Globo14
Refugee
Crazy Tonight doesn't fit with the album.
That said, it's my second favorite track off the album, only after Breathe.
That said, it's my second favorite track off the album, only after Breathe.
"Boots" is the one song I just can't connect with. What is the song supposed to be about, because I'm not really getting it.
"Boots" is the one song I just can't connect with. What is the song supposed to be about, because I'm not really getting it.
"Boots" is the one song I just can't connect with. What is the song supposed to be about, because I'm not really getting it.
I agree about MOS and I also love Breathe and Magnificent but after that the songs get a bit weak. Overall, I like the album but it's not as their other 2000 material (I'll probably get killed for that). My reasoning:
1-Unknown Caller- the lyrics hear are weak and I cannot connect to them
2-GOYB- Great beat and sound to this song but lyrically it makes me cringe at certain moments
3-SUC- Similar to Last Night on Earth from POP, I want to like this song but I just can't for some reason
4-COL-I don't like this song at all. The melody is just not appealing to me and lyrically it's weak
Now those are just my opinions and others might love those songs but I can't get into them. Perhaps over time I will.
It's East African for "put on a condom", according to Bono. U2 live@ Jonathan Ross '09 (Get on Your Boots & Breathe) - YouTube Must be a song about sex, then.I really like the album, and feel that it actually flows very well. IMO, Crazy Tonight and Stand Up Comedy are both great songs that fit in just fine with the album.
"Boots" is the one song I just can't connect with. What is the song supposed to be about, because I'm not really getting it.
One thing I don't get about Boots is that almost everyone prefers the live version. At least the studio version has some groove and some interesting sounds in the back of the mix. They just made it even plainer live. The only thing that they improved is the lyrics.
GopherMacPhisto said:Am I the only one here who thought the "Crazy Tonight" remix from the 2011 tour >> the album cut of "Crazy Tonight?
Am I the only one here who thought the "Crazy Tonight" remix from the 2011 tour >> the album cut of "Crazy Tonight?
The riff is good, but that's all the song's got live.were you watching the gig from outside the stadium or something? Edge fucking melted the walls with that riff at the three shows I saw...
I think the people who prefer the album cut are in an extremely small minority.
i thought boots was about feminism, being strong and dependent on no one.
LuckyNumber7 said:That's what I thought too. Or something along the lines, at least.
GopherMacPhisto said:Am I the only one here who thought the "Crazy Tonight" remix from the 2011 tour >> the album cut of "Crazy Tonight?
I don't necessarily think that the album cut is better than the live version, but I definitely prefer the album version over the performance included on Artificial Horizon.
U2 are such good songwriters that I think they should more-or-less give up on trying to craft perfect albums. When they got the balance between craft and fresh inspiration just right (Unforgettable Fire, Joshua Tree), it paid to spend time on the record and make it as good as possible. But with Pop and No Line On The Horizon, I feel that the time spent trying to craft the exact sounds they wanted had the inverse effect of making the results sound labored and over-worked. I say, just work on a batch of songs until you have 10 or 11 great ones, record them quickly, and then just release them! Another bonus is that we might not have to wait 6 years between albums.
EBW and/or Winter still would not have made for a great album.
Despite the theories.
ATYCLB tanks midway through, HTDAAB is more consistent but precious few moments of greatness and NLOTH is the best song quality-wise U2's been in years.
Didnt bono once say its about women taking over the world?