come on people,
surely somebodies already got it at home.
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Kobayashi's bizarre use of colour, superfast editing and extreme camera angles, coupled with a hilariously deadpan performance by Toshiro Takemitsu as the inspector who discovers a whole family of ghosts travelling without valid tickets, remains without peer.
surely somebodies already got it at home.
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Kobayashi's bizarre use of colour, superfast editing and extreme camera angles, coupled with a hilariously deadpan performance by Toshiro Takemitsu as the inspector who discovers a whole family of ghosts travelling without valid tickets, remains without peer.