 17.34 GMT
Article history

The BBC today admitted that it breached its guidelines in promoting U2's latest album, No Line on the Horizon, and that altering its logo to "U2=BBC" was inappropriate.
The corporation's editorial complaints unit said coverage of last year's album launch, which included a concert on the roof of Broadcasting House, amounted to "undue prominence for commercial products or organisations" and breached BBC editorial guidelines.
It said the use of the slogan U2=BBC "gave an inappropriate impression of endorsement", and said a reference to the BBC being "part of launching this new album", in an interview between Zane Lowe and U2's Bono on BBC Radio 1, was inappropriate.
Critics complained at the time of the launch, last February, that the BBC had given the band millions of pounds' worth of free publicity across TV, radio and online.
The commercial radio trade body, the RadioCentre, made a formal complaint. Conservative MP Nigel Evans said it was "the sort of publicity money can't buy. Why should licence fee-payers shoulder the cost of U2's publicity?"
But complaints about an edition of Jo Whiley's Radio 1 show, and a BBC News online report of the U2 concert on the roof of Broadcasting House, were not upheld.
The complaints unit said its findings had been discussed at the Radio 1 and sister station 1Xtra editorial meeting.
It added: "In addition, the Radio 1 leadership team have reminded executive producers and presenters about the issues to be considered in relation to judgments about undue prominence, and the distinction between the reporting of new artistic work and commercial promotion.
"The management of BBC marketing, communication and audiences (the division responsible for the U2=BBC graphic) has reminded all staff of the need to consult the editorial policy team in a timely manner for advice when potentially sensitive issues such as commercial interests are involved. A session on working with third parties will be included in marketing, communication and audiences monthly editorial issues training programme."
"We acknowledge the findings and have taken note for the future," a BBC spokesman said.
The unit also upheld a complaint from the RadioCentre about the BBC's coverage of a tour by Coldplay. The "Radio 1 presents Coldplay" website included a link to the websites of ticket agents, which the unit said was "not in keeping with the BBC's guidelines on links to external websites".
Previously, the BBC fair trading committee upheld a complaint about the Radio 1 promotion of Coldplay.
The U2 ruling marks the second rebuke for Radio 1 this week, with the editorial complaints unit ruling that a Radio 1 interview with two British National party members was not rigorous enough.

BBC admits it went too far in U2 tie-up | Media | guardian.co.uk
 
The BBC are sissys. :madspit: It was a couple of hours and it was the biggest band of the world. What's the problem here? Other bands and artists are also promoted by radio and tv stations by giving them hours and hours of broadcasting time and space. People like to make a drama out of everything, I don't see the big deal here.
 
omgwtfbbc.png


Sorry! :happy:

The BBC are sissys. :madspit: It was a couple of hours and it was the biggest band of the world. What's the problem here? Other bands and artists are also promoted by radio and tv stations by giving them hours and hours of broadcasting time and space. People like to make a drama out of everything, I don't see the big deal here.

I can kind of see where they're coming from. The difference between the BBC and other tv broadcasters is that the BBC is funded by the tax payer, not by advertisers. As such, they're expected to be unbiased and not pander to one group of people over another, as the tax payer, who ultimately has to pay for it, may not agree with their decision. This ranges from politics - they have to give equal time to all government parties - to celebrity, as is seen here. So giving U2 the support they did (it wasn't just the rooftop gig - it was basically a week-long promotional stint with tv and radio interviews, old Top Of The Pops videos and so on) would have irked those tax payers who don't like U2, or the tax payers who just think the BBC stepped over the line with being unbiased.

The BBC's been under a fair bit of fire recently; the news this week that Jonathan Ross (a tv presenter who was apparently one of the highest earners on the BBC's pay role) was not to renew his contract with the broadcasting corporation was greeted with comments of, "Thank God, he was overpaid anyway," and, "A waste of taxpayers' money," among others. I, of course, loved all of the exposure U2 got from the BBC, but I can't say I'm completely unsympathetic towards the point of view in the article.
 
