I noticed this thread the minute it started, 'cause I really love Pop. Even feel a little protective of the album, having been flamed
on *AHEM* [another board] when I tried to start a discussion about it. I'm just so proud *sniff* to find a cool discussion under such a title. Thanks, Zoocoustic, I really enjoy your observations.
The novelty of ATYCLB (plus the tour) has skewed the guage a little, but I've gone on record saying Pop is their best album. JT will probably always be my emotional "favourite" (that's another conversation), and AB is relentlessly seductive, especially tangled up with ZooTV like it is, but Pop...is the most
substantial record they've made. And Mofo, bar none, is the best f*cking thing they ever put on record.
Funny thing is, I wasn't even around for Pop! I took an unintentional kind of hiatus from U2 and from rock in general from about '93-'98 (GAD! that long??) I fell hard into classical, and considering 4 or 5 centuries of music to catch up on, I guess 5 years isn't so long...anyway, on the car radio one day, I heard U2 -- Bono's beloved voice -- doing a song I didn't know (SATS). UNACCEPTABLE.
So I went and bought Zooropa, and two weeks later, Pop. Was still struggling with Zooropa, though I wanted to give it some time before letting Pop in... they are both of a piece, spiritually, but where the first album gropes, the second album
finds, and Pop quickly commanded my attention.
They visited my town on the Popmart tour, too, and believe me, although deep into Beethoven and Verdi, I considered going. But the name, and the implied theme, of the tour discouraged me! I actually thought that, with the brilliant ZooTV, they had already covered the ironies of pop culture, that now they were only milking the joke's punchline. I wasn't sufficiently motivated. The local news at 11 showed me their entrance onstage that night, however...
Oh, how my heart swelled: "God, I LOVE those guys!" was my unanticipated response to that footage. I should have been there. A year later, I was; reassured by the depth of the band on the album, impatient with myself for doubting them.
Out of all of this, I experienced Pop. U2 in the darkness, the enduring chill...
where poets speak their heart, then bleed for it... Which they did.
I could write forever about every track, but let me say only this for now: I still don't like Miami as a song. But as a part of this overall experience, it now works for me. It's the world of Pop at its coldest, and therefore integral to it. Playboy Mansion seemed, yes, a lark on first listen, but it is silky and easy to listen to (today it struck me how it reminds me musically of Grace!); and that gospel coda at the end is magnetic, lodging it into the spiritual desperation of Zooropa :
then will there be no time for sorrow/then will there be no time for pain... The sorrow and pain in that song is too, too real. I can't imagine the album without it.
And Velvet Dress is unlike anything Bono ever did before -- and I thought So Cruel was unnerving! IYWTVD is to Achtung Baby (
Johnny, take a walk with your sister the moon) as Wake Up Dead Man is to JT (
but yes, I'm still runnin'!): bitter, and angry.
Pop is their darkness, perfectly realized. Yet, for a band so dedicated to the Light, it somehow cannot be their ultimate album, you know? Which is where ATYCLB comes in -- back-to-back albums, imagine! -- Faith, tempered by experience. Joy, coloured by pain. They've never made a record (or produced a tour) that wasn't perceived through their last one. Don't believe for one second that ATYCLB or Elevation was "easy" or lazy ... they argue with Popmart every time out, on all kind of levels.
God love 'em for it!
Man, I guess I had to get that out of my system
But it always feels good on Interference
*tuckered out now*
love,
Deb D
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***Grace makes beauty out of ugly things***
the greatest frontman in the world -- by truecoloursfly:
http://www.atu2.com/news/article.src?ID=1575