Cactus Annie
Refugee
I thought Desire was a blues track and Angel Of Harlem was Gospel.
What's wrong with pop music anyway?
What's wrong with pop music anyway?
Cactus Annie said:What's wrong with pop music anyway?
'Desire' is a not a blues. While blues need not be strictly 12-bar or 16-bar songs with bent notes, I don't think even the loosest definitions would include something like 'Desire'.I thought Desire was a blues track
I personally think of Gospel as a 'content'-term, not a musical one, and as such 'Angel of Harlem' is not a gospel song (although dozens of U2 songs are, at least in a general sense). But I suppose it depends on your interpretation of the lyrics. In some sense, U2 are a gospel group.and Angel Of Harlem was Gospel.
Fair enough. They dedicated it to Billie Holiday, and it references a loose assortment of New York-area black performers. But I don't disagree with you because I think nearly every U2 song is a gospel song (okay maybe not "Numb").Yeah. I shall call Angel Of Harlem a gospel track.
It could be said to be "bluesy" in texture, but I think of it as an homage to early rock'n'roll. Obviously, it's using the "Bo Diddley beat".Desire is Bluesy.
Good for you -- blues constitutes the richest vein of any folk music I know of. There's such a range of stuff, and often expressed in such a simple musical structure. (Not sure about "Red Hill Mining Town", though -- that's about as un-blues as guitar music can get! Sure is a great song, though!)I've just discovered that I like the Blues.
I really wouldnt mind if U2 did a "dance song" for their first single. They always say when you hear a U2 song it clears the dance floor. They havent made that song yet where the 20 somethings are out at the club and dance to it. I say go for it.
As much as the Adele song "someone like you" annoys me the "dance" version is still kinda cool. Semi-deep borderline cheezy lyrics to a synthesized dance groove with edge guitar - Im on board.
I also want new U2, but I also don't want any mediocre middle-of-the-road songs that they slapped together.
Never thought I would say that either but at this point I dont care. I just want some new U2.
Fair enough. They dedicated it to Billie Holiday, and it references a loose assortment of New York-area black performers. But I don't disagree with you because I think nearly every U2 song is a gospel song (okay maybe not "Numb").
They tried with MW, and Discotheque and moreso Mofo. (making a dance song). Not sure they could legitimately do it at 50, either.
Magnificent aka French Disco certainly didn't do it.
Some of the remixes do it though. (LWSH extended mix, MW remixes, EBTTRT Perfecto remix)
Would The fly, slowed down a bit and taking off the effects, count as a blues song ? Flanagan calls it a blues song in his book.
Don't care for 'em.What about the dance tracks on Pop?
Cactus Annie said:Yeah but U2 could work with Paul Oakenfield again. I agree that Pop didn't have the best dance tracks ever. I think U2's best dance track was EBTTRT which was the re-working of Oakenfield
I love dance music.
Globo14 said:
schnumi said:Dear god what a terrible version of the fly, it needs to be electric people come on!
Would The fly, slowed down a bit and taking off the effects, count as a blues song (and given the "phone call from Hell" description of the lyrics) ? Flanagan calls it a blues song in his book.