The Add / Drop period isn't over yet!
Drop
Miss Sarajevo - Momentum-ending track. Great song, but it's had its day.
Until the End of the World - 18 years is more than enough. Really. Yes, I know it's a great, and Very Important Song™, but it's so very tired. Stuck in a set list you can't it get out of.
With or Without You - What version you get is something of a crapshoot these days. It's either a transcendent moment in the show, or where you feel like you're experiencing U2 by-the-numbers. Maybe I'm biased because the Boston version was so tired, but it can go away. Go listen to Rock's Hottest Ticket, then Live in Paris, then go listen to a version from the last who knows how many years. Then you'll understand why it needs to go.
Walk On - Never seems to sound as good as it did during the Elevation tour. I can't put my finger on it, but it doesn't sound as tight. Bono's inevitable speech breaks up the momentum. Am I a terrible person for suggesting that the snippet of "You'll Never Walk Alone" is better than what comes before it?
Mysterious Ways - Often falls into the "We're obviously playing this because we feel that we've got to" fan service category (see also: WOWY). The arrangement feels less inspired than it ever has.
In a Little While - WHY.
Get on Your Boots - Elevation Part III. And 1/3 as good. Let me in the sound, let me in the sound, let me in the sound... of another song. Please.
Scarlet - Mmm...K. Nice to see you again, but I must be going.
Mercy - I don't care about the crazy war being fought amongst U2 fans over the different lyrics. It just sounds weak. I loved the studio version, but live... not so much.
Sunday Bloody Sunday - Overexposed for a while now. Rapping doesn't help.
Magnificent - REEEEEEEE-PET-I-TIVE... dundundun....
Pride - One song caught, on every tour's set list.... Another Very Important Song™ that we can love, but not see every day.
Add
Gone - I think a lot of people were amazed to see this song vanish as quickly as it did post-Pop. If you asked me as late as the start of the Elevation tour which Pop songs I thought the band would keep playing, I would have said "Gone" and...
Staring at the Sun - Maybe the band is still feeling the sting of not knowing how to play it in Las Vegas 13 years ago? Who knows, but finding a good electric arrangement wold be simply magical. Yes, the acoustic version is fine and I love it on the Please single / Popheart EP, but a full band offers so many possibilities for exploring all kinds of sonic territory. I kind of want to sit U2 down and force them to listen to "Fast Asleep" by Hush Arbors and say "OK! Find that kind of darkness within the song! It's there!"
God Part II - People would go absolutely mental. There's no question about it. Adam could make half the audience kill themselves by playing the bass line for a few seconds between songs and then stopping before starting something else. (Peter Hook used to do this with "Love Will Tear Us Apart" back in the '80s with the goal of making the audience furious) The entire band would have fun with this song. It really gives everyone a chance to shine.
All I Want is You - All I want is this. Where is it? Not some lumbering acoustic version either, pull out a Love Town-level, full-band, we-really-care-about-this-song performance that leaves you hovering somewhere 100' above the nosebleeds.
Discotheque - Kudos to the band for pulling off an amazing new arrangement in Chicago on the Vertigo tour - which they promptly shelved for over half a decade and counting. Not everyone loves this track, but the people who do completely lose their shit when they hear the opening riff or line. It triggers a Pavlovian response of utter ecstasy.
Kite - CMD-C "Kite" CMD-F "Walk On" CMD-V. Oh no, I just printed the alternate lyrics to "Unknown Caller". (may that song never, ever get rebooted)
MoFo - Go listen to the MTV Awards version. Now. Imagine the stadium enveloped in porn guitar and 747 riffs whilst Adam and Larry beat the walls down to dust. (Then ponder why the band made the mystifying choice of doing "Please" at the U.S. MTV Awards instead of this.)
Running to Stand Still - Dropkick "In a Little While" off the stage, sit Edge down at a piano and put this in its place. A "Dirty Old Town" snippet at the end just seals the deal.
The Fly - The Elevation Tour made this song into something better than it had ever been before. Yes, even better than ZooTV. Edge isn't sure if the song holds up. Hint: It does.
Daddy's Gonna Pay For Your Crashed Car - U2 apparently doesn't want to risk the funk explosion this song might trigger if they put some work into it. I understand.
Dirty Day - Might be good once in a while.
Love is Blindness - But I don't see it. Won't you add it, back for me. Squeeze out WOWY, end the concert smartly... with Love is Blindness.