corianderstem
Blue Crack Distributor
Canoodling is such a great word.
I really struggle to find stuff to say about most bands/albums/shows, especially if the site wants the writing to be a certain way (which happened with the local site). I'd rather put a lot of 'me' into it.
I want to dissect the lyrics of this album a bit so we can discuss them more directly, but I can't find half of them online.
I don't think all of these are accurate... Pretty sure he pulled them out of his ass.Sorry about some of the links being ugly, but here you go:
Love Is All We Have Left lyrics by U2 - U2's Song Lyrics
Search results for lights of home - U2's Song Lyrics
Search results for you're the best thing about me - U2's Song Lyrics
Search results for get of your own way - U2's Song Lyrics
Search results for american soul - U2's Song Lyrics
'Summer of Love' song lyrics by U2 - U2's 'Songs of Experience' album lyrics
'Red Flag Day' lyrics by U2 - U2's 'Songs of Experience' album lyrics
U2's The Showman (Much More Better) song lyrics - U2's 'Songs of Experience' album lyrics
U2's 'The Little Things That Give You Away' song lyrics - U2's 'Songs of Experience' album lyrics
Blackout lyrics by U2 from Songs of Experience - U2's 'Songs of Experience' album lyrics
Search results for landlady - U2's 'Songs of Experience' album lyrics
"Love is bigger than anything in its way" U2 Song lyrics - U2's 'Songs of Experience' album lyrics
U2's lyrics "There Is a Light" - U2's 'Songs of Experience' album lyrics
Book Of Your Heart lyrics by U2 - U2's Song Lyrics
I don't think all of these are accurate... Pretty sure he pulled them out of his ass.
That's a good line, cori, hah.
Re: Pitchfork, it's my #1 source for music news and reviews, I don't get why everyone is so snooty about them, I've always found them to be great and reasonably balanced!
They've also been much fairer to U2 than y'all are saying. The NLOTH review is a bit extreme, but everything else has been pretty on the money. I think the fact that they are reviewing them at all is good, considering that they aren't really relevant to their audience. I totally agree with Peef, it's U2's attitude that makes Pitchfork's writing about them seem snarky. The issue is with U2, not with Pitchfork.
This, for example, is a terrific and completely fair piece on them, and one I happen to agree with wholeheartedly: https://pitchfork.com/thepitch/1406-u2-are-finally-acting-their-age/
I want to dissect the lyrics of this album a bit so we can discuss them more directly, but I can't find half of them online.
Haha, “great and reasonably balanced”, let’s remember Fox’s tagline... Choirs liked to be preached to, and this is nothing but low hanging fruit: “Largely deemed the musical equivalent of malware, 2014’s Songs of Innocence was a misstep, and its fumbled rollout made it even easier to mock Bono’s messiah complex and his band’s lack of self-awareness. They misjudged the moment in a very public way, appearing out of touch.”
Before we actually start speaking about the tour remember the malware and the 30 year old “messiah complex” that us great and balanced journalist like to use. It’s honestly the equivalent of Fox trying to write something about Clinton, but making sure they mention emails and Benghazi before getting there.
Haha, “great and reasonably balanced”, let’s remember Fox’s tagline... Choirs liked to be preached to, and this is nothing but low hanging fruit: “Largely deemed the musical equivalent of malware, 2014’s Songs of Innocence was a misstep, and its fumbled rollout made it even easier to mock Bono’s messiah complex and his band’s lack of self-awareness. They misjudged the moment in a very public way, appearing out of touch.”
Before we actually start speaking about the tour remember the malware and the 30 year old “messiah complex” that us great and balanced journalist like to use. It’s honestly the equivalent of Fox trying to write something about Clinton, but making sure they mention emails and Benghazi before getting there.
What they ended up with was a batch of overcooked attempts at radio success, mostly produced by Danger Mouse. It reeked of desperation: a long-in-the-tooth act hopes to freshen up their sound, so they look to a younger but proven producer—in this case, someone who hadn’t been on “the cutting edge” for about a decade.
BVS stop sooking for half a second and try to look at it objectively. Is it so wrong? U2 are, and always will be, my favourite band ever, but come on. That's hardly an outrageous sentiment.
Even if you like SoI, a lot of people didn't, including fans of the band. "Misstep" is hardly egregious. "Fumbled rollout" is entirely accurate. The release was extremely out of touch and lacked any shred of self-awareness, I don't know how anyone could argue against that.
To compare Pitchfork to Fox News writing about Hillary's emails says a lot more about you than it does about them.
But he hasn't been at the cutting edge for about a decade......
And arguing that 50% doesn't equal "mostly" is a huge grasping of the straws.
After listen #4, 13 is my favorite, listening to Bono talk to his young self, in that last time before his world falls apart. I mean, damn.