mofo82 said:
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And you also said that it has a timeless sound to it, like you heard the album before even on the first listen- I love that feeling and there were definitely several moments like that.
absolutely! i think that's both the album's strong point and it's weak point -- there isn't much adventure, i didn't have to deal with the discomfort i felt when i first heard "mofo" (that 747-guitar) or "lemon" (all that preening falsetto) it felt good, but i'm pleased that the album has retained it's power, at least for me, but as i said, the album and i are tight.
timeless moments on ATYCLB:
the voices on "stuck" and the whole damn melody ... i don't care if it could be covered by N-Sync, if you can't find pleasure in this song you probably kiss with your mouth closed!
opening chords of "walk on" ... my knowledge of musical terms is lacking, but the few seconds just after "that's where the hurt is..."
"man dreams one day to fly ..." in IALW ... a friend of mine and fellow U2 freak literally gasped and said something to the effect of: "it's the best music i've ever heard ... i can't believe they wrote that!"
edge's anti-solo solo in "kite"
the end of BD -- "what you don't have you don't need it" -- i challenge anyone to find a more viscerally exciting moment in all of U2's catalogue.
yeah, love the album. falls apart at the end, with POE a bit too much, NY a better idea than song, and "grace" likewise too much ("the name for a girl" ... ewwww, he's much better than that). i like WILATW very much, though.
one last thought: i hear lots of people slagging off the lyrics for "elevation." i think they're the best on the album. the song summarized in a sentence: sex as epiphany, or, sex as means to access the spiritual.
that's what bono means by a "mole digging in a hole/ digging up my soul." through sex, we can find salvation and reconcile things that only appear to be opposites: sex and god, flesh and spirit (see the Flanagan book ... Prince writes about this too).
i should get back to work.