I also like Song for Someone. I don't get the animosity for it. Though I also was going through a bit of a personal dilemma the week that SoI dropped, so I have a special place for some of those songs in my heart.
I've said this a lot, but I actually think the issue with Get Out Of Your Own Way was that they *didn't* emulate Beautiful Day (though it sounds like they tried to). It's not the song - it's the production. The chorus of Beautiful Day just explodes - the dynamics work. The chorus lifts the song up, and the "touch me" part takes it even higher.
Get Out of Your Own Way seems to want to do that, but the production gets it all wrong. The chorus starts with a snare fill that should signify a big liftoff, yet instead it’s just the background vocals that have to do most of the heavy lifting. Edge’s guitar is nonexistent until the *third* iteration of the chorus, before the solo, and even then it's pretty weak. That’s an astoundingly poor choice for a song with such a hooky chorus. For a band who has been so insistent on forcing FULL BLOWN RAWK into their songs for the last 20 years, they didn't do it on the one song that probably could have benefited from some straight power chords in the chorus. I thought the BBC version was not perfect, but way better.