I'll risk getting flamed here, and just provide the devil's advocate....
I'm not as bothered at how this went down, compared to everyone else. Maybe it's cuz I see it this way:
Main argument of : why from a stage in Tokyo where they can't listen to it?
- I don't see it as being announced "to the Tokyo audience" per -say. I see it, as the intention was the satellite hook-up to Howard stern listeners. They've done a mid concert link-up many time before so think of the Howard Stern Who So Serious as no different than "to the secret policeman's ball" or the many others. They happened to do this from the Tokyo stage, but it could have been Brisbane, Auckland, Miami, etc, either way the link-up itself was to interrupt Howard Stern listeners. The Tokyo audience happened to be the ones to witness it, but if anything, I think Bono' s words remained vague, and didn't specific address the Tokyo audience in the house telling THEM to expect this radio channel. If he had said something like "we hope all of you listen to us 24/7 On u2Xradio", then that sounds like it was directed potentially to the venue's audience. But his vagueness, of not wanting to fully explain what it was to the audience (and instead let the Sirus adverts explain it and knowing Howard would be explaining it) makes sense to me.
Argument of: why send it to social media worldwide?
-besides the fact that it was probably a stipulation by bigger entities like Sirus and Live Nation, it seems ridiculous to think they should limit their advertising by region. When they announce an India concert, should they only advertise in India? No, cuz people might travel to India. Exactly like people might travel to North America, and could listen to U2Radio while they are there.(my last rental car there, came with it automatically enabled). I for one, was not bothered the mildest when, for instance, I was sent u2 emails about a one-time R+H screening at Dublin's Savoy theatre in Nov 2018. Sure, I was nowhere near there, but there was a chance I could have been travelling there, plus it felt good to be in the loop and know it was going on. Maybe I had wanted to communicate the news to someone else I knew in the region? Same with the Brandenburg bridge gig 2009, same with the Blackout video shoot, same with U2XRadio.
Argument of: why overhype it?
-they didn't. That was us. All they said was some news, and they delivered some news. They didnt say HUGE news, they didn't hint at band's future, they didn't hint at any new material. That was ALL us doing that. They were simply using their social media, the way we have been complaining about them not doing enough.
Many may disagree with me, but this how I honestly intruptted it right from the start and was shocked that so many were miffed by it. But decided to outline my way of thinking, just incase it helps anyone else reframe their perspective on this and come to peace with it