LMP
Blue Crack Supplier
Lance's mom had sex with Bjork.
I'm running out of good Lance's mom jokes, if you can't tell.
Truly a sad moment.
I had to pause to... return some videotapes, now I'm back on "Melissa."
Lance's mom had sex with Bjork.
I'm running out of good Lance's mom jokes, if you can't tell.
Truly a sad moment.
I had to pause to... return some videotapes, now I'm back on "Melissa."
To everything...turn, turn, turn, turn.
Quiet Storm is one of the few instances of soul on the entire set.
Maybe that's why I love it so much?
"Melissa" -> "Quiet Storm" was ace, hopefully this OutKast transition delivers like you've been hyping like a fad movie-lover.
Fuck Outkast.
Seriously, Da Art Of Storytellin' (in spite of the conspicuous presence of black people) is the shit. Top 5 for Outkast as far as I'm concerned.
What Eels track? I know one song by them.
Is it "Novocaine For The Soul"? That was a pretty big hit for them.
Mine is "Trouble With Dreams".
Ah No. It's My Beloved Monster..... I love the Shrek soundtrack.
I got introduced to Eels through the Shrek soundtrack, too, Ash. Don't worry in your box too much.
Like other Eels tracks, I dug the hell out of this one and the clock was using to great effect.
Glad you liked that one. Blinking Lights And Other Revelations is a very good album, though not quite as focused and awesome as Electro Shock Blues.
OK, following the Spoon track (which is arguably my favorite by them), the list gets inexplicably electronic. I discussed a few of the segues with you before.
Electronically's really hard to come in and out of, I think. It'll keep with the theme of this list being eclectic as shit, so that's good.
I'm liking this more than your last one, for sure. Maybe even as much as your DI3.
You're right, but Bowie saves my ass. At the very least, you'll like the track.
Awesome. Liking it more than/as much as my DI3 is about the highest praise you can give out, since that one got an A+.
So Devils and Dust is making me want to punch something. It just sorta cuts off right in the middle of a sustained note. Making it practically impossible to place it near any song.
Toss it out, unless you can find a similar song with no intro to pair it with. I did that at least once on this list.
You'll dig the entire electronic section, and that flows like a dream. Gets a little shakier after that, but Bowie, Floyd, Wilco, U2, Franz Ferdinand, and The Clash should make you feel right at home.
So Devils and Dust is making me want to punch something. It just sorta cuts off right in the middle of a sustained note. Making it practically impossible to place it near any song.
I subconsciously do that with most of my lists... grouping the well-established acts together toward the end or something. I don't know why.
I like to have strong, comfortably well-known closers as well. Purple Rain, California Dreamin', Porcelain, and now Train In Vain.
I ended a list with fucking Stairway. Top that. Oh wait, you can't.
Don't forget Knights Of Cydonia.
Purple Rain is the closest I've come to a shamelessly epic closing song.
This is true.
You closed out your symphonic list with "Layla," and I'm doing the same with the soon to be unveiled list I told you about.
Epic closers or openers really get me, not afraid to admit that.