Invisible - Reactions Thread (Do not post song requests - Discussion only!)

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Wow, your self righteousness has taken on new heights.

Good on ya :up:

Heeeeew, here comes dan_smee's lawyer. Here comes the army of diehards who have problems with different opinions or as I read in this thread... With dissidents.
Well, I've got news for you, for dan_smee and for all your army: I don't give a flying f about credibility (I read a few pages ago that it seems that I lost it) and I'll keep on posting my "dissident comments" whether you like it or not.
If you and your army don't like my "tea party"/dissident comments, you can always ignore it and pretend they're not there. As a member of this community like you are, I can promise you that I won't do the same and I'll reply when I feel like.
 
Heeeeew, here comes dan_smee's lawyer. Here comes the army of diehards who have problems with different opinions or as I read in this thread... With dissidents.
Well, I've got news for you, for dan_smee and for all your army: I don't give a flying f about credibility (I read a few pages ago that it seems that I lost it) and I'll keep on posting my "dissident comments" whether you like it or not.
If you and your army don't like my "tea party"/dissident comments, you can always ignore it and pretend they're not there. As a member of this community like you are, I can promise you that I won't do the same and I'll reply when I feel like.

I'm normally one to defend minority viewpoints around here, and have similarly defended those offering reasoned criticism of this song, but any cogent comments you might otherwise make are lost when you write drivel like this.

You're embarrassing yourself.
 
I have already wrote that no one is asking U2 to become or behave like Radiohead, that's not part of their ADN (even though they tried to in the mid-90's... Before Radiohead's "existence"). I don't want a "Pyramid Song", no one ever expects that.
No one wants a Kid A. No one wants a Zooropa or Passengers again.
What many diehards here pretend they don't understand about the "dissidents" is that the dissidents want U2 to be U2 without spending years emulating themselves. They've done it for 20 years in a row, but the locked that part of their genesis away and threw away the key.

You mentioned the Pitchfork attitude of ignoring the new song. I'm in Lisbon these days and BLITZ magazine is pretty much our Rolling Stone (Blitz was a weekly journal from the 1980's 'till 2006, but it became a monthly magazine and it is percepted many times a portuguese copy-paste of the american Rolling Stone now).
U2 is the artist that made more times the cover of BLITZ magazine. In its website, I remember that it was one of the artists that used to generate the biggest discussions and attracted lots of attention from the readers.
Today, Blitz published the article about "Invisible" and, guess what... The post of the article in their Facebook page, by the morning, had just a few "likes" and no comments about the song content.
In the website it only had 7 comments and all of them were negative. But negative in terms of "I just don't care anymore". It goes from "no, thank you" to a "thank God this is not the real first single of the upcoming album". There's another one - the worst - that (translating to english) says something like: "It's not bad because it's just another disappointment. It's funny to feel that this song could've easily been released 14 years ago in All That You Can.... That is, U2 have shown no evolution at all over the past 15 years, not even "a drop". Always the same formula that Coldplay have already proved they can now apply it much better now. I never thought I'd say something like this, but U2 became a second-rate Coldplay."

This is not the type of things I used to listen about U2... (what?) 10 years ago or so.
It might be a sign that adopting the strategy of being generic, self-emulating the eureka moments of the past, to keep on appealing the masses, it may not be working anymore, whether they take 1 or 5 year gaps between albums that always sound the same... Even to the casual listeners.

It's obvious that you have thought about this a lot, and its a natural worry I guess. ThT U2 have plateaued, although thats not necessarily what you are saying. First of all I can't care much about what Pitchfork or Blitz are doing. I prefer to make my mind up about a song I just heard. Not saying that you go to pitchfork to get your opinions. I get your post and its about U2 pandering to the mainstream.
Thats a complicated thing. Music and what sells in music is such a hit and miss thing that its hard to approximate a formula. If thats what U2 are trying to do its stupid. I know they have tried to do it before with boots (I dont hate the song, its kinda fun), I mean they blatantly tried to deliver a hit. That was perhaps the only time they have actually tried to quite obviously copy their own past. Boots was too similar to vertigo.
having said that, they turned out an album like nloth which in my opinion had at least five songs that could not have been seen as crowd pleasers. So I cant say that they are constantly pandering to the mainstream. I still think they are trying to be the biggest band in the world, and that is an essential U2 quality. I see that in Killers more than any other band nowadays.
Back to U2. They are just not setting the world alight at this point. Can you be surprised? They are in their fifties.
as to this song, the criticism doesnt bother me but I kinda feel sorry for it. I like it but I feel that there are many here who want this song to be too many things all in three or four minutes. A song cant do that, that's what albums are for.
 
Heeeeew, here comes dan_smee's lawyer. Here comes the army of diehards who have problems with different opinions or as I read in this thread... With dissidents.
Well, I've got news for you, for dan_smee and for all your army: I don't give a flying f about credibility (I read a few pages ago that it seems that I lost it) and I'll keep on posting my "dissident comments" whether you like it or not.
If you and your army don't like my "tea party"/dissident comments, you can always ignore it and pretend they're not there. As a member of this community like you are, I can promise you that I won't do the same and I'll reply when I feel like.


