Discotheque Slug 82
Babyface
'Invisible' is a rare example of Edge balancing a catchy riff with melodic atmospheric playing in recent years. How I wish it had been the opening track on SOI.Edge had always balanced the catchy riff with a more melodic atmospheric playing.
Once we got Vertigo, which is a hell of a riff. Just fantastic. I remember way back when it came out the song was played on some harder rock stations and the DJ was like....wow...kinda harder stuff from Edge......but back to point, Edge seemed to dive more into this let's try to get a Jimmy Page riff machine, and he's not that level. Edge is in his own world and that's what pulled us all in. He didn't have to be a million notes a second player.
I didn't really like GOYB riff...seemed a little off for some reason. Actually like the song but that riff was not strong enough to carry it. Unlike Disco, really basic yet funky riff that worked.
Now we get piano
He succeeded with more traditional rock guitar riffs during the 'Bomb' era with Vertigo, LAPOE, ABOY and Xanax. He tried again on 'No Line' but the GOYB riff fell flat for me though I also like the song. The riff on SUC was like a weak jam between Zeppelin and Chili Peppers. I love 'Breathe' but the main riff sounds better on the cello later on in the song. Though the riffs failed on NLOTH, there was fortunately a lot of melodic atmospheric playing to be found elsewhere on the album.
Continuing with the riff theme, there have been some superb bass riffs in the last decade (Volcano, Red Flag Day and The Blackout).