BBC admits it went too far in U2 tie-up
BBC's editorial complaints unit says promotion, which included concert on roof of Broadcasting House, breached guidelines

John Plunkett
guardian.co.uk, Wednesday 13 January 2010 17.34 GMT
Article history

The BBC today admitted that it breached its guidelines in promoting U2's latest album, No Line on the Horizon, and that altering its logo to "U2=BBC" was inappropriate.
The corporation's editorial complaints unit said coverage of last year's album launch, which included a concert on the roof of Broadcasting House, amounted to "undue prominence for commercial products or organisations" and breached BBC editorial guidelines.
It said the use of the slogan U2=BBC "gave an inappropriate impression of endorsement", and said a reference to the BBC being "part of launching this new album", in an interview between Zane Lowe and U2's Bono on BBC Radio 1, was inappropriate.
Critics complained at the time of the launch, last February, that the BBC had given the band millions of pounds' worth of free publicity across TV, radio and online.
The commercial radio trade body, the RadioCentre, made a formal complaint. Conservative MP Nigel Evans said it was "the sort of publicity money can't buy. Why should licence fee-payers shoulder the cost of U2's publicity?"
But complaints about an edition of Jo Whiley's Radio 1 show, and a BBC News online report of the U2 concert on the roof of Broadcasting House, were not upheld.
The complaints unit said its findings had been discussed at the Radio 1 and sister station 1Xtra editorial meeting.
It added: "In addition, the Radio 1 leadership team have reminded executive producers and presenters about the issues to be considered in relation to judgments about undue prominence, and the distinction between the reporting of new artistic work and commercial promotion.
"The management of BBC marketing, communication and audiences (the division responsible for the U2=BBC graphic) has reminded all staff of the need to consult the editorial policy team in a timely manner for advice when potentially sensitive issues such as commercial interests are involved. A session on working with third parties will be included in marketing, communication and audiences monthly editorial issues training programme."
"We acknowledge the findings and have taken note for the future," a BBC spokesman said.
The unit also upheld a complaint from the RadioCentre about the BBC's coverage of a tour by Coldplay. The "Radio 1 presents Coldplay" website included a link to the websites of ticket agents, which the unit said was "not in keeping with the BBC's guidelines on links to external websites".
Previously, the BBC fair trading committee upheld a complaint about the Radio 1 promotion of Coldplay.
The U2 ruling marks the second rebuke for Radio 1 this week, with the editorial complaints unit ruling that a Radio 1 interview with two British National party members was not rigorous enough.

BBC admits it went too far in U2 tie-up | Media | guardian.co.uk

Oh for fecks sake. Bloody BBC.

:rolleyes:


This was aired again the other day too! what the hell!
Its not like this hasnt been done before.

EDIT: Ok marginally pissed off by this, can understand some points now though... =/
 
The Irish Times - Thursday, January 14, 2010
No place for U2 but six debut albums show there's no shortage of fresh talent


TONY CLAYTON-LEA
Up-and-coming acts rub shoulders with Choice Music veterans such as Julie Feeney and BellX1
THE SHORTLIST for the fifth Choice Music Prize for Irish Album of the Year 2009 was announced yesterday afternoon on Tony Fenton’s radio show
on Today FM.
The Choice Music Prize is co-organised by Irish Times music critic Jim Carroll and Dave Reid. “There are six debut albums on the shortlist, which is good news for emerging Irish acts,” says Dave Reid. “Such an outing provides great exposure.”
With the likes of BellX1, Adrian Crowley and Julie Feeney (the event’s inaugural winner in 2005) having appeared on previous years’ shortlists (not forgetting Duckworth Lewis Method’s Neil Hannon, who in his Divine Comedy guise won the prize for Best Album of 2006 with Victory for the Comic Muse) is there not a danger that the pool of Irish acts to choose from is a small one?
Not so, says Reid. “I would like to think that the list still provides a good spread of Irish acts.”
If the judging panel (a dozen Irish music media professionals representing print, radio, online and television; see list) regards an album as good enough to be on the shortlist, argues Reid, “then that’s fine with me”.
The 2009 shortlist is a strong one, and although there will be the usual complaints from the usual people of albums included on and albums missing from the list, to these eyes (and ears) the albums shortlisted constitute a fair enough representation of the best of 2009.
An omission that stands out like a sore thumb, however, is U2’s comparatively underachieving No Line on the Horizon, an album that was critically lauded in the UK and USA but not in Ireland.
“It is a notable omission,” agrees Dave Reid, “but it’s all down to the judging panel. If they don’t think any particular album is good enough to get on to the list, then it doesn’t go on.”
One person who is thrilled at being shortlisted is Dublin singer Valerie Francis, whose debut release, Slow Dynamo, is the kind of album that begs for greater exposure. “I’m delighted that the record has been shortlisted, I really couldn’t have hoped for more. I work as a sound engineer, as well as in a restaurant and deli, so anything that gives me a chance to work full time on my music is brilliant.”
The winning act will receive €10,000 – a prize provided by the Irish Music Rights Organisation (Imro) and the Irish Recorded Music Association (Irma).
The winning act will also receive a specially commissioned award, courtesy of the Recorded Artists and Performers Ltd (RAAP).
The overall album of the year will be selected by the judging panel at the Choice Music Prize live event at Vicar Street, Dublin, on Wednesday March 3rd.
The event will also be broadcast live in a special Paul McLoone Show on Today FM. Tickets for the Choice Music Prize live event will go on sale from all Ticketmaster outlets on Monday January 18th, priced €27
 
