bgmckinney
Acrobat
Aygo said:I have one question: can't an album be melodic and at the same time be dark, obscure and experimental or heavy?
Yes and no. I'm thinking that darkness and heaviness come from harmony and rhythm, rather than melody.
I don't mean that dark songs can't have good melodies - but that if you are going to *focus* on melody, your songs are probably going to be bright rather than dark. I think darkness is based primarily on dissonance, which is a harmonic concept.
Try imagining the melody of a particularly dark U2 song - Acrobat, Ultraviolet, Wire, Exit - sung over a harmonically lighter chord progression.
If you focus on harmony, you can be lighthearted or moody and dark. But I think if you focus on melody, you're going to be lighter, because harmony is an essential ingedient in the darker aspects of music, but not in the brighter ones.