Zoots
Blue Crack Supplier
Interesting. But I don't know if I'll be spending money on a huge anniversary edition that has some bonus songs that I already have in my itunes.
Zootlesque said:Interesting. But I don't know if I'll be spending money on a huge anniversary edition that has some bonus songs that I already have in my itunes.
xaviMF22 said:
cheapskate
COBL_04 said:I downloaded... Comfortably Numb yesterday.
Wow
PlaTheGreat said:Ehh, I don't think it as much "uplifting" as it is embracing your own lunacy. Which I guess can be uplifting, but I'm not insane, so I can't vouch for that.
GibsonGirl said:
Bang on the money, Pla. Brain Damage/Eclipse aren't uplifting songs at all. The music itself is uplifting, but the lyrical content is not. The preceding songs simply lead up to that moment when the character of Dark Side (I'm not sure there's a "character" as such - but for the sake of simplicity, that's the word I'll use) has gone completely out of his mind. "And the sun is eclipsed by the moon." The moon has always been a symbol for lunacy. So those final words are not positive at all. By that point, the insanity has taken over. The moon, that lunacy, eclipses all rational thought.
It's one of the greatest endings to a record ever.
GibsonGirl said:
Bang on the money, Pla. Brain Damage/Eclipse aren't uplifting songs at all. The music itself is uplifting, but the lyrical content is not. The preceding songs simply lead up to that moment when the character of Dark Side (I'm not sure there's a "character" as such - but for the sake of simplicity, that's the word I'll use) has gone completely out of his mind. "And the sun is eclipsed by the moon." The moon has always been a symbol for lunacy. So those final words are not positive at all. By that point, the insanity has taken over. The moon, that lunacy, eclipses all rational thought.
It's one of the greatest endings to a record ever.
GibsonGirl said:
PS, COBL_04, you must get the whole Wall album! Life is not complete until you've heard Hey You and In the Flesh.
Are there any queers in the theatre tonight?
Get 'em up against the wall
Now there's one in the spotlight, he don't look right to me!
Get him up against the wall
And that one looks Jewish!
And that one's a coon!
Who let all of this riff raff into the room?
THERE'S ONE SMOKING A JOINT!
AND ANOTHER WITH SPOTS!
IF I HAD MY WAYYYYY, I'D HAVE ALL OF YA SHOT!
COBL_04 said:
Wow. Any controversery caused by those lyrics at the time?
Screwtape2 said:
Well the song has become an anthem for a white supremacy group in the US.
They even have the hammers as their logo.
I wonder if those notes had anything to do with that...GibsonGirl said:
Bang on the money, Pla.
COBL_04 said:
Wow. Any controversery caused by those lyrics at the time?
By the way, does anyone know where I can go for Pink Floyd bootlegs? I just want to hear them play Dark Side back in the 70s, soes I can compare it to Pulse.
GibsonGirl said:
People were far more upset with the "we don't need no education, we don't need no thought control" line from Another Brick In The Wall Part 2. It was banned in a few countries.
PlaTheGreat said:
I wonder if those notes had anything to do with that...
I'm not one for lyrics and it usually takes about 10 or so listens of a song before I even notice the lyrics and get their meaning. I didn't "hear" U2's UTEOTW until months after I bought Achtung Baby.
GibsonGirl said:
Bang on the money, Pla. Brain Damage/Eclipse aren't uplifting songs at all. The music itself is uplifting, but the lyrical content is not. The preceding songs simply lead up to that moment when the character of Dark Side (I'm not sure there's a "character" as such - but for the sake of simplicity, that's the word I'll use) has gone completely out of his mind. "And the sun is eclipsed by the moon." The moon has always been a symbol for lunacy. So those final words are not positive at all. By that point, the insanity has taken over. The moon, that lunacy, eclipses all rational thought.
It's one of the greatest endings to a record ever.
On a related note, I love the video for Brain Damage/Eclipse. That perspective shot that places the viewer in the gurney, travelling slowly down a hospital hallway with doctors peering out at you...sends shivers up my spine every time.
PS, COBL_04, you must get the whole Wall album! Life is not complete until you've heard Hey You and In the Flesh.
Are there any queers in the theatre tonight?
Get 'em up against the wall
Now there's one in the spotlight, he don't look right to me!
Get him up against the wall
And that one looks Jewish!
And that one's a coon!
Who let all of this riff raff into the room?
THERE'S ONE SMOKING A JOINT!
AND ANOTHER WITH SPOTS!
IF I HAD MY WAYYYYY, I'D HAVE ALL OF YA SHOT!
http://www.youtube.com/watch?v=DS2erz9Ym5Y
Zootlesque said:I know that you really admire Waters, Steph but... I simply cannot bring myself to like Waters any more than the others. You have to admit, he did steer the band into a total dictatorship, kicking Wright out and dominating everything. And more often than not, he comes off as a bitter, rude and arrogant prick to me. Sure, his songwriting had bite and the spice I guess as opposed to Gilmour's somewhat bland lyrics. But without Gilmour's beautiful guitar work complimenting his songs, Waters comes off too depressing and boring to me. There's a reason the title track is my favorite song on Final Cut, an album which I like but don't think it comes anywhere near the brilliance of The Wall or the other albums at their peak between 1971 and 1979.
hardyharhar said:
GG, maybe you can enlighten me on something. My memory of the Wall live has the band behind the wall out of sight, once the wall was completely built. Now, the Floyd by nature encouraged the partaking of certain substances that, shall I say, altered the reality of what may actually have been taking place. I noticed in this video they are in front. Was anything changed from Uk to USA shows?
Screwtape2 said:Sure the albums from 71-79 were great but you could easily put Amused To Death among them.
Zootlesque said:I know that you really admire Waters, Steph but... I simply cannot bring myself to like Waters any more than the others. You have to admit, he did steer the band into a total dictatorship, kicking Wright out and dominating everything. And more often than not, he comes off as a bitter, rude and arrogant prick to me. Sure, his songwriting had bite and the spice I guess as opposed to Gilmour's somewhat bland lyrics. But without Gilmour's beautiful guitar work complimenting his songs, Waters comes off too depressing and boring to me. There's a reason the title track is my favorite song on Final Cut, an album which I like but don't think it comes anywhere near the brilliance of The Wall or the other albums at their peak between 1971 and 1979.
hardyharhar said:I'm still a little confused. If they played Hey You behind the wall, how did the drum set and keyboards get out front afterwards. Or were there two sets of equipment.