So...I haven't been in here in a few weeks and I haven't been checking for U2 news at all because (like most of us I assume) I really wasn't expecting anything from the band until later this year, so I genuinely wasn't aware they'd dropped a new EP until late last night when I stumbled upon it by accident on Spotify. It's a very unusual feeling because it's literally the first new U2 release in my fandom(going back to 1998) that I haven't been on top of on day one(if not before in the event of leaks).
After listening to it for a day, I think there's a lot to like here.
A lot of you have been likening American Obituary to The Miracle or Boots or American Soul, but I don't agree with that. Somebody mentioned HTDAAB demos, and that's exactly right to my ears. Musically, the existing U2 song I hear most here is Native Son. That same guitar tone, a similarly serious lyric. It screams Native Son to me, and that's a good thing because I always liked that song.
Lyrically, it's not all great - I'm not wild about that "I love you more/than hate loves war" refrain - but damn do those Renee Good verses hit. We're not in FYM so I won't get too into it, but I'm really glad they did it in such a hard-hitting way. I really like the "people of the lie" thing. The song has been compared to Springsteen's protest song, and Bruce namechecked he-who-shall-not-be-named directly multiple times, and it kind of took me out of it. I think the little bit of abstraction(and the acknowledgment that it takes more than one person to make this stuff happen) in "people of the lie" works well. Also, I find the hook in that line as well as, "color of her eye", "what you can't kill can't die", and "America will rise", is a good one.
Tears Of Things is fairly easily the best thing here. There's a difference between enjoyable and great: enjoyable means I want to keep listening to it, but great means I would hold it out to non-U2 fans as an example of why the band is special. Most of this EP is enjoyable, imo, but Tears is genuinely great.
It might just be the best lyric Bono has written in...nearly 30 years, since Pop? He's certainly written some good stuff in the 21st century, but I'm trying to think of a song in that timespan as strong lyrically from beginning to end, and I'm not sure there is one. Stateless...Kite...When I Look At The World...A Man And A Woman...Mercy...Moment Of Surrender...Fez-Being Born...The Troubles...Little Things...all really good, but man, Tears is something else. Particularly the later stanzas:
"Before the roar, before the blast / The stench and shame / There's a howling, wailing sound / That screams your name"
which suggests the invocation of God or religion before an attack, and then...
"My eyes were burned from all I learned / There were things I can't unsee / In this, your holy war / There's nothing holy here for me"
and the final kiss-off:
"The naked song, the sacred song/That every soldier fears/'Cause when people go 'round talking to God/It always ends in tears"
This criticism of the use of religion as a justification for violence could apply to the Middle East as much as it could to the Christian Nationalism behind the current American right wing, and coming from a man who has been as devout as Bono, it seems to hold some power.
I also love the bridge: "If you put a man into a cage and rattle it enough/A man becomes the kind of rage that cannot be locked up". It's a great image of what can inspire violence.
Musically, as has been said, it's very Leonard Cohen. There's no soaring, stadium-ready chorus that you expect in a U2 song. It just builds and becomes more and more impassioned. Bono's delivery and cadence are on point, he sounds almost possessed on this. The guitar solo, at first, struck me very much as a Rush Of Blood/X&Y era Coldplay/Jonny Buckland solo that everyone would point out is aping Edge, but it grew on me after a few listens, largely helped by the great work Adam and Larry are doing underneath it. It's really a nice three-part instrumental.
Song Of The Future ought to be a single. It's a huge hook, the oft-noted Staring At The Sun guitar work feels warm and familiar, and Adam and Larry are on fire. Musically, it's fun and vibrant and feels natural and unlabored. Lyrically, there's kind of not much to it, imo.
One Life At A Time musically has a lot going for it. It might be the one I'm coming back to the most other than Tears. It's melancholic in a TUF kind of way. I like all the layered vocals(is it all Bono or is Edge backing?) at the beginning and throughout, I like the chorus melody, but the best part is the guitar solo, which I wish was longer. It's got that kind of steely, metallic quality to it that, again, reminds of TUF. I really dig that solo. Lyrically, it's a bit held back, it's a bit platitude heavy, though it does have its moments: "You say you wanna save the world/Well, how you gonna get that right" carries some weight if it's Bono talking to himself, and "One life at a time/if there's no law is there no crime" hits hard.
Yours Eternally is the weakest one here for me. I actually like the verse melody and some of the guitar work, but the chorus does very little for me, as do the lyrics.
In conclusion, I'm pleasantly surprised there was a release at all, and I enjoy more of it than not. And at this point, I don't take that for granted, because I don't know how much longer the band is going to keep putting out new music. Like, one of the biggest things I took from this EP is that Bono actually sounds pretty decent, and I had really thought his voice was shot from about 2018/19 onward. The falsetto in the American Obituary hook? I didn't think he could do that anymore. So I take that as a win. The only soft criticism I'd give is that I hope the eventual album is more cohesive than this, because while I enjoy these songs, they don't sound of a piece, musically, and I think I've been craving that ever since the Frankenstein job of SOE.
But I think it's futile to set TUF and JT and AB as the bar you're comparing every release to. It's like turning on a Lakers game in 2026 and expecting LeBron James to look like he did in 2013. Their body of work in the 80s and 90s is among the most important and influential ever in rock music. To me, especially post-HTDAAB, in a post-prime, all you can hope for, to continue the sports analogy, is a throwback performance every now and then. I think Tears Of Things is a throwback performance. And parts of One Life At A Time.