Setlist Discussion Part II - Spoilers Allowed, Enter At Your Own Risk

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(snippets or extra info)
/// = rotation

Somewhat realistic:
  1. (I Could Have Lost You) / Zoo Station
  2. The Fly
  3. Even Better than the Real Thing
  4. Mysterious Ways (slide solo)
  5. One / (Hear Us Coming)
  6. Until the End of the World
  7. Who's Gonna Ride Your Wild Horses (extended outro)
  8. Tryin' to Throw Your Arms Around the World

    (Video of the band playing on the screen at all times.)
  9. All I Want is You (full band)
  10. Heartland (full band, continue the Elvis bullshit)
  11. Desire (full band) /// God Part II (full band) (as Mirrorball Man)
  12. So Cruel (full band) /// Stay (full band)

  13. Acrobat (the fucking screen actually gets used)
  14. Ultraviolet / (My Way)
  15. Love is Blindness / (Viva Las Vegas)

  16. Numb (video on BonoFalsettoVox backstage as he dresses up as MacPhisto, Edge on a stool as Morleigh does Shibari)
  17. Lemon /// Zooropa (full screen visuals)
  18. Daddy's Gonna Pay for Your Crashed Car (full screen visuals)
  19. City of Blinding Lights (full screen visuals)
  20. Vertigo /// Elevation
  21. Atomic City
  22. Where the Streets Have No Name
  23. With or Without You / (Shine Like Stars)
  24. Beautiful Day



If I was completely in charge of the setlist:
  1. (I Could Have Lost You) / Zoo Station
  2. The Fly
  3. Even Better than the Real Thing
  4. Mysterious Ways (slide solo)
  5. One / (Hear Us Coming)
  6. Until the End of the World
  7. Who's Gonna Ride Your Wild Horses (extended outro)
  8. Tryin' to Throw Your Arms Around the World

    (Video of the band playing on the screen at all times.)
  9. All I Want is You (full band)
  10. Heartland (full band, continue the Elvis bullshit)
  11. Desire (full band) /// God Part II (full band) (as Mirrorball Man)
  12. So Cruel (full band) /// Stay (full band)
  13. Bullet the Blue Sky (b-stage vibe ends)
  14. Running to Stand Still (electric guitar, needle pantomine) / (Hallelujah) / (Dirty Old Town)
  15. Where the Streets Have No Name (same visual as the current, they come up with a cool visual lead-in during RTSS)
  16. Acrobat (four men chopping down the Joshua tree visual)
  17. Ultraviolet / (My Way)
  18. Love is Blindness / (Viva Las Vegas)

  19. Numb (video on BonoFalsettoVox backstage as he dresses up as MacPhisto, Edge on a stool as Morleigh does Shibari)
  20. Lemon /// Zooropa (full screen visuals)
  21. Daddy's Gonna Pay for Your Crashed Car (full screen visuals)
  22. Gone (full screen visuals)
  23. Please (full screen visuals)
  24. Bad / (Ruby Tuesday) / (Sympathy for the Devil)
  25. With or Without You / (Shine Like Stars)
  26. Beautiful Day
  27. '40' (Bram is the last to leave the stage)

Beautifully done! YOUR setlist, I would fly to Vegas for.
 
Haven't gotten through the full video yet, but I found this one last night and is by far the best one I've seen. the editing together of footage from different shows, balance of close and far shots is outstanding.

 
Haven't gotten through the full video yet, but I found this one last night and is by far the best one I've seen. the editing together of footage from different shows, balance of close and far shots is outstanding.


Wow. Thanks for sharing. Someone spent a lot of time on this. Haven't seen the show live, so there may be an easy answer to this. How are they getting the drone like footage?
 
Haven't gotten through the full video yet, but I found this one last night and is by far the best one I've seen. the editing together of footage from different shows, balance of close and far shots is outstanding.


Wow. Thanks for sharing. Someone spent a lot of time on this. Haven't seen the show live, so there may be an easy answer to this. How are they getting the drone like footage?

I think the band did use a drone one night to shoot promo footage. It must be available somewhere and they edited into their video.
 
I went to the Dec 6 show and overall loved it! It was such a great experience flying into a destination to see a concert – something I’d for sure do again.

Sphere (lol The) is really amazing and worth going to Vegas just to see the outside let alone the inside.

I stayed away from any and all media related to the show itself as best as possible before going – but it was impossible not to see some things on youtube etc but was still really blown away being there and seeing and hearing it all in person – the scale of it can’t be done justice on a small screen – but I’m looking forward to a U2 and Co. release on whatever format they decide (hoping VR so I can justify buying one in the future….).

