angelordevil said:
Well said....Mercy is U2's gem, and it's not for us to take ownership of or exploit. I do have it on my mp3 player, so maybe I'm a bit of a hypocrite...but I think there's a difference in 'us' having it and forcing radio to play it.
Yeah, that is a bit hypocritical. So you're okay with people spreading it around so far as you're able to get it, right?
But the less-privileged U2 fans or ones who aren't connected like us have to wait possibly 2 years, if they ever hear it at all?
No way.
And I'll go back to a previous point--the notion that this song is "unfinished" is ridiculous. The song was dropped when they were deciding on the tracklist. I don't believe any further recording was done at that point, certainly nothing noteworthy. It's as finished as Fast Cars. If they tamper with it, don't think it won't suffer.
Also, whatever happens with leaking it to the radio still won't expose it on some kind of national or global scale. If someone on the other side of the world hasn't heard it by now, they aren't likely to hear it on some indie Los Angeles station. The idea is to create a bigger rumble of rumor about the song than there is now. The DJs will know about it. Perhaps journalists will become curious and ask the band. Robert Hilburn of the Los Angeles Times, for one.
The idea that U2 would get all petulant and withhold the song as a punishment for a small group of fans is a bit far fetched. Either it's something they've shelved in their minds or it's something they're going to use as a segue to the next record. I think it's more likely that it would spurn them into action. It's also not likely that people will "get sick of it" due to a leak. It will take a long time for those waves to get rolling. If they really are trying to put something out in 2006, Mercy won't become old hat. It's not an overplayable single type of song anyway.
I think it's very realistic to imagine the band hearing about the leak, being a bit shocked at their inability to control their music, but then getting a kick out of the fans' midwiving of the song. Maybe they soundcheck it to air it out. And then maybe they play it. In Los Angeles. Where it all started.
You people love to pass around any unreleased thing you can get your hands on. Stuff like Salome (Achtung Baby stolen tapes), that you theoretically have no right to own. How many of you have the Unreleased and Rarities songs from the iTunes boxes set that wasn't paid for? The band's position on that kind of material is not the same as their feelings on fans taping shows. So to sit here and get all protective and self-righteous is hypocrisy plain and simple. Don't do Paul McGuinne$$'s work for him.
laz