I remember back in 97 when Pop came out, i felt ashamed of myself when i sang that part outlould... it was the "epic" portion of the song, you know, the louder the better hauhauahuah
Haha I still do
I remember back in 97 when Pop came out, i felt ashamed of myself when i sang that part outlould... it was the "epic" portion of the song, you know, the louder the better hauhauahuah
"And the cartoon network turns into the news"
Ok, based on the "cineclip" i think the song is nothing more than ok. Average, ordinary U2. Its not bad, but its not interesting at all. It lowers my expectations for the new album, which could be a nice thing in the end.
A question for you people:
What do you prefer, the boring to death, No Line U2, or the risky but "no good songs" Pop U2??
It doesn't sound like either No Line or Pop. Reminds me more of UF mixed with modern day Coldplay.
Modern day Coldplay basically=U2
Modern day Coldplay basically=U2 as has young Coldplay and teenage Coldplay
That's one of my favorite lines in the song.
And I would, one million times over, take another Pop over another NLOTH. I'd also, a million times over, take another HTDAAB over another NLOTH.
A question for you people:
What do you prefer, the boring to death, No Line U2, or the risky but "no good songs" Pop U2??
Not in mainstream rock music.
You're wrong, as usual.
Pop was risky?
It was a continuation down a road that had proven itself to be very successful for several years.
Pop was safe and expected by 1997.
Can people stop comparing everything to Coldplay.
What an odd obsession so many of you lot have with them.
No. It wasn't.
It wasn't avant garde or anything groundbreaking... but it wasn't safe nor expected.
If it has a piano it sounds like coldplay!
New Year's Day is basically U2 preemptively sounding like coldplay. They knew they were coming so they struck early.
Oh fuck, it's another Pop argument.
RUN FOR THE HILLS!
Von Shtupid's original post said Pop was "safe" and "expected".
I contradicted that, but didn't call it "risky"-- those are words he put in my mouth so he could strike it down harder.
Believe it or not, there's actually middle ground between safe and risky! While U2 had been implementing more and more electronic elements beginning with Achtung, Zooropa certainly couldn't be called a party record. What wasn't expected was their embrace of the club aesthetic, something not really present before outside remixes by other people.
So while Discotheque may not come off risky in the way that Numb did, its sheer energy and propulsion are what surprised a lot of us. And the album, despite the dark, reflective lyrical content, is a lot more upbeat than its two predecessors for the most part. You just weren't hearing this blend of sounds from other big bands at that point. Had it come out as planned in the fall of '96 we wouldn't be having this discussion.
What do you prefer, the boring to death, No Line U2, or the risky but "no good songs" Pop U2??