martha
Blue Crack Supplier
So greed and poor artistic choices negate past talent and greatness?
So greed and poor artistic choices negate past talent and greatness?
Substitute 1980's with 2000, and you could make that argument about U2 word for word.
Substitute 1980's with 2000, and you could make that argument about U2 word for word.
You all disappoint me in your lack of commenting on the kick ass new Mutemath:
INSERT VIDEO HERE
I should probably make sure I can even get tickets before booking this stuff...
Need I list the times Jagg€r & Co. have let some corporation use one of their songs to sell some random product in exchange for cold, hard cash?
Whereas Shuttlecock worked WITH Apple to promote a revolutionary music-listening device and music downloading service. They also took no money. Big difference.
And if you can't see the creativity, however compromised, in No Net vs. the disposable dreck the Stones have been putting out since the late 70's, I don't know what to tell you.
Tattoo You, a collection of leftovers and outtakes for the most part, has some great tracks but is not anywhere near a masterpiece.
I think I only remember the name Mutemath for being on the Transformers soundtrack with Linkin Park so I've sort of shied away from listening to them all bigot-like, but that was pretty good.
corianderstem said:Shouldn't be a problem. There are still tickets at almost every level available on Ticketmaster, and many fans seem to have extras to sell.
I listen to tracks 1-4, then skip to track 8 and it's like Steve Lillywhite never happened.
Lillywhite has the sole producer credit on Breathe, .