The Vertigo Tour has proven the band have improved in performing:
-Larry can still drum those Boy songs with authority and speed, while maintaining the robot-like precision and time he developed in the 90's.
-Edge is better at playing chords now than ever before, as shown by his acoustic version of Yahweh, where all five or six strings (depending on the chord) were strummed in perfect time (same intervals between strings down to the nanosecond) and in perfect volume (no note was louder than the other because mere mortal guitarists usually get lazy when they reach the last two strings and the time is slower and the levels lower).
-Adam has intensified his showmanship with his walk around the B-stage with New Year's Day, and plays the old songs with more groove
-Bono has found a new voice in his screams (the "yous" in All I Want Is You Buenos Aires were better than any Lovetown version) and his operatic exercises (Miss Sarajevo and Sometimes You Can't Make It On Your Own)
U2 did release some promising albums in the past starting with the Joshua Tree. But those albums were one-dimensional. The Joshua Tree felt like watching a widescreen movie in middle America and some desert imagery, except perhaps for WOWY and Exit.
Achtung Baby was just all dark and gloomy and made the listener feel hopeless. Zooropa belongs to the year 3000. Pop was an exciting techno party (first three songs) turned into a bad hangover (to the eerie bombastic WUDM).
But ever since, U2 has shown variety in their musical genres with motown (Stuck In A Moment), soul (In A Little While), punk (The Saints Are Coming), melodic Beatle-esque (Window In The Skies), opera (Sometimes You Can't Make It On Your Own), pure riff-laden rock (Vertigo, Elevation), latin (Fast Cars), piano (Hands That Built America). But through it all, they proved they can still play their classic sound (Miracle Drug, Walk On).
To me it seems U2 just keep on evolving.
I know there are those who say "it's been downhill since the Joshua Tree" or that "Achtung Baby was the pinnacle" or "they lost their balls after Pop."
These are people who think U2's best is behind them.
I think it is still ahead of them. They still have a Sgt. Peppers Lonely Hearts Club Band, Rumours, Hotel California, or Dark Side Of The Moon within them.
The Vertigo Tour performances, coupled with the variety of their musical styles as of late, are just signs that their best is ahead of them.
They just need to give us one cohesive album that links up all the lessons they have learned over the decades, and make it all solid tracks without any fillers that will never get played live (Peace On Earth, One Step Closer).
Do any of you feel this way? That the best is yet to come? Or does their past shine brighter than their future?
...qg
-Larry can still drum those Boy songs with authority and speed, while maintaining the robot-like precision and time he developed in the 90's.
-Edge is better at playing chords now than ever before, as shown by his acoustic version of Yahweh, where all five or six strings (depending on the chord) were strummed in perfect time (same intervals between strings down to the nanosecond) and in perfect volume (no note was louder than the other because mere mortal guitarists usually get lazy when they reach the last two strings and the time is slower and the levels lower).
-Adam has intensified his showmanship with his walk around the B-stage with New Year's Day, and plays the old songs with more groove
-Bono has found a new voice in his screams (the "yous" in All I Want Is You Buenos Aires were better than any Lovetown version) and his operatic exercises (Miss Sarajevo and Sometimes You Can't Make It On Your Own)
U2 did release some promising albums in the past starting with the Joshua Tree. But those albums were one-dimensional. The Joshua Tree felt like watching a widescreen movie in middle America and some desert imagery, except perhaps for WOWY and Exit.
Achtung Baby was just all dark and gloomy and made the listener feel hopeless. Zooropa belongs to the year 3000. Pop was an exciting techno party (first three songs) turned into a bad hangover (to the eerie bombastic WUDM).
But ever since, U2 has shown variety in their musical genres with motown (Stuck In A Moment), soul (In A Little While), punk (The Saints Are Coming), melodic Beatle-esque (Window In The Skies), opera (Sometimes You Can't Make It On Your Own), pure riff-laden rock (Vertigo, Elevation), latin (Fast Cars), piano (Hands That Built America). But through it all, they proved they can still play their classic sound (Miracle Drug, Walk On).
To me it seems U2 just keep on evolving.
I know there are those who say "it's been downhill since the Joshua Tree" or that "Achtung Baby was the pinnacle" or "they lost their balls after Pop."
These are people who think U2's best is behind them.
I think it is still ahead of them. They still have a Sgt. Peppers Lonely Hearts Club Band, Rumours, Hotel California, or Dark Side Of The Moon within them.
The Vertigo Tour performances, coupled with the variety of their musical styles as of late, are just signs that their best is ahead of them.
They just need to give us one cohesive album that links up all the lessons they have learned over the decades, and make it all solid tracks without any fillers that will never get played live (Peace On Earth, One Step Closer).
Do any of you feel this way? That the best is yet to come? Or does their past shine brighter than their future?
...qg