Here's my next one:
"The Unforgettable Fire"
1.The Three Sunrises
2.A Sort Of Homecoming
3.Indian Summer Sky
4.Wire
5.Boomerang 2
6.Pride(In The Name Of Love)
7.Boomerang 1
8.Untitled Instrumental(demo - thanks Screwtape)
9.Love Comes Tumbling(false start version from the best of 1980-1990 b-sides)
10.Sixty Seconds In Kingdom Come
11.Promenade
12.Bass Trap(long version)
13.The Unforgettable Fire
14.Elvis Presley And America
15.4th Of July
16.Bad
17.MLK
Starts off with the up-tempo stuff - The Three Sunrises, ASOH, ISS, Wire, then goes into a long stretch of atmospheric/instrumental stuff(the boomerangs, the untitled instrumental demo, Sixty Seconds In Kingdom Come, Promenade, Bass Trap) with Pride and Love Comes Tumbling in the middle of it, and then ends with the darker stuff - the title track, EPAA, Bad, MLK. I found that the instrumentals are great segues that allow the eclectic tracks from this time period to be connected together in a way that creates a very natural flow. Pride is more pop-ish than anything else on the entire record, and I think the boomerangs do a good job of leading into and out of it, the untitled instrumental does a good job of connecting boomerang 1 to Love Comes Tumbling, and the Sixty Seconds In Kingdom Come/Promenade/Bass Trap trio do a great job of connecting Love Comes Tumbling to the title track. Finally, I used the 'false start' version of Love Comes Tumbling because every time I listen to the other version, it just feels like something is missing to me.