Here is the translated version of the article I found on the Editors forum:
Warm Syth apreggios open the new Editor's album, Tom Smith "London's become the most beautiful thing I've seen" sings, while the core of the piece slowly with gentle piano attacks and increasing bass playing approaches the summit. After three minutes then a tough break, the guitar is played loudly and distorted, the drums suddenly takes a lot of space, again a loud, dominant Synth motif. The opening piece makes clear that the editors with her third album "In This Light And On This Evening" have evolved significantly.
The following "Bricks And Mortar" begins with a beat from the drum, in the first third of the song the keyboard play strongly reminds of the striking melody and the bass run of Joy Division "transmission", in the middle is choral singing from the off. But enough of the everlasting Joy Division comparisons, with this album you have new, more modern references. In the end, a huge Rave reference follows with the first single "Papillon" immediately, in the end, the album sounds terrifically electronic, in the end, the tape breaks out of Birmingham from her pattern rather stiff up to now – in any case, emotionalism is measured here more weakly. The length of the single pieces is striking also: up to the extremely hymnal final piece accompanied by sums » Drum the canal Road « all pieces are longer than four minutes, » Bricks and Mortar « is stretched even on 6,5 minutes. Likewise anew: the pieces complain less departure than ever before for themselves. Wenigher excitement, less Indiedisco Floor wrangling, less "Däng-Däng", more substance. Apart from with distorted organ, distorted Synthie and not at all distorted string player's arrangements equipped "You Don't Love" and the Manchester Rave single "Papillon" no clearly recognizable hits suggest themselves after the first three flows.
Well possibly that the new, very interesting musical Zerissenheit of the editors also lies in the fact reasonably that guitarist Chris Urbanowicz and bassist Russell Leech live now in New York and the musical influence of that town – in spite of the entrance mentioned declaration of love has flowed in in London – onto the sound design of the editors. However, maybe it also lies at the choice of producer Mark "Flood" Ellis lie which has polished up earlier the careeKs of U2, Nick Cave and the bath Seeds, Nine Inch Nails, Erasure, The Killers, Sigur Rós and to many other successfully musically.
In This Light And On This Evening « appears on the 9th October with Pias, the first impressions of the new pieces – off the short Album-Teasers verlinkten below – one can come along at the end of September: beside a lot of other tape and artists like Dananananaykroyd, Girls, meadow Revoir Simone, Simone White, Emiliana Torrini, Michael J. Sheehy and The Hired Mourners, Dinosaur Jr. and phantom Ghost the editors play on 26.09 a Showcase within the scope of the Hamburg Reeperbahnfestivals. See you down the line!