theedgeu2
Rock n' Roll Doggie Band-aid
anyone know what the Exclusive Bonus track is that comes with the purchase of the concert via itunes?
Wouldn't that be Breathe?
anyone know what the Exclusive Bonus track is that comes with the purchase of the concert via itunes?
OK, so I never saw the Rose Bowl webcast since I'd gone to see U2 in Vancouver and was already on vacation and out to dinner with a friend in Seattle when it was on. And I never got to download the boot. So I am watching it now. Initial observations...didn't realize Mysterious Ways was so early in the set, and 2) Bono said GET UP OFF YOUR FAT ASS??
OK, so I never saw the Rose Bowl webcast since I'd gone to see U2 in Vancouver and was already on vacation and out to dinner with a friend in Seattle when it was on. And I never got to download the boot. So I am watching it now. Initial observations...didn't realize Mysterious Ways was so early in the set, and 2) Bono said GET UP OFF YOUR FAT ASS??
Hmmmmm wasn't Vancouver after the Rose Bowl?
Wouldn't that be Breathe?
anyone know what the Exclusive Bonus track is that comes with the purchase of the concert via itunes?
Frankly, considering the production, this release is not as impressive in terms of direction/editing *or* a/v quality as it could or really should have been.
The footage quality is all over the map depending on camera angles. When band members are filmed in decent lighting conditions fairly close up, the footage looks sharp. However, for the most part it's often quite dark with a lot of black crush on mid to long shots, no doubt to obscure grain due to the poor lighting conditions. Some long shots and especially overhead footage shot from the helicopter of the stadium are extremely rough looking for HD quality.
I do prefer some of the direction over U2's recent concert releases. There's a bit less of the rapid jump cutting and some shots are very well composed, such as shots of Adam in the near foreground with Bono in the background on one of the catwalks.
IMO, the home video audio mix lacks a truly "live" feel. There's very little crowd noise mixed in (although to be fair, this was a very sedate stadium audience most of the show) so it has a very disconnected feel to it. Of the audio options, the DTS track is by far the best option. I find most of U2's home video concert releases, especially from the past two tours to be vastly superior as far as more accurately presenting what it looks and *sounds* like at a U2 show.
I was at this show, my 24th U2 show dating back to the Boy tour in '81. I've also heard the original unedited raw IEM mixing desk audio from this show which is much more in your face and vital sounding (despite the click tracks and verbal "direction" cues). It's interesting if not surprising what was edited and re-recorded as far as vocals and some instrumentation for this official home video release.
Of all the extras, the "Squaring The Circle" feature is the most interesting viewing. Look sharp for the shots of the challenging setlist they were going by during the rehearsals. The tour opener features are frustrating as they only include portions of several songs played at those shows. And I have to say the footage of New Years Day in Polnad has appallingly bad sound that isn't even mediocre bootleg quality.
IMO, this release, much like the current tour (from a musical standpoint) and their last album pales in comparison to most of their previous home video releases. It's nice that it was released on Blu-ray, but the format's quality potential is virtually wasted, especially on the below average quality bonus footage.
T.B.
Thanks for the review. I'm a terrible judge of audio stuff, but it's too bad the picture couldn't be improved. I'm glad they moved away from the ADD guy who did their first 2 DVDs.
Personally, I don't mind a total lack of crowd noise or feel of being at a live concert, including the moron who couldn't sing but kept doing it during some of the songs. The only respite were the rarities. Screw the audience feel, I say; they actually disrespect the sacredness of a one-time performance in exactly that way by obnoxiously inserting themselves.
At least there were no people audibly woo-hooing on this dvd. That's something, right?
Good god woman, go to bed.
But...can't I stay up and gently chide people, referring to longstanding interference references?
I mean, you can stay up, sure, if you want to.
But that means no sweetie milk™ for you in the morning.
Your call.
At least there were no people audibly woo-hooing on this dvd. That's something, right?
Good god woman, go to bed.
Exactly! I tell ya, even nicely recorded bootlegs can sound better than my concert experiences. It certainly is the case for Radiohead, who play far too softly.
