LeopoldoBloom said:ATYCLB songwriting scares me. I think it was among the worst U2 has done. Why? Because it is so un-subtle. Achtung Baby was great because you had to listen carefully to the lyrics and read into them, it was poetic. ATYCLB was just slap-you-in-the-face sort of stuff so that the lowest common denominator would understand - I mean "peace on earth", "grace"??? Give me a break, there was a time when U2 could convey those ideas indirectly and subtly and thus more powerfully. So I hope ATYCLB songwriting refers to the music and NOT the lyrics.
Please.
Are you referring to such past great, subtle lyrics like in "With or Without You" where the song discusses living, uh, with or without a person?
Or perhaps you mean such hidden gems like "Sunday Bloody Sunday" which is blatantly full of war thoughts and phrases. Or perhaps you meant "Even Better than the Real Thing" which is full of spiritual thoughts (as if).
Of course, there's always the classic "Babyface", the cliche-filled "Love Is Blindness" (even the title is a cliche), or the thought-provoking "October" with its leaves so bare.
Bono's lyrics have always had a duality to them. At times he has beautiful ideas presented in abstract ways, like "One". Then there are times he just has "fun" ("Some Days Are Better than Others"). And sometimes he is far more blunt and direct ("Pride (In the Name of Love)").
The lyrics on ATYCLB fall right into line. You mentioned two more obvious songs, but others like "Walk On" and "Kite" are far more subtle. Even "Beautiful Day" has a hidden message not apparent on the surface (the beauty of life and of the earth iself, from the perspective of a man who has lost everything).
I'm tired of seeing ATYCLB take such a bad rap, considering it's one of U2's best and probably one of the best albums released this decade. It's not that different from past U2 work to deserve such harsh criticism, yet it's still fresh and thought-provoking enough to be inspirational. I listen to it far more than other "classics" like JT.