Here's Bono's speech
Bono's Speech at the 1999 Hall Of Fame Induction Ceremony
Bruce is a very unusual rock star, really, isn't he? I mean, he hasn't done the
things most rock stars do. He got rich and famous, but never embarrassed himself
with all that success, did he? No drug busts, no blood changes in Switzerland.
Even more remarkable, no golfing! No bad hair period, even in the '80s. No
wearing of dresses in videos. No embarrassing movie roles, no pet snakes, no
monkeys. No exhibitions of his own paintings. No public brawling or setting
himself on fire on the weekend.
Rock stars are supposed to make soap operas of their lives, aren't they? If they
don't kill themselves first. Well, you can't be a big legend and not be
dysfunctional. It's not allowed. You should at least have lost your looks.
Everyone else has. Did you see them? (Points toward backstage area) It's like
Madame Toussaud's back there.
Then there's Bruce Springsteen. (cheers) Okay - Ohhh!!! Handsome, handsome mother
with those brooding brown eyes, eyes that could see through America. And a
catastrophe of great songs, if you were another songwriter. Bruce has played
every bar in the U.S.A., and every stadium. Credibility -- you couldn't have
more, unless you were dead. But Bruce Springsteen, you always knew, was not gonna
die stupid. He didn't buy the mythology that screwed so many people. Instead he
created an alternative mythology, one where ordinary lives became extraordinary
and heroic. Bruce Springsteen, you were familiar to us. But it's not an easy
familiarity, is it? Even his band seems to stand taller when he walks in the
room. It's complex. He's America's writer, and critic. It's like in 'Badlands,'
he's Martin Sheen and Terrence Malick. To be so accessible and so private ...
there's a rubric. But then again, he is an Irish-Italian, with a Jewish-sounding
name. What more do you want?!? Add one big African sax player, and no one in this
room is gonna fuck with you!
In 1974, I was 14. Even I knew the '60s were over. It was the era of soft-rock
and fusion. The Beatles was gone, Elvis was in Vegas. What was goin' on? Nothin'
was goin' on. Bruce Springsteen was comin' on, saving music from the phonies,
saving lyrics from the folkies, saving leather jackets from the Fonz. (Sings)
'Now the greasers, they tramp the streets and get busted for sleeping on the
beaches all night, and them boys in their high heels, ah Sandy, their skins are
so white. Oh Sandy, love me tonight, and I promise I'll love you forever.' In
Dublin, Ireland, I knew what he was talking about. Here was a dude who carried
himself like Brando, and Dylan, and Elvis. If John Steinbeck could sing, if Van
Morrison could ride a Harley-Davidson .... It was something new, too. He was the
first whiff of Scorsese, the first hint of Patti Smith, Elvis Costello and the
Clash. He was the end of long hair, brown rice and bell bottoms. He was the end
of the 20-minute drum solo. It was good night, Haight- Ashbury; hello, Asbury
Park. (cheers) C'mon!
America was staggering when Springsteen appeared. The president just resigned in
disgrace, the U.S. had lost its first war. There was going to be no more oil in
the ground. The days of cruising and big cars were supposed to be over. But Bruce
Springsteen's vision was bigger than a Honda, it was bigger than a Subaru. Bruce
made you believe that dreams were still out there, but after loss and defeat,
they had to be braver, not just bigger. He was singing 'Now you're scared and
you're thinking that maybe we ain't that young anymore,' because it took guts to
be romantic now. Knowing you could lose didn't mean you still didn't take the
ride. In fact, it made taking the ride all the more important.
Here was a new vision, and a new community. More than a community, because every
great rock group is kind of like starting a religion. And Bruce surrounded
himself with fellow believers. The E Street -- it wasn't just a great rock group,
or a street gang. It was a brotherhood. Zealots like Steve Van Zandt, the bishop
Clarence Clemons, the holy Roy Bittan, crusaders Danny Federici, Max Weinberg,
Garry Tallent, and later, Nils Lofgren. And Jon Landau, Jon Landau, Jon Landau,
Jon Landau, Jon Landau. What do you call a man who makes his best friend his
manager, his producer, his confessor? You call him the Boss. And Springsteen
didn't just marry a gorgeous, red-headed woman from the Jersey Shore. She could
sing, she could write, and she could tell the Boss off. That's Patty right there.
(points toward crowd)
For me and the rest of the U2-ers, it wasn't just the way he described the world.
It was the way he negotiated it. It was a map, a book of instructions on how to
be in the business but not of it. Generous is a word you could use to describe
the way he treated us. Decency is another. But these words can box you in. I
remember when Bruce was headlining Amnesty International's tour for prisoners of
conscience, I remember thinking 'Wow, if ever there was a prisoner of conscience,
it's Bruce Springsteen.' Integrity can be a yoke, a pain...when your songs are
taking you to a part of town where people don't expect to see you.
At some point I remember riding in an elevator with gentleman Bruce, where he
just stared straight ahead of himself, and completely ignored me. I was crushed.
Only when he walked into the doors as they were opening, did I realize the
impossible was happening. My God, Bruce Springsteen, the Buddha of my youth, is
plastered! Drunk as a skunk! Is this a farce? I have to go back to the book of
instructions, scratch the bit out about how you held yourself in public. By the
way, that was a great relief.
Something was going on, though. As a fan I could see that my hero was beginning
to rebel against his own public image. Things got even more interesting on
'Tunnel of Love,' when he started to deface it. A remarkable bunch of tunes,
where our leader starts having a go at himself, and the hypocrisy of his own
heart, before anyone else could. But the tabloids could never break news on Bruce
Springsteen. Because his fans -- he had already told us everything in the songs.
We knew he was spinning. We could feel him free-falling. But it wasn't in chaos
or entropy. It was in love.
They call him the Boss. Well that's a bunch of crap. He's not the boss. He works
FOR us. More than a boss, he's the owner, because more than anyone else, Bruce
Springsteen owns America's heart.
I'm proud to introduce to you Bruce Springsteen, member of the E Street Band.
Come on!