As far as I know, U2 are nominated for some Meteor Awards, I hope they win in the categories they're nominated in, Horizon is an excellent album and it should be appreciated the way it deserves to. On the other hand, it's always good to have younger and fresher acts win music prices.

As for the BBC, I can see where the complaints are coming from, of course the BBC has to be balanced in what they are broadcasting and maybe they were indeed exaggerating it a bit. We have the same system here in my country and our national television sucks big time, people are always complaining. Despite having to pay taxes for our national broadcasting system we get shitloads of commercials and it's basically sports and repeats all day. I'd rather they have some U2 (or some other musical acts) from day to day whom they dedicate part of their programme to.

U2 critics can relax anyway: The album hasn't done really well in the UK, even after the BBC=U2 overkill.
 
As far as I know, U2 are nominated for some Meteor Awards, I hope they win in the categories they're nominated in, Horizon is an excellent album and it should be appreciated the way it deserves to. On the other hand, it's always good to have younger and fresher acts win music prices.

I agree:up:
Wanna see they win in this categories:hyper:
 
Sorry if this was already posted


Bono film starts shooting in Belfast13 Jan 2010
Belfast has been awash with U2 lookalikes this week as work begins to transform former HP scribe Neil McCormick’s I Was Bono’s Doppelganger memoir into a big screen blockbuster.

Renamed Killing Bono for the benefit of the American market, it’s being shot in the North to avail of their generous tax breaks for filmmakers.
Playing the youthful Bono is Martin McCann who also has a role in the upcoming sword ‘n’ sorcery epic Clash Of The Titans. Mark Griffin (The Edge) and David Tudor (Adam Clayton) both come from a TV and theatre backround while Sean Doyle (Larry Mullen) is a complete novice who was spotted at last year’s Hot Press Music Show in the RDS. The cast also includes Ben Barnes, Robert Sheehan, Krysten Ritter, Pete Postlethwaite, Peter Serafinowicz, Jason Byrne and Deirdre O’Kane. Stay tuned to hotpress.com for regular updates.
 
I find it quite amusing they need half a year to discuss and decide that it was "too much", fucking sissy's in the office .
 
Open Letter to Bono: Entertaining Apartheid Israel...U 2 Bono?

Occupied Ramallah, 13 January 2010

Dear Bono,

The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) was deeply disturbed to learn that that you are scheduled to perform in Israel this coming summer. Two years ago, you were invited by Israeli President Shimon Peres to attend a conference in Israel marking Israel‘s contributions to medicine, science, and conservation; we urged you then, as a prominent activist on issues of global inequality and a campaigner for basic human rights, to say no to Israel, especially since the invitation coincided with celebrations marking the 60th anniversary of the founding of the state.[1] You did not go to Israel then; we call on you now not to grant legitimacy to a state that practices the most pernicious form of colonialism and apartheid.


Performing in Israel would violate the almost unanimously endorsed Palestinian civil society Call for Boycotts, Divestments, and Sanctions (BDS) against Israel.[2] This Call is directed particularly towards international activists, artists, and academics of conscience, such as yourself. Moreover, it would come a year and a half after Israel’s bloody military assault against the occupied Gaza Strip which left over 1,440 Palestinians dead, of whom 431 were children, and 5380 injured.[3] The 1.5 million Palestinians in the besieged Gaza Strip, the overwhelming majority of whom are refugees who were expelled from their homes by Zionist forces in 1948,[4] were subjected to three weeks of relentless Israeli state terror, whereby Israeli warplanes systematically targeted civilian areas, reducing whole neighborhoods and vital civilian infrastructure to rubble and partially destroying Gaza’s leading university and scores of schools, including several run by the UN, where civilians were taking shelter.