I wish Canadians were more subdued. Classical music and opera concerts are best when the audience is restrained and I don't know how we got to this place at which you're not a fan if you don't create a ruckus.
At my first concert, I spent all my time trying to prove to the Cure that I loved them that I couldn't enjoy the specialness of those performances, and I got all upset that others weren't as "into it" as me. I could barely remember anything but a list of the songs when I got home.
I love letting the music wash over me and hear all the little changes. I think it's only right that people allow everyone the opportunity to do so. I find it's usually a tiny minority who create a ton of noise and ruin it for the rest, but people think it's wrong to complain. It's really the most cliche thing to scream and yell during songs and I really think people do it because they're trying to be cool or get noticed or because they think they should.
Pop performers play a role in this, wrongly thinking an audience isn't enjoying a show because they're quiet. Radiohead doesn't think this. I was quite during Ultra Violet, but I was crying because it meant so much to me and I never ever thought I'd hear it; I think that if Bono and co realized that, they'd be happier they were triggering that emotion in me, rather than fist pumping. I was so happy most of the people around me were clueless and there was so much quiet. Concerts are so much more special to me than parties.
The biggest hypocrite is Robert Smith of The Cure; he makes you feel bad for not singing along, but the guy rarely ever moved during his performances because he was being himself and now I'M SUPPOSED TO FEEL BAD for just wanting to relax?!
I find the only time I enjoy the crowd is during a film when I can hear the audience laugh with me or when we can laugh at something the performer does or says. I felt like that at a Beautiful South concert a few years ago.
Frankly, considering the production, this release is not as impressive in terms of direction/editing *or* a/v quality as it could or really should have been.
The footage quality is all over the map depending on camera angles. When band members are filmed in decent lighting conditions fairly close up, the footage looks sharp. However, for the most part it's often quite dark with a lot of black crush on mid to long shots, no doubt to obscure grain due to the poor lighting conditions. Some long shots and especially overhead footage shot from the helicopter of the stadium are extremely rough looking for HD quality.
I do prefer some of the direction over U2's recent concert releases. There's a bit less of the rapid jump cutting and some shots are very well composed, such as shots of Adam in the near foreground with Bono in the background on one of the catwalks.
IMO, the home video audio mix lacks a truly "live" feel. There's very little crowd noise mixed in (although to be fair, this was a very sedate stadium audience most of the show) so it has a very disconnected feel to it. Of the audio options, the DTS track is by far the best option. I find most of U2's home video concert releases, especially from the past two tours to be vastly superior as far as more accurately presenting what it looks and *sounds* like at a U2 show.
I was at this show, my 24th U2 show dating back to the Boy tour in '81. I've also heard the original unedited raw IEM mixing desk audio from this show which is much more in your face and vital sounding (despite the click tracks and verbal "direction" cues). It's interesting if not surprising what was edited and re-recorded as far as vocals and some instrumentation for this official home video release.
Of all the extras, the "Squaring The Circle" feature is the most interesting viewing. Look sharp for the shots of the challenging setlist they were going by during the rehearsals. The tour opener features are frustrating as they only include portions of several songs played at those shows. And I have to say the footage of New Years Day in Polnad has appallingly bad sound that isn't even mediocre bootleg quality.
IMO, this release, much like the current tour (from a musical standpoint) and their last album pales in comparison to most of their previous home video releases. It's nice that it was released on Blu-ray, but the format's quality potential is virtually wasted, especially on the below average quality bonus footage.
T.B.
The missed the screen expanding during Unforgettable Fire
Missed the lights coming on at the start of COBL, the missed all the colour transitions during COBL and the search lights and came in late for the sparkly white bit.
The editing during Vertigo ruins the light show and the transition from large screen to small screen.
During Crazy there's not one shot of the spire strobing.
Ultraviolet manages to not to have one shot showing the mirrorball at the top of the spire during the end of the song.
So many missed opportunities with the claw and to be honest most of the missed shots were missed for pretty mundane actions. I'm not a fan of the quick cut and this dvd is largely missing it (except for Boots and Vertigo) but some of the shots linger on when more interesting things are happening.
Vertigo is awful, as stated by others as well.
it wouldnt be 'exclusive' then would it?
im intrigued...