trevster2k said:
It is still subjective cause you say Bach is better than Kelly Clarkson, I think Bach is better than Kelly Clarkson, but a 13 yr old girl may think Kelly Clarkson is better than Bach, therefore it is still subjective. We can't measure what or why people like what they like. There are many factors involved like appearance of the performer, the importance of songwriting by the performer to the listener, the complexity of the music or are they looking for a good hook, how many awards they or how many times they have been arrested, some people like music of certain artists because they project a certain image about the listener and so on.
I don't like country music but millions do, am I wrong or are they wrong, neither. People's individual tastes are just that, and as long as it makes people happy, that's all that matters.
ETA I think Nickleback is bad too.
The hole in your argument is this: Kelly Clarkson, and her kind, are not musical tastes that just arrive in the wind organically; they’re force-fed into the minds of 13-year-olds by hulking corporations. It’s
not subjective, it’s targeted bombardment of brain cells for pure profit.
Let’s travel back in time for a second for purposes of clarity. When U2 speak of their failings with POP, it
is about record sales, yes, but it’s also about not doing battle with the disposable crap like they thought they could. They wanted to take on the commercial monster and beat it at their own game. Why? I think it was to get big ideas across to as many people as possible through the portal we call popular culture. At heart, they wanted to transcend the boundaries and limits of crass consumerism.
With the five Grammy awards last night, they’ve accomplished their mission. They’re
everywhere. Bono is on the cover of Time. The ideas are getting across, and U2 is competing—and even bettering—the likes of Mariah Carrey, Clarkson, and other corporate drivel.
But what about the music? Yes, the originality
has suffered, there’s no doubt. Bomb is good, but not great. They’ve made their way to the award shows by design, and through a quest to mean
something in a fickle world. U2 are a sociologist’s dream.
Musically, they’ve now got the power to "dream it up all over again", and take millions of new listeners with them—
if they dare to.