I typed this up from U2 Live: A Concert Documentary
The band are warmly received by the crowd at Wembley, as well as by those at JFK watching the screens. Dozens of flgs stick out from the audience. When Bono announces Sunday Bloody Sunday, the stadium becomes on swaying mass of people. His voice is still powerful after a year on the road, though he has a slight lisp and sounds like he has bitten his tongue. The performance is spirited. Bono bows for Edge doing his solo, takes the onstage cameraman by the arm to point out the crowd, and spurs the crowd on to chant "No more". He announces, "We're an Irish band, we come from Dublin City, Ireland. Like all cities it has its good, and it has its bad. This is a song called Bad." Appropriate for a charity event televised all over the world, Bono opens the song with lines from Lou Reed's Satellite of Love. Bad is powerful, with Larry's loud bass drum blasting out the rhythm over the huge sound system. Increasing intensity as the song progresses, Bono looks for a dance partner, gesturing to the crowd below. While dozens anxiously push their way to the front, Bono trots around the stage. He points down to show the security guards which girl to pick out, then impulsively jumps down onto floor level. One girl is finally lifted over the barriers, and she falls into Bono's open arms. The audience roar as they follow their slow dance on the screens. Bono gracefully kisses her hand, leaving her dazed as he climbs back onto the stage. Continuing Bad, he sings snippets of Ruby Tuesday, Sympathy for the Devil, and Walk On The Wild Side, successfully prompting the crowd to sing along. He improvises, "Holly came from Miami Fla., hitch-hiked all the way across the USA, she could hear the satellite coming down, pretty soon she was in London town... Wembley Stadium, and all the people went Do-do-do-do..." Bono finishes the song and, looking somewhat distraught, walks off. Because Bad has lasted 15 minutes, there is no time left to play Pride as orginally planned.
Later, after memorable performances by Queen, David Bowie and Paul McCartney, Bono joins the exuberant all-star finale for Do They Know It's Christmas? Still, Bono leaves the stadium upset, confused about his own performance, and questioning the stupidity of rock & roll while millions are dying from starvation. When he sees his performance on video the next day, his feeling that he blew it is strengthened. He drives around the country, not speaking to anyone for days, until at Newross he meets a sculptor in his late fifties, who is working on a bronze statue. The artist explains it is called "The Leap" and is inspired by Bono's jump down the stage.
Despite Bono's own feelings, his gesture of breaking through barriers to unite with the audience hits home with millions of people all over the world. Though involving members of their audience has always been an important aspect of U2's live performance, Bono's 'leap' at Live Aid is particularly signficant as it clicked with the message of universal brotherhood that surrounded the event and, besides that, one third of the world population was watching.
Having always aimed to get through to people, U2 have now introduced themselves to the world in one go. Instantly winning a lot of new fans, U2's record sales treble in the months that follow and the demand to see them live increases dramatically.
Live Aid itself proves a great success. Ticket sales, television rights, merchandising and the worldwide telethon bring in 60,000,000 pounds. The festival ignites a huge collective sense of commitment and understanding for world issues, and will trigger a whole series of events in the years to come.