This criminal assault comes after three years of an ongoing, illegal, crippling Israeli siege of Gaza which has shattered all spheres of life, prompting the UN Special Rapporteur for Human Rights, Richard Falk, to describe it as “a prelude to genocide”. The UN Fact-Finding Mission on the Gaza Conflict, headed by the highly respected South African judge, Richard Goldstone, found Israel guilty of war crimes and possible crimes against humanity, as did major international human rights organizations, such as Amnesty International and Human Rights Watch. The Goldstone report concluded that Israel’s war on Gaza was “designed to punish, humiliate and terrorize a civilian population, radically diminish its local economic capacity both to work and to provide for itself, and to force upon it an ever increasing sense of dependency and vulnerability.”[5]


In a recent New York Times op-ed[6], you wrote of your hope “that the regimes in North Korea, Myanmar and elsewhere are taking note of the trouble an aroused citizenry can give to tyrants.” You went on to further elaborate on the hope that “people in places filled with rage and despair, places like the Palestinian territories, will in the days ahead find among them their Gandhi, their King, their Aung San Suu Kyi.” Rather than shifting the blame from the violence of the colonial oppressor to the resistance of the indigenous oppressed and characterizing the Palestinians as a population filled with “rage and despair,” it is more apt to consider them among the “aroused citizenry” responding to tyranny – Israel‘s regime of occupation and apartheid.


As to your hope that the Palestinians will soon find their own leading figure to champion nonviolent resistance, the Palestinian civil society Call for Boycotts, Divestments, and Sanctions against Israel is one of the largest nonviolent, morally consistent movements for ending Israel’s system of apartheid and colonial oppression. It is endorsed by a majority of Palestinian civil society. As a leading artist who is concerned about human rights, it is your moral obligation to honor this call and not to cross our "picket line."

A whole generation was affected by your musical activism, when you sang of the civil rights movement in America, the everyday human heroes in El Salvador and the brave struggles in Ireland – you filled a space that forced political morality into pop culture. Entertaining apartheid Israel despite all the injustice it is committing against the Palestinians would significantly smear this great legacy of yours.

Through systematic repression and incarceration of human rights defenders without due process, Israel has made sure that those Palestinian "Gandhis" and "Kings" do not rise to prominence. Activists such as Mohammed Othman, Abdallah Abu Rahma, and Jamal Jum’a, to mention only a few recent examples, have been imprisoned without charge or trial, a practice that has been harshly condemned by Amnesty International.[7] Historically, successive Israeli governments went even further in suppressing civil and popular resistance: one of Yitzhak Rabin’s strategies in the First Intifada, for instance, was to “break the bones” of young Palestinian protestors, often "preemptively;" more recently, Israeli military forces have brutally dispersed weekly nonviolent Palestinian protests against Israel’s Wall—which was declared illegal by the International Court of Justice in 2004—by firing rubber bullets, teargas canisters, and sometimes live ammunition onto protestors. Such methods have resulted in the injury of hundreds of peaceful protesters, including some internationals and Israelis, as well as the death of several Palestinian civilians. American human rights activist, Tristan Anderson, was shot in the head with a high velocity tear gas projectile while protesting peacefully in the village of Ni'lin against the Wall.

Your appearance in Israel would lend to its well-oiled campaign to whitewash all the above grave violations of international law and basic human rights through "re-branding" itself as a liberal nation enjoying membership in the Western club of democracies. Above everything else, it would serve to deflect attention away from Israel‘s three forms of oppression against the Palestinian people: the legalized and institutionalized system of racial discrimination against the Palestinian citizens of Israel; the military occupation of the West Bank and the Gaza Strip; and the continuous denial of the Palestinian refugees’ UN-sanctioned right to return to their homes and to receive just reparations.

As a promoter of peace and justice, you are a distinguished member and co-founder of the ONE Campaign to end extreme poverty in Africa. The international patron of this campaign, South African Nobel Laureate and celebrated anti-apartheid activist, Archbishop Desmond Tutu, remarked[8] that “the end of apartheid stands as one of the crowning accomplishments of the past century, but we would not have succeeded without the help of international pressure-- in particular the divestment movement of the 1980s…a similar movement has taken shape, this time aiming at an end to the Israeli occupation.” He concluded that “if apartheid ended, so can this occupation, but the moral force and international pressure will have to be just as determined. The current divestment effort is the first, though certainly not the only, necessary move in that direction.”

We urge you to heed the wise words of Archbishop Tutu and to honor the Palestinian Call. Your performance in Israel would be tantamount to having performed in Sun City during South Africa’s apartheid era, in violation of the international boycott unanimously endorsed by the oppressed South African majority. We call on you not to entertain Israeli Apartheid!