Now a little grumpiness about one song and this could all be just me being me and maybe I’m wrong but

Achtung Baby is my #1 album, and Zoo Station – album, Zoo TV, baby, bottoms…… versions are played all the time and never skipped. So I was really excited to hear it again live (only one time for me CNE Sept 6 1992) but I have to admit I was a little disappointed in of all things Edge’s guitar playing. Drums Bass Singing all great. Opening of the concert amazing with Bono’s singing and great visual effect of putting on the shades. But then the train needs to start off with that killer guitar! Why did the song start with drums instead of the guitar riff? And the riff itself sounded to me more like trimming the Joshua tree rather than chopping it down, and why did he keep playing it thru the whole song. It just felt like they missed a lot of what makes that song so great (to me ??????). That original guitar is so amazing whyyyyyyy change it and that song when pretty much everything else in the concert was near identical guitar wise.
 
I'm trying to figure out what you're talking about. If you're referring to that soaring guitar line he plays after the initial guitar strikes (which you're right, isn't in the original, and I also found it to soften the edges a little too much for my tastes, as much as I loved the performance) I just went back and listened to the ZooTV version and it's in that too. Someone with actual musical expertise will have to step in here, but the guitar he's playing in the live versions after the initial strikes sounds to me like it's designed to replace what is just background synths (is that what they are?) in the album version.
 
Listen to the album version where Bono sings that he’s ready for the laughing gas then listen to Sphere version – Edge is playing guitar the whole time sounding like he is mimicking the bass line, which is what is prominent on the album but not Sphere during that time.

Same with the he's ready for the gridlock section…

Personally (and this is me being me) the riff is just over used in the Sphere playing and not impactful enough because of how it is neutered sound wise relative to the way it is played and used on the album version (and Zoo Tv) thus fundamentally changing the song (to me) for the worse and hurting that amazing opening to the show!

Disclaimer – its just my opinion :) but had to get it off my chest somewhere
 
Oh I see what you mean. But, again, I just went back to ZooTV and he plays it throughout on that too. I think it adds to the song live actually, gives it some punch that would maybe be missing if they tried to play it akin to the studio version live. I have more of an issue with the soaring guitar. But this is complete nitpicking, I was bawling during Zoo Station and thought it was 10/10 both nights I saw it.
 
All is good obviously – if I had the option to go tomorrow again I’d 100 percent go.

The last 3 concerts I attended before U2:UV included U2 aged peers – Genesis in 2021 @Scotiabank arena and Tears for Fears @Budweiser stage. Both knocked it out of the park playing their songs incredibly well and not messing with them. Mad world wow just wow. It was sad to see but Phil could barely walk to the center of the stage and yet sounded so soooo good with so much energy.

I really thought U2 were going to play the album, not just all the tracks, but the tracks in as true as possible style. Not pressing play on the CD, but playing them true live.

I guess my expectations were a little too high.
 
Haven't gotten through the full video yet, but I found this one last night and is by far the best one I've seen. the editing together of footage from different shows, balance of close and far shots is outstanding.


Wow. Thanks for sharing. Someone spent a lot of time on this. Haven't seen the show live, so there may be an easy answer to this. How are they getting the drone like footage?

jay byrd films. the company i work for is actually working with them now. they specialize in drone footage. they were there on opening weekend.

 
Sweetest Thing debut tonight and "Don't Dream It's Over" cover dedicated to Neil & Tim Finn (who I assume were in the audience?)
 
They’re playing Ultra Violet with a goddamn mirrorball video frame and a spinning effect because they’re too lazy to play Discotheque? Never change, boys!

 
I see they’re still trying to figure out what visual sticks, or changing it up just because. I really liked the previous visuals.
 
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Interesting that Edge used a capo at the 5th fret. I actually cover this song here and there and it's much easier with no capo at all and you can really belt out the chorus without using falsetto.
 
I loved the UV visuals before. Zero need to change them. Bums.

[edit 1]
I just realized the emojis are gone. Nooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo

:madwife:

[edit 2]
I lied. There she is! <3
 
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i might be the only person who doesn't mind the new UV visuals.

then again the only ones i've seen in person were the lame ones from opening weekend so anything is better than that.
I really liked the upwards lightning/cloud thing on the chorus, but it seemed to be the only effect they had, as if they'd run out of ideas and/or money.
 
I really liked the upwards lightning/cloud thing on the chorus, but it seemed to be the only effect they had, as if they'd run out of ideas and/or money.
It was stunning in the seats, and I think the show could’ve benefitted from one more “wow” song + effect moment.

This new thing is clearly meant for another song from a record they like to pretend doesn’t exist except for the one song they played an acoustic version of on a single tour in the past 18 years…
 

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