AndrewCowley said:Brandon has an amazing voice.
Sad for the people who can't view this as an excellent homage. It isn't even meant to be a full cover - it's like U2 doing when will I see you again before stuck - it's an intro to another song. Great to see Brandon's voice back in full tilt.
It's.
A.
Snippet.
Bono's done plenty of horrible snippets in his time.
Why doesn't someone ban her ^
It's.
A.
Snippet.
Bono's done plenty of horrible snippets in his time.
Thaavi said:He has a good singing ability, but the thing is he sang it like a singing competition contestant, kinda like a studied musical singer. And the guitarist didn´t even attempt to do justice to this song, maybe he would have failed but he didn´t even try anything. I was watching Glastonbury the other day and Bono threw a few snippets like Movin´on up, Jerusalem, Yellow, Arrows of desire and it was all great and authetic
Jerusalem was dreadfull i was there and everybody was like "what the f##k"
Yellow was good and i loved the beyonce snippet during mysterious ways.
I had no problem with the Jerusalem-snippet. He sang it well, although a bit rushed. What I didn't like however was how it segued into Streets. That transition works best when it's long, very harmonic and when you can sort of sense what's about to come. That's when it's truly magical. Here it just sort of appeared suddenly (that The Edge messed up his guitar intro didn't help either) which felt like a huge anti-climax.
The snippets of Rain, Amazing Grace, Hallelujah etc. worked much better for that purpose on the 360-tour IMO.
To be fair, Killers did a magnificient job with Ultraviolet, maybe the best U2 cover ever done, it is so original and so good