djerdap
Rock n' Roll Doggie ALL ACCESS
- Joined
- Jun 8, 2004
- Messages
- 7,605
I've been considering this for awhile and came to a conclusion that Rattle and Hum always was and is, by far, the weakest U2 album. Well, my least favorite for sure. I'll explain the reasons:
1. Incredible pretentiousness by the band, which resulted in trying to do "larger than life" songs, cooperating with some big American legends(Bob Dylan, BB King). One of the results - Love Rescue Me, for me, the worst U2 song ever. I've listened to this song from beginning to end maybe three or four times in my life (I've been a U2 fan for 13 years). The time when "sha-la-la-la"s come, I'm skippin'. And you thought the whoo-hoo's were terrible...
2. The so-called American music influence. Results in being solid (Angel of Harlem) to extremely mediocre(When Love Comes To Town) to awful(Love Rescue Me). It doesn't work for a rock band like U2, with such a unique sound. Edge's guitarplaying is anything but innovative here. Which can sometimes be a good thing(Desire, Angel of Harlem), but mostly... yawn.
3. The live songs choices. Totally and completely wrong. Bullet without Running is useless. Beautiful versions of Where the Streets Have No Name and With or Without You from the R&H movie weren't included here. Pride was always inferior to its magnificent studio version, and R&H version, although decent, is no exception. Still Haven't Found with the choir is lovely, but seems to drag too much. Fantastic live version of Exit could have redeemed the badly produced studio version, but it stayed only in the movie.
4. The covers. When was U2 about covers? We get Helter-Skelter as the opening song(with that intro sentence - that's Bono in his SUPEREGO mode), a very mediocre version of All Along the Watchtower(corrected in its fantastic Lovetown version - but most U2 listeners don't know of this) and Freedom For My People and Star Spangled Banner as useless fillers.
5. The flow and the running order. The combination of live songs and new ones never quite worked for me. When Love Comes To Town-Heartland makes no sense whatsoever. All I Want Is You feels like it came from another(and much better) album.
Not to be entirely negative, Rattle and Hum is a U2 album. And a solid one. At times it can even be great. Heartland is one of the most atmospheric and beautiful U2 songs ever. God Pt.II is an excellent rocker, that kinda foreseen things to come. Live version of Silver and Gold is literally true gold. All I Want Is You is a fantastic closer. Lovetown tour showed the strength of these songs, resulting in amazing live version of God Pt.II, Hawkmoon 269, Desire-Watchtower combo...
I'm betting that, if it came out in 2005, it would get incredible bashing here. I'm sure of it.
Discuss.
1. Incredible pretentiousness by the band, which resulted in trying to do "larger than life" songs, cooperating with some big American legends(Bob Dylan, BB King). One of the results - Love Rescue Me, for me, the worst U2 song ever. I've listened to this song from beginning to end maybe three or four times in my life (I've been a U2 fan for 13 years). The time when "sha-la-la-la"s come, I'm skippin'. And you thought the whoo-hoo's were terrible...
2. The so-called American music influence. Results in being solid (Angel of Harlem) to extremely mediocre(When Love Comes To Town) to awful(Love Rescue Me). It doesn't work for a rock band like U2, with such a unique sound. Edge's guitarplaying is anything but innovative here. Which can sometimes be a good thing(Desire, Angel of Harlem), but mostly... yawn.
3. The live songs choices. Totally and completely wrong. Bullet without Running is useless. Beautiful versions of Where the Streets Have No Name and With or Without You from the R&H movie weren't included here. Pride was always inferior to its magnificent studio version, and R&H version, although decent, is no exception. Still Haven't Found with the choir is lovely, but seems to drag too much. Fantastic live version of Exit could have redeemed the badly produced studio version, but it stayed only in the movie.
4. The covers. When was U2 about covers? We get Helter-Skelter as the opening song(with that intro sentence - that's Bono in his SUPEREGO mode), a very mediocre version of All Along the Watchtower(corrected in its fantastic Lovetown version - but most U2 listeners don't know of this) and Freedom For My People and Star Spangled Banner as useless fillers.
5. The flow and the running order. The combination of live songs and new ones never quite worked for me. When Love Comes To Town-Heartland makes no sense whatsoever. All I Want Is You feels like it came from another(and much better) album.
Not to be entirely negative, Rattle and Hum is a U2 album. And a solid one. At times it can even be great. Heartland is one of the most atmospheric and beautiful U2 songs ever. God Pt.II is an excellent rocker, that kinda foreseen things to come. Live version of Silver and Gold is literally true gold. All I Want Is You is a fantastic closer. Lovetown tour showed the strength of these songs, resulting in amazing live version of God Pt.II, Hawkmoon 269, Desire-Watchtower combo...
I'm betting that, if it came out in 2005, it would get incredible bashing here. I'm sure of it.
Discuss.