Growing up in really, really early 80s Scotland, you had a core of bands cut from a similar cloth you liked and listened to and spent your very little money on; Simple Minds, Big Country and yes - of course - U2. For most of us that was (almost) the "order" and you could also add The Waterboys as well or The Alarm and a few other similar acts at the time (The Silencers, The Blue Nile) who had a similar style or were from the same management stable or just had a musical and personal bond and a kinship. "Great times in commotion...."
I saw it mentioned a lot on the gone but not f*rgott*n @u2 forums "we're here because we LOVE U2!" No , I was "there" (well I read it!) and also here because I like the music and like to read the opinions, I profess no love for any band, certainly no blind loyalty during any pereceived fallow times, so when the band misfires for me, I'll call it but will try and find some light, some diamond in rough. But, millennial U2 has misfired a lot alas and while the 2000 and 2004 albums (oh for some short album titles guys?) sounded pretty great at the time, I felt they wore out that short term welcome quickly and I rarely listen to either record as complete experiences anymore and with No Line on The Horizon I had to make a hybrid playlist to not sit through the inane Boots and Comedy, albeit I have no such animosity towards Crazee 2nite or the "Move To Trash!" song. No Line does have some great moments that I return to a lot, Moment Of Surrender, Fez/Born, White As Snow, Cedars, the title song as well as Winter and Soon from the same period. Likewise, with Innocence, again it falls flat with most of the opening salvo, the clunker that is Miracle, the Tedder neutered version of Breaking Wave and well... most of what would have been 'Side One' in days of yore, however the amazing run between Wolves through to Troubles? this is as good as any of the pre 2000s records. Great in fact. The Apple gimmick was a kind of hamfisted attempt to channel what NIN had done miles better with The Slip and Ghosts four years prior and also tapped into the Radiohead idea as well. The finger touching moment though... eugh...
Now to Songs of Experience. Ach. Buggerations. Too many songs to begin with including the deluxey thing. In the past, U2 generally seemed to know 10-11 was usually 'it' aka - Enough. The remixes of songs from 2013 and 2016 are really unwelcome but you can easily move them aside as extras. Unlike SOI, for me there is no such "Side Two run", on Experience, there is just frustrating mediocrity in places and some really bad wordplay almost running as a vein throughout with only the rather wonderful studio version of Little Things as an instant 'oh yes!' moment - ie. what Sleep and MOS were on the previous two records. The opener is a kinda odd sorta TUF moment in it's brevity and musical backing, like that album opening with 4th July, MLK or Promenade instead of Homecoming, but the songs post Lights Of Home, which I also rather like and pre Little Things are either just really poor (the instan grat "singles" run) or I can find no real "wow hit the replay now" reasons (Landlady, Showman, Summer), aside from Red Flag Day. That one's slightly old skool in it's vibe, even the title and the Edge (?) backing vox hark back to simpler times and it is a decent song on first listen which always harbours some good, but my god, nothing leaps out like Little Things. Onwards - Love Is Bigger? yeah the derided whoahs really irk a bit frankly, think I need a few more rounds with it same with the Book of Your Heart bonus. However I do find13 less offensive than it's sugary "source material" from 2014, it has some cool atmospherics and I assume 13 is a Tedder free moment? you know, what with atmospherics and cool being used to describe it, well I could be wrong better check the pdf later for the dreaded credits.
The instant grat "singles" to date have been amongst the most disappointing music U2's released in my years listening to them, I mean I'd lived with the bones of Best Thing for a year as a recognisable non beach clip song and I didn't think it was much good in 2016, therefore felt it impossible for them to be able to transform it into a coherent verse n' chorus song as opposed to the sort of Frankenstein's monster it is with said verse and chorus at such odds, only it's last 30secs does some greatness come forth. 'Own Way is an Invisible, B-Day hybrid, sorry it is, I mean it's not
offensive but I just find it a lazy offering given what the band can STILL do clearly when it suits them. And... American Soul.. just no, tis the SUC of this record by a mile and nae pun on the acronym of course as per usual
The Blackout? yes, okay, I find some of the lyrics a tad eyerolling, but the vibe (rhythm section especially) channels Hella Good by No Doubt which is no bad thing.
Again.... Simple Minds & U2 (and later on R.E.M. too) were my core day one purchase go-to acts for most of the last 30+ years of my life and while the former and latter (imo) never delivered a new album that needed serious playlist surgery from the start during their millennial eras, (the Minds got that out of their system between 1991 and 1998) U2 have yet to deliver a simple 10 song set that I can enjoy all the way through, something as wonderful as Elbow's Little Fictions or Weller's Kind Revolution (both this year, both 10 song records) or and as far as longstanding acts releasing new music in the last few years the last few records by artists ie. Bowie's final
quartet of releases, Embryonic and The Terror by The Flaming Lips and the aforementioned post 2004 albums by Paul Weller and lastly the recent NIN/Reznor/Ross releases.
Bono? ach, come on man, just gie us an album, one with no sequence that make you tear the album flow up from the second listen, shoehorn alternate mixes or demo versions into place or remove songs completely, casting them kicking and screaming into that dark empty and frightening zero play category in your iTunes, the 2-3 star song Mordor. Opinion aside and that's all it is, I won't rain on the parades of those who like the album and I do remain invested in this band through the - subjective - rough patches and like many slightly let down by this record, I'll post on and read the site but am really frustrated and saddened at this (I hope temporary, but I fear it's not) phase of U2... For me, the record is just a very average album from a very good to great band who have been in my world since (yes) that October of 1981. A band great much of that time, these 36 years, but this record just isn't one of those 'times' by a long shot... but ach, it also shows still that they can be great, but why is it in such frustrating brief moments....
5/10 alas = yes perhaps a good/great EP.
(edit) 2017 Rankings I guess....
01. The Unforgettable Fire
02. Achtung Baby
03. Boy
04. The Joshua Tree
05. War
06. Zooropa
07. October
08. Pop
09. Rattle & Hum
10. Passengers (I know, I know...)
11. No Line On The Horizon
12. All That You Can’t Leave Behind
13. Songs Of Innocence
14. How To Dismantle An Atomic Bomb
15. Songs Of Experience