Army? We are in an army now? At least it's a bit more tougher than a sheep, a blind one at that.
 
I got out of the army years ago, though I suppose a decent part of it is still with me. Those night sweats, waking up thinking someone is out there, sleeping with a loaded gun and a tactical knife within reach. One wrong move and its all....POOF....its all over. I set things on fire just to breathe in the smoke and warm the furnace where my soul used to reside.
 
I have already wrote that no one is asking U2 to become or behave like Radiohead, that's not part of their ADN (even though they tried to in the mid-90's... Before Radiohead's "existence"). I don't want a "Pyramid Song", no one ever expects that.
No one wants a Kid A. No one wants a Zooropa or Passengers again.
What many diehards here pretend they don't understand about the "dissidents" is that the dissidents want U2 to be U2 without spending years emulating themselves. They've done it for 20 years in a row, but the locked that part of their genesis away and threw away the key.

You mentioned the Pitchfork attitude of ignoring the new song. I'm in Lisbon these days and BLITZ magazine is pretty much our Rolling Stone (Blitz was a weekly journal from the 1980's 'till 2006, but it became a monthly magazine and it is percepted many times a portuguese copy-paste of the american Rolling Stone now).
U2 is the artist that made more times the cover of BLITZ magazine. In its website, I remember that it was one of the artists that used to generate the biggest discussions and attracted lots of attention from the readers.
Today, Blitz published the article about "Invisible" and, guess what... The post of the article in their Facebook page, by the morning, had just a few "likes" and no comments about the song content.
In the website it only had 7 comments and all of them were negative. But negative in terms of "I just don't care anymore". It goes from "no, thank you" to a "thank God this is not the real first single of the upcoming album". There's another one - the worst - that (translating to english) says something like: "It's not bad because it's just another disappointment. It's funny to feel that this song could've easily been released 14 years ago in All That You Can.... That is, U2 have shown no evolution at all over the past 15 years, not even "a drop". Always the same formula that Coldplay have already proved they can now apply it much better now. I never thought I'd say something like this, but U2 became a second-rate Coldplay."

This is not the type of things I used to listen about U2... (what?) 10 years ago or so.
It might be a sign that adopting the strategy of being generic, self-emulating the eureka moments of the past, to keep on appealing the masses, it may not be working anymore, whether they take 1 or 5 year gaps between albums that always sound the same... Even to the casual listeners.


With all due respect to you and your thoughts on this song, I was/am vilified for my dislike of BOOTS. But the more I read your posts it's kinda clear to me that maybe you should find a new band to follow, you seem to have disdain not only for this song but the direction that U2 is going in, just a thought and no disrespect at all to you.
 
Heeeeew, here comes dan_smee's lawyer. Here comes the army of diehards who have problems with different opinions or as I read in this thread... With dissidents.
Well, I've got news for you, for dan_smee and for all your army: I don't give a flying f about credibility (I read a few pages ago that it seems that I lost it) and I'll keep on posting my "dissident comments" whether you like it or not.
If you and your army don't like my "tea party"/dissident comments, you can always ignore it and pretend they're not there. As a member of this community like you are, I can promise you that I won't do the same and I'll reply when I feel like.

U76EjmQ.gif
 
Loving the song, and I won't let the bastards grind me down.

It's on repeat, and for some strange reason Ordinary Love is also on repeat at the moment (wasn't before).

:applaud: :rockon: :dance: :cabbagepatch: :happydance:

I am just imagining how this will sound live when U2 are on the road again. I've been saving my money, and at this point I am almost financially ready.

Seems like it will be money well spent.

Well, that was my reactions. :hyper:
 
Loving the song, and I won't let the bastards grind me down.

It's on repeat, and for some strange reason Ordinary Love is also on repeat at the moment (wasn't before).

:applaud: :rockon: :dance: :cabbagepatch: :happydance:

I am just imagining how this will sound live when U2 are on the road again. I've been saving my money, and at this point I am almost financially ready.

Seems like it will be money well spent.

Well, that was my reactions. :hyper:

BTW. Best intro ever (except for Zooropa).
 
I think if you discovered U2, and other bands like Depeche Mode, The Cure, etc. during the mid 80's when you were a teenager, like I did, you will find this song at once nostalgic (in a good way: those synths in the verses reek of 80's analog sounds) and also trying to capture the audience of the pop music from the last 5-10 years (the chorus).

My prediction is that if the album is great and takes off, and this is actually on it, it will become a classic live in concert, but not like Streets or One, more like when they play BD or Vertigo.

It wasn't exactly what I was hoping for (there's just a bit too much pop/hit/compression/no space/thing for me to go absolutely nuts over it (I LOVE the ambience of UF more than anything), but I accept what they are doing and can like the song very much.

Boots left me feeling awful, this leaves me feeling happy. And at this point I don't want to over analyze it more than I already did. I will take what I can and that's that.
 
I got out of the army years ago, though I suppose a decent part of it is still with me. Those night sweats, waking up thinking someone is out there, sleeping with a loaded gun and a tactical knife within reach. One wrong move and its all....POOF....its all over. I set things on fire just to breathe in the smoke and warm the furnace where my soul used to reside.

:lol::applaud:
Not taking sides, just respecting the comedy
 
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