taken from this months Q Magazine..
You’ve worked on several albums that became hugely successful and/or influential: U2, Talking Heads, David Bowie. Did they ever feel like leaps in the dark that might go horribly wrong?
[Laughs] Nearly always. When I started with U2 [on 1984’s The Unforgettable Fire] I didn’t know what would happen. I thought it was a pretty strange idea, to tell you the truth. I thought, “What do they want me for?” I remember having a phone call with Bono and I said, “If I come on board I’m going to change a lot of what you’re doing.” And he said, “That’s exactly what we want.” On both sides there has to be recognition that we’re getting together to do something that will surprise everybody, including us. On this record [Eno is currently working with U2 again], we didn’t start out with the idea, “OK, we’re going to make another U2 album.” We’re just going to make music. And what we’ve done so far doesn’t sound like another U2 album, but I think it will do.”
You’ve worked on several albums that became hugely successful and/or influential: U2, Talking Heads, David Bowie. Did they ever feel like leaps in the dark that might go horribly wrong?
[Laughs] Nearly always. When I started with U2 [on 1984’s The Unforgettable Fire] I didn’t know what would happen. I thought it was a pretty strange idea, to tell you the truth. I thought, “What do they want me for?” I remember having a phone call with Bono and I said, “If I come on board I’m going to change a lot of what you’re doing.” And he said, “That’s exactly what we want.” On both sides there has to be recognition that we’re getting together to do something that will surprise everybody, including us. On this record [Eno is currently working with U2 again], we didn’t start out with the idea, “OK, we’re going to make another U2 album.” We’re just going to make music. And what we’ve done so far doesn’t sound like another U2 album, but I think it will do.”