BVS
Blue Crack Supplier
That still doesn't even come close to the definition of 'prejudice'... :facepalm:
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Yep, it is widely considered as an album between their awesome debut and their first break through album - War. It is considered to be unfinished, not worthy for paying more attention. But it´s full of wonderfull ideas, it sounds more consistent than collection of singles from the early times on Boy and much less forced than War. It is a unique and beautiful album.
Prejudice is prejudgment, or forming an opinion before becoming aware of the relevant facts of a case. The word is often used to refer to preconceived, usually unfavorable, judgments toward people or a person because of gender, political opinion, social class, age, disability, religion, sexuality, race/ethnicity, language, nationality, or other personal characteristics. In this case, it refers to a positive or negative evaluation of another person based on their perceived group membership.[1] Prejudice can also refer to unfounded beliefs[2] and may include "any unreasonable attitude that is unusually resistant to rational influence".[3] Gordon Allport defined prejudice as a "feeling, favorable or unfavorable, toward a person or thing, prior to, or not based on, actual experience".[4]
Don't be prejudiced against non-native English speakers!
It's definitely not an album you "rock out" to and I don't find it to be an album to "chill out" to, it's just....there.
There's rarely a song I'd rock out more to in U2's catalogue than Rejoice.
.
All just a bunch of Octoberists.
Or Anti-Octoberites?
Anti-prejudite?
There's rarely a song I'd rock out more to in U2's catalogue than Rejoice.
And there's rarely a song I'd rather chill out to than the title track.
October - they just let go off themselves, they wandered into new teritorries, even if the result is imperfect, it is much more exciting and authentic
Agree 100%. In the early 1980s, U2 weren't crafting albums like they can (afford to) now, they were just getting as much passable stuff on tape as they could before the deadline. The first two albums came out the way they did just because of deadlines and songs available (and Lillywhite's assistance), not because the band was consciously "trying" new things. They didn't know anything yet. On War, they had a little longer to work on it and actually craft some proper songs a bit, but even then I think they were still going with the flow.I really don't think they were doing that... they just ran out of time (and suitcases with lyrics/songs) and they were forced to finish the record with what they already had.
If back then they have had the power they have now, there's no way they would've released October as is, they would've just pushed the deadline until they thought the album was ready.
unicorn feces
To me until we hear these songs live -- it's hard to judge the album. Because it takes on a new life for me. Of course sometimes the track is better than the live version to me (see Crazy Tonight), but 99% of the time the live performance takes songs that seem average into stellar territory.
They don't even feel real until I hear them do it live. Am I alone?
Hey, Crazy tonight tribal mix sounds more exciting to me
The best remix is the Spanish version of "Magnificent" titled "Magnifico".
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i don't usually involve myself in these types of threads, but this album unfortunately has become a big meh for me, unfortunately.
there are only two songs i care for at all, sleep like a baby tonight and the troubles.
with that said, i'd have to put it near the bottom, above HTDAAB and October.
volcano is hilarious how bad it is... i thought stand up comedy was bad, this is perhaps even worse.
Yep.yeah, if I had to compare it to something I would probably say Elevation, a simple, meaningless but fun tune.
Volcano is the shit guys, it's one of the few tracks on this record not putting you to sleep instantly.
Volcano is the shit guys, it's one of the few tracks on this record not putting you to sleep instantly.