I wouldn’t be surprise if they record it as an old school country song. Like, early 70s Willie Nelson or Kris Kristofferson
It is, after all, the stuff of country songs
I wouldn’t be surprise if they record it as an old school country song. Like, early 70s Willie Nelson or Kris Kristofferson
The TikTok user is TheFly90 - I think all they did was take the Bono book tour audio snippets and tack them over the promo video just released yesterday.. they also did 40 too
https://vm.tiktok.com/ZMFo8vjhq/
And yeah I guess that shouldn't have been so hard for my still 30something acting ass lol
for me - I'm choosing to see Songs of Surrender as the product as band curious about itself. I can't see this as a lazy endeavor. Why do this, if not to challenge them creatively in some way? They know it's not to sell records or support a tour - so it's not for money. Maybe contractual obligation? If so then why do 40 songs?
The fact that Edge is leading this is very telling, to me. I wouldn't be surprised if it some ways it rejuvenates his creativity, which has felt tired to my ears over recent releases
And I think the work they've done here will inform whatever new music follows. If so, what might be the takeaways?
Maybe a focus on arrangement over production - where the band, the performance and musicianship take centre-stage. They've already alluded that this is an aim of the their next record (see comments from Tedder)
Maybe a focus on intimacy over bombast or bigness - where they seek to connect via different means. Not something that's been their strength in the past save for a few glorious examples (Running to Standstill, comes to mind). It will be fascinating to see if they pull this off with any sort of consistency on SOS
for me - I'm choosing to see Songs of Surrender as the product as band curious about itself. I can't see this as a lazy endeavor. Why do this, if not to challenge them creatively in some way? They know it's not to sell records or support a tour - so it's not for money. Maybe contractual obligation? If so then why do 40 songs?
The fact that Edge is leading this is very telling, to me. I wouldn't be surprised if it some ways it rejuvenates his creativity, which has felt tired to my ears over recent releases
And I think the work they've done here will inform whatever new music follows. If so, what might be the takeaways?
Maybe a focus on arrangement over production - where the band, the performance and musicianship take centre-stage. They've already alluded that this is an aim of the their next record (see comments from Tedder)
Maybe a focus on intimacy over bombast or bigness - where they seek to connect via different means. Not something that's been their strength in the past save for a few glorious examples (Running to Standstill, comes to mind). It will be fascinating to see if they pull this off with any sort of consistency on SOS
for me - I'm choosing to see Songs of Surrender as the product as band curious about itself. I can't see this as a lazy endeavor. Why do this, if not to challenge them creatively in some way? They know it's not to sell records or support a tour - so it's not for money. Maybe contractual obligation? If so then why do 40 songs?
The fact that Edge is leading this is very telling, to me. I wouldn't be surprised if it some ways it rejuvenates his creativity, which has felt tired to my ears over recent releases
And I think the work they've done here will inform whatever new music follows. If so, what might be the takeaways?
Maybe a focus on arrangement over production - where the band, the performance and musicianship take centre-stage. They've already alluded that this is an aim of the their next record (see comments from Tedder)
Maybe a focus on intimacy over bombast or bigness - where they seek to connect via different means. Not something that's been their strength in the past save for a few glorious examples (Running to Standstill, comes to mind). It will be fascinating to see if they pull this off with any sort of consistency on SOS
On a separate note, last summer Bono mentioned that they didn't have a producer yet for the upcoming rock album, and that they're looking for a Mutt Lange, AC/DC type producer.
Who do you all reckon would be the best or most likely person the band might end up working with to create that sort of sound?
This version of Pride really did nothing for me. A quasi-interesting ending isn't enough to warrant repeated spins. Did enjoy Bono singing in his lower register, though.
Looking forward to the full album nonetheless. We're bound to get at least some good stuff, given the number of songs on this thing.
Are all these songs going to be acoustic/stripped down, though? Don't want to be presumptuous, but it's difficult to get excited about this thing if so...
And I think the work they've done here will inform whatever new music follows. If so, what might be the takeaways?
Maybe a focus on arrangement over production - where the band, the performance and musicianship take centre-stage. They've already alluded that this is an aim of the their next record (see comments from Tedder)
Maybe a focus on intimacy over bombast or bigness - where they seek to connect via different means. Not something that's been their strength in the past save for a few glorious examples (Running to Standstill, comes to mind). It will be fascinating to see if they pull this off with any sort of consistency on SOS
Good to have you back, sirThey are the best band of all time if they retired 20 years ago. Its all gravy since then and guess what, they keep putting out some great products that like Breaking Bad quality and sometimes it's Crystal Pepsi.
But most bands had 1 hit song and are now doing cruise ships or having to tour with 3 other bands so they can have enough songs to play together.
i don't know what the argument is really about other than say Spielberg's current movies aren't as good as the 30 years of non stop dominance that came before in his early career. He's losing to himself. The way some of you are comparing U2 songs to U2 songs. It's the same guys!
U2 is being punished by some fans literally for still being together, relevant and giving a shit.
Good to have you back, sir
I doubt putting out something like this was U2's first choice. I'm certain they'd prefer to release original material, but going down this road makes me think they're struggling with new songs. Maybe God has left the room.
And Bono has been saying the next record was going to be a straight head rock & roll, guitar record since like 5 albums ago.
is They’re Boring the new They’re Dumb/Lazy?
Can we go with? -- THEY'RE GETTING TOO OLD FOR THIS SHIT.