Hewson
Blue Crack Supplier
Yup
Clubs, stadiums and arenas on the same tour
Well clubs was actually theaters in most cities, I saw them at the Orpheum here. Still a very small place to see them.
Yup
Clubs, stadiums and arenas on the same tour
A special radio gig that won't get played ever on the radio. Swell
Not to mention every show is bootlegged and put out in usually inferior quality anyway./QUOTE]
I don't know about that. Besides the fact that this band's lucky enough to have nearly every show recorded by fans anyway, some of those copies are actually rather good for what it's worth. Granted, soundboard copies would probably be indisputably the go-to source, but I've heard plenty of 'soundboard' copies which weren't that great of quality anyway (guitar being mixed too low, etc.).
Crazy gig. Way too short but insane energy. I am still pumped up. Lots of celebs who appeared to be actual fans bouncing up & down in the VIP section. The place seemed to be packed mostly with real fans, which was nice.
I don't know about that. Besides the fact that this band's lucky enough to have nearly every show recorded by fans anyway, some of those copies are actually rather good for what it's worth. Granted, soundboard copies would probably be indisputably the go-to source, but I've heard plenty of 'soundboard' copies which weren't that great of quality anyway (guitar being mixed too low, etc.).
One reason might be copyright clearing on all those snippets, but to be honest I don't know
What a downer SFS must've been in that otherwise energetic set.
Song for someone actually seems perfect for such an intimate setting.
One reason might be copyright clearing on all those snippets, but to be honest I don't know
This show not being broadcast makes me think of the concert download thing and U2’s lack of forsight on it. I still do not understand why U2 does not offer live downloads/purchases of their shows from the soundboard. It is so easy to do and they record every single show anyway. Not to mention every show is bootlegged and put out in usually inferior quality anyway. Now shows get broadcast by Meerkat or Periscope as well. Setlists are different enough to make it worth while and having a soundboard copy of the show you attended for $10 - $20 would be WAY better than a T shirt to me. There is no legitimate reason why they should not do it. My guess is they just don’t care but they are all about quality control on everything else. Why not this? Someone ask them, please! The answer would most likely be BS and probably make it worse, so don't.
I got this inspires then to go a few more club gigs as the tour moves along.
I'm already lined up outside The Paradise for July 12.
Deal. You can be my personal Vik.Can I have a +1, and check in via text message with you every week or so?
I promise that in return I'll push anybody you want out of your way for you.
What you have heard is a board copy that was not originally meant for distribution and was bootlegged or one that was just recorded from the mixing desk feed (like some of the Wolfgangs Vault recordings) and has mixing variations that were never corrected. Listen to the official boots of some other major artists like Springsteen or Pearl Jam. They are great quality. In fact, Pearl Jam even offers different downloads, a polished mixed version or the raw version. Nugs.net (who handles Bruce, Pearl Jam, Metallica, etc) even takes care of a lot of the mixing and sound issues before posting them.
Honestly I think the reason they don't want every show out there is the same reason why they don't want to have truly rotating set lists, or why they're constantly tinkering with their albums causing constant delays...
They've become very self conscious and need everything to be perfect.
Out of curiosity... for those that do this consistently and are "great quality", how long does it take for them to get sent out/posted or whatever? I've heard some cases where these are put out immediately after a show, and maybe that explains the difference there?
It's as if they don't realise there are literally thousands - probably tens of thousands - of fans around the world who would throw good money at official recordings, especially of a show like this one. I'm about as jaded a fan as they come and even I would buy the Roxy show if U2 put it up for sale. Surely Bono needs a new gold-plated toilet seat?
I think Bruce does full covers quite a bit. So I don't think that is the issue. I don't think there really is one, other than U2 just don't care about it.
Going back to topic, why not broadcast this show? Makes ZERO sense. They just don't care. Which stinks IMO
When you cover a song in a live performance and want to release it, it is covered by compulsory license. That means as long as you follow the rules for payment of royalties and notification, you do not need permission to release the song.
Ironically, one of the only times I've ever heard of a band fouling this up was actually U2. They did not properly notify Stephen Sondheim under the rule on the Send In The Clowns snippet during Electric Co on Under A Blood Red Sky. As the rule says below, failure to provide notice constitutes a copyright infringement and Sondheim took action, which is why the snippet was edited out on all later editions.
"The compulsory license for non-dramatic musical compositions under Section 115 of the Copyright Act of 1976 allows a person to distribute a new sound recording of a musical work, if that has been previously distributed to the public, by or under the authority of the copyright owner. There is no requirement that the new recording be identical to the previous work, as the compulsory license includes the privilege of rearranging the work to conform it to the recording artist's interpretation. This does not allow the artist to change the basic melody or fundamental character of the work. In order to take advantage of this compulsory license the recording artist must provide notice and pay a royalty. The notice must be sent to the copyright owner, or if unable to determine the copyright owner, to the Copyright Office, within thirty days of making the recording, but before distributing physical copies. Failure to provide this notice would constitute copyright infringement. In addition to the notice to the copyright owner, the recording artist must pay a royalty to the copyright owner."
Hmm, interesting, how does this apply to the official downloads? Bruce does it all the time. Do they just send a general fee to the copyright owner or a fund? I'm sure there has been case law on this since 1976 that could change things a bit given the current technology.
It applies to all releases, doesn't matter on the format and there is no case law that changes it. That is the rule. Bruce simply follows the requirements, which are easy to comply with.
I would guess Nugs handles that for Bruce. No reason the same could not be done for U2. Anyway, I have hi jacked this thread enough, I think my position and point are clear on it.