PACBI

www.PACBI.org

PACBI@PACBI.org
 
BBC are more than wussies.

The interesting thing to me is, IF this is such a big issue, why has it taken MONTHS to say anything about it?





BBC admits it went too far in U2 tie-up
BBC's editorial complaints unit says promotion, which included concert on roof of Broadcasting House, breached guidelines

John Plunkett
guardian.co.uk, Wednesday 13 January 2010 17.34 GMT
Article history

The BBC today admitted that it breached its guidelines in promoting U2's latest album, No Line on the Horizon, and that altering its logo to "U2=BBC" was inappropriate.
The corporation's editorial complaints unit said coverage of last year's album launch, which included a concert on the roof of Broadcasting House, amounted to "undue prominence for commercial products or organisations" and breached BBC editorial guidelines.
It said the use of the slogan U2=BBC "gave an inappropriate impression of endorsement", and said a reference to the BBC being "part of launching this new album", in an interview between Zane Lowe and U2's Bono on BBC Radio 1, was inappropriate.
Critics complained at the time of the launch, last February, that the BBC had given the band millions of pounds' worth of free publicity across TV, radio and online.
The commercial radio trade body, the RadioCentre, made a formal complaint. Conservative MP Nigel Evans said it was "the sort of publicity money can't buy. Why should licence fee-payers shoulder the cost of U2's publicity?"
But complaints about an edition of Jo Whiley's Radio 1 show, and a BBC News online report of the U2 concert on the roof of Broadcasting House, were not upheld.
The complaints unit said its findings had been discussed at the Radio 1 and sister station 1Xtra editorial meeting.
It added: "In addition, the Radio 1 leadership team have reminded executive producers and presenters about the issues to be considered in relation to judgments about undue prominence, and the distinction between the reporting of new artistic work and commercial promotion.
"The management of BBC marketing, communication and audiences (the division responsible for the U2=BBC graphic) has reminded all staff of the need to consult the editorial policy team in a timely manner for advice when potentially sensitive issues such as commercial interests are involved. A session on working with third parties will be included in marketing, communication and audiences monthly editorial issues training programme."
"We acknowledge the findings and have taken note for the future," a BBC spokesman said.
The unit also upheld a complaint from the RadioCentre about the BBC's coverage of a tour by Coldplay. The "Radio 1 presents Coldplay" website included a link to the websites of ticket agents, which the unit said was "not in keeping with the BBC's guidelines on links to external websites".
Previously, the BBC fair trading committee upheld a complaint about the Radio 1 promotion of Coldplay.
The U2 ruling marks the second rebuke for Radio 1 this week, with the editorial complaints unit ruling that a Radio 1 interview with two British National party members was not rigorous enough.

BBC admits it went too far in U2 tie-up | Media | guardian.co.uk
 
The 20 Greatest Frontmen in Rock

17. Bono
It is hard to find anyone in music who has so seamlessly adapted to the changing face of the industry as well as U2's leader. In the angst-ridden early '80s, Bono was the dangerous, edgy revolutionary. By the end of that corporate-controlled decade, he had taken up the mantle of the soulful rocker. In the '90s, he morphed into the cool hipster with a conscience. And in the '00s he became a child of the times with a sociopolitical agenda. Bono has managed to not only himself not only vital, but stayed out on the bleeding edge of what it is to be a great frontman.



He is #1 with me ALWAYS!!!:hug:




The 20 Greatest Frontmen in Rock - Spinner
 
The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) was deeply disturbed to learn that that you are scheduled to perform in Israel this coming summer

Um what? Did I miss something? There is no scheduled appearance/performance of Bono and/or U2 in Israel in summer. Are people crazy? Would they please stop instrumentalizing Bono for political stuff. Seems he cannot say or write anything anymore without some party jumping on him trying to use him for or against anything. Sad times. :|
 
It was romoured their participation in the Abraham Festival, which would supposedly join artists from the three religions: Christians, Jews and Muslims in Jerusalem, the aim of the festival was to show how people with different beliefs can co-exist and cooperate, but there are no signs of the festival taking place and of course there is nothing about U2's participation.

From what I know this festival is rumoured from time to time, whenever the peace treaty seems nearer, there seems to be some artists from Israel and Palestine who loved to make their contribution. It would be a very strong political statement, so I don't think U2 or any other western band should take part on it unless the situation is really clear, because, apart from being dangerous, it can be easily manipulated as we can see in the article above, and it's only a rumour,.
 
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