I became a fan during Joshua Tree when I first saw the With or without you video. I was to young and a bit to late to see them during the JT tour but I was blessed to see them during Lovetown. I still don't get why the press was bashing them so much for being stale cause Lovetown rocked. More so if you hear the various bootlegs when they showed that they can deliver kick ass shows AND vary their setlists on a nightly basis. Maybe I was to spoiled in that regard to have that as my first show.
I never saw the FLy video until the best of 1990-2000 DVD, would you believe that? But I got The Fly single when it first came out. It was different but had some kick ass guitar in it. Which is always a plus for me since I play guitar. Especially at that time as I was getting more and more into hard rock and heavy metal.
I bought AB a little later and contrary to The Fly I hated it with a passion. All that dance crap was wasted on me since I hate electronic house and dance music with a burning passion still. To this day its my least favorite U2 album. I felt pissed on as a fan by a band whose singer stated that if they lost a few fans along the way, that was acceptable.
So I transfered my allegiance to Metallica at the time.
It were the bootlegs who brought me back. I knew this place in Utrecht which then sold bootlegs (no longer
) and out of curiosity I checked the U2 bin and found me a Zoo TV bootleg, the march 1 Miami show. I bought it to check out how the band did live these days. And to my amazement the AB songs I loathed came alive on stage. THere was quit some nice guitar work on it with lots of guitar solos for songs which even didn't have them. It rekindled my interest enough to get me ticket for the '93 Zooropa tour. The show didn't quit impress me much. The multimedia experience was nice but the '93 show in Nijmegen was in a large park, all GA basically. Which is nice if you are up front but way in the back in such a setup isn't the best place to experience any rock show. Stadiums are better for that then parks. I did pick up the Zooropa album afterwards and although its even more experimental then AB I've always quit liked it.
But I was still a headbanger at heart. Metallica went beyond Achtung Baby with Load and I chugged them sellout asses into the bin as well. Luckily there was still the monsterriffing madness that was Pantera. Besides, a 4 year wait between Zooropa and Pop is just to long. Such waits should be incidental, not the norm. Especially if your fandom is more casual then diehard. Diehards can keep themselves busy, are like cacti, they can survive the long drought between albums. Casuals need more nurturing to sustain their fandom, otherwise their allegiance might stray as mine did.
By 1996 the press was again full of rumors this time of even more dance influence and again I feared for the worst. When I heared Bono talking about Pop being a triphop album I was like fuck this, I'm outta here. This time I didn't get the new U2 album as it came out, I more or less ignored it. Until I got me a guitarmag with CD which had a feature on the Edge. On that CD were some Pop riffs and they sounded pretty decent. Even hard rockin'. So it was off to the shop and this time a pleasant surprise. No dance infested shite but pretty decent rockin'guitarwork still. Luckily Pop got a somewhat bad reception, including subpar ticketsales and I could still get a GA ticket months after they had gone on sale. So I went to Popmart and this time became a true believer once again.