Because it belonged on the Bomb and then they murdered it. Grant it mercy and put it out of its misery. Let it die.
Preach.Because it belonged on the Bomb and then they murdered it. Grant it mercy and put it out of its misery. Let it die.
Because it belonged on the Bomb and then they murdered it. Grant it mercy and put it out of its misery. Let it die.
Mercy is dead. There is no Mercy. The song was never that great to start with. Quite possibly the most overrated U2 song that was never released in history.
I agree with everything but "Let it die". It lives on in my custom Bomb playlist, and is still the best thing they recorded that decade before Moment Of Surrender.
What's mystifying is that it never even appeared as a b-side. Far worse songs have made that cut.
But it certainly doesn't belong on SOI, or No Line for that matter.
Ahh, the reactionary anti-Mercy voice. Assuming that it wasn't great because the band never officially released it.
Because it belonged on the Bomb and then they murdered it. Grant it mercy and put it out of its misery. Let it die.
Seriously. Isn't what they did to Every Breaking Wave bad enough?
So this thread isn't just another bland opinion-fest about how great/awful Mercy is:
I would imagine that thematically it would fit better in the scope of Songs of Experience (given the Blake titling, wouldn't it be great if the album was simply called "...And of Experience"). Given how much songs like Glastonbury evolved to be on this record, Mercy could be totally different to what any of us think of it (if it still exists), and could pop up anywhere. Or not.
Well, the direction they were going in the live rendition was not promising -- so I'm not missing it.
That's not what I said. Anyway, it's been 9 years since we first got the song. Then we got the WWIE version. It's had whatever day it's going to have.
Mercy is one of my favourite U2 tracks, but I don't think it would have fit on this album at allll. Maybe Songs of Experience? one can hope...
"Invisible" does at least musically, if not thematically.
Invisible doesn't fit thematically? A song about asking for his parents' approval to go off and become a rock star doesn't fit on an album about leaving home to become a rock star?
I've never really interpreted the song that way. I felt it was more about the struggles of Bono with his father. Music was one way he was able to escape that, but I never viewed the song as "permission" (and, of course, it would be his parent by the time Hype/Feedback were formed).
But your interpretation does indeed suggest that the track would fit in nicely on this album (perhaps why it was, once upon a time, suggested to be the first single).
I have the album as the second track on my playlist of SoI. It fits in very nicely and makes the transition between "Miracle" and EBW incredibly smooth.