It personally pains me to read what Larry says about NLOTH, really. I'm used to him being a bit of a downer (the antipode of Bono in my understanding), but I consider NLOTH to be one of their finest efforts, it contains some beautiful music and Moment of Surrender is one of their greatest tunes ever. What comes across for me is a bit of a sour taste because it was a "small" album in terms of sales, and Larry says "U2 doesn't make small albums". Maybe it's just me, but he seems overly profit-orientated here. Why is it so hard to just say: We've made a great album, we believed in it, it didn't sell well, so what. Bono has said this over the years. There's no shame in admitting sales figures didn't match your expectations. I think it's lame to simply dismiss the whole album as such because of that.
Apart from that, I agree, an excellent article in the Observer, written by someone who's clearly critical but still prepared to shed some light on the way the band works and the band members act and think instead of just being negative about them.
It personally pains me to read what Larry says about NLOTH, really. I'm used to him being a bit of a downer (the antipode of Bono in my understanding), but I consider NLOTH to be one of their finest efforts, it contains some beautiful music and Moment of Surrender is one of their greatest tunes ever. What comes across for me is a bit of a sour taste because it was a "small" album in terms of sales, and Larry says "U2 doesn't make small albums". Maybe it's just me, but he seems overly profit-orientated here. Why is it so hard to just say: We've made a great album, we believed in it, it didn't sell well, so what....
Because it isn't a great album.
No Line can never be one of their finest efforts because of the terrible middle section. I also think Breathe is overproduced and Cedars is an underwhelming closer at least when compared to a the Troubles. And lyrically, this album is far superior to No Line. No Line has great musical moments but ruined sometimes by the lyrics (eg Magnificent, chorus of Unknown Caller - sounds nice until you realize what they are saying).
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Agree about the middle section. Disagree about Cedars, it's one of their greatest closers, but then again, U2 usually have good closers.
If you agree the album has a terrible midsection, how then can you call it a great album? That is one quarter of the work which is horrifically flawed.
To be honest, the better aspects of NLOTH are made positive in relation to Crazy-SUC because of the difference in quality. But they are still meandering, bland, sub-par pieces of work.
You mean Jimmy Iovine? The producer of Under a Blood Red Sky and Rattle and Hum?The Danger Mouse sessions (finished with extra producers including Paul Epworth) became Songs of Innocence when Jimmy Iovine, the former record mogul who is currently working for Apple, told Bono: “The person you need to be to make this album, he’s a long way from where you live.”
Still can't believe they're now taking songwriting advice from label suits.
After Larry's perceived dissing NLOTH to become new POP
Someone once ripped on me for listening to "Dad Rock".
I replied "well I am a dad."
They replied "oh."
The owls are not what they seem.
NLOTH sucked.
$10 says in 2019, Larry will say he hates this album, too.
My cynical view is that this whole forum will put SoI in the same bucket in which it currently places Bomb and No Line by then. We'll see.
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U2: ‘It’s the job of art to be divisive’ | Music | The Observer
U2: ‘It’s the job of art to be divisive’
IndeedAs a former non successful recording artist, I have a little forgiveness towards U2's insights. There were many times my friends would tell me that my least favorite creation was their favorite and I was puzzled by it. On the flip side, I used to feel crushed when the song I felt could be a breakthrough song was scoffed at by the same group of people.
My point is that the band has a different emotional attachment to their songs than any fan could ever have.
The owls are not what they seem.
Maybe the reason Lillywhite was brought in to NLOTH was because the stuff they did with Eno/Lanois prior really sucked? Maybe they got 75% of the way and realized that the songs weren't good enough, and that the partnership with those 2 had "run out of road".
As a former non successful recording artist, I have a little forgiveness towards U2's insights. There were many times my friends would tell me that my least favorite creation was their favorite and I was puzzled by it. On the flip side, I used to feel crushed when the song I felt could be a breakthrough song was scoffed at by the same group of people.
My point is that the band has a different emotional attachment to their songs than any fan could ever have.
The owls are not what they seem.
“The easiest thing would be a greatest hits tour,” says Mullen. “We could do that for years. I just wasn’t prepared to go down in flames on the last record. This is not the way to finish your career. Go out with something that you really believe in. There were questions like: can we do this? Is it possible for us?”
Last record meaning NLOTH. Let's not get crazy.