New Album Discussion 1 - Songs of..... - Unreasonable guitar album

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Thanks for sharing that as I think it’s the main reason why the band fell into the bring in the hit makers.

The music wasn’t there for them. It really felt like they spent a long time in the studio for that album and by the end when they needed it to get out before the tour….it turned into a weird flow….had they not gone the middle three, maybe keep Boots, but get rid of crazy and stand up…..maybe the album turns more into a Unforgettable Fire or Zooropa style…..yea those two had some hits, but overall a departure from War and AB…

I am hoping the album is done and they just kicking back and relaxing until the next year and the gears of touring fire up
 
i think something is cooking for early 2026 - because it's October, and the holiday season is almost upon us - and there's not a peep about some half baked 20th Anniversary Chicago DVD remaster that they can cash in on, or something of that ilk.
They also aren’t doing anything for Black Friday record store day; last time that happened was 2022, time before that was 2016. Doesn’t necessarily mean anything but still seems notable as it’s a little unusual.

Though if they were planning an album for early 2026, that would presumably mean a tour in the summer or so, and as far as I’m aware there have been no rumblings of that…

(Another option is they release a single/do one off shows throughout the year, and culminate with an album late 2026, tour 2027.)
 
Wishful thinking + safe prediction?

Feb 2026 - U2 announce tour of theatres / small arenas (at biggest, I'm thinking something like the 3arena, Dublin). Band releases a 2-track single, produced by Jacknife Lee and Brian Eno
Spring/summer 2026 - tour 5-8 cities, road testing new material. Mainly Europe.
Fall 2026 - just in time for 50th anniversary, the new (last?) big U2 album is released. Again, Lee/Eno producing. Coupled with farewell/50th anniversary world tour announcement, starting in 2027.
 
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Wishful thinking + safe prediction?

Feb 2026 - U2 announce tour of theatres / small arenas (at biggest, I'm thinking something like the 3arena, Dublin). Band releases a 2-track single, produced by Jacknife Lee and Brian Eno
Spring/summer 2026 - tour 5-8 cities, road testing new material. Mainly Europe.
Fall 2026 - just in time for 50th anniversary, the new (last?) big U2 album is released. Again, Lee/Eno producing. Coupled with farewell/50th anniversary world tour announcement, starting in 2027.
If this is how it ends, I’m okay with this. It’ll be **** getting tickets but having them decently active for a few years as a send off would be nice.


Also, open the ****ing vaults!
 
That and it's pretty hard to generally describe anything music-wise unless it's absolutely in some sort of box. Maybe something along the lines of "acoustic guitar and vocals," which kind of shows you hard it would be to define anything beyond that without trying to make some sort of genre fit onto it. And a lot of those definitions will depend on the viewpoint of the person saying what it sounds like.

"Punk rock on Venus" and "Edge on fire" really never drove me nuts, mostly because any off the cuff remarks are going to be just that. All I hear from those things is Bono saying that he heard some guitar riffs or effects that sounded really cool to him on a state-of-the-art studio sound system - or got him excited as a friend and musician to hear and maybe having something inspiring to write to. Not surprising! And of course, that's long before fitting anything sounding like that into an actual song, plus mixing it properly with vocals, bass-drums and synths or whatever else along side it. Odds are pretty good that it's not going to jump out at me on, say, a pair of Edifier speakers or a car system as much as it would in its original form inside a million-dollar studio!

When I hear "sci-fi Irish folk," I'm gathering that they must have a demo or three with Eno that have prominent synths with acoustic guitars and maybe some dramatic vocals or toplining from Bono (heck, maybe something along the lines of what he used at the Sphere with the Sean-nós phrasing?). And of course, that's subject to change over time or pretty quickly!



The perspective kind of gets lost, but every band has some form of this going on. One I think about is Keith Richards and people in the Rolling Stones saying how the original form of "Start Me Up" was "reggae-infused" or their attempt at a reggae song. Below is one recent time where Keith expanded upon it...

“The story here is the miracle that we ever found that track," Richards told Guitar Player. "I was convinced, and I think Mick was, that it was definitely a reggae song.
"We did it in 38 takes – ‘Start me up. Yeah, man, cool. You know, you know, Jah Rastafari.’
"And it didn’t make it. And somewhere in the middle of a break, just to break the tension, Charlie and I hit the rock and roll version. And right after that we went straight back to reggae.

Over the years, an early version of the demo version apparently leaked. And a version of it was also later released by the Stones with some of the final versions of the vocal thrown on, a la the "Kindergarten" versions of Achtung Baby in 2011. Now whether any of those were the actual version of the band's "reggae" attempt at Start Me Up still seem up for debate. But with the quotes describing that as such being repeated over the years, some of the fan comments about it on YouTube sound awfully familiar!
  • Reggae as played by people who don’t know reggae
  • On what planet is this "reggae"? Lmfao!
  • Not one single thing "reggae" about this early Start Me Up demo. Not the beat, not the groove, not the bass, not the guitar, not the vocals. Nothing at all.
  • In what way is this reggae?
  • This isn't reggae at all. Just a studio jam trying to develop an idea.
  • This got all kinda groove, but this ain't reggae.
  • Their style got on their way, maybe they were trying to get a reggae sound, but ended with a pure Rolling Stone sound.
Alas, the life of being a music fan!
Even if Eno's work doesnt transpire so much on the final album, I hope some of the songwriting or inspiration from the sessions come through.

Much talk is of the sonic experimentation that accompanies their work with Eno but from a purely song craft perspective, he brings the subtlety and restraint to the fore better than others. I'd happily see an album full of quieter things like Peace On Earth, Cedars of Lebanon, White As Snow.

Real stunning moments of beauty. What's more, it's nuanced, grown up, mature and thoughtful in a way their 'Songs of' albums are not.
 
Wishful thinking + safe prediction?

Feb 2026 - U2 announce tour of theatres / small arenas (at biggest, I'm thinking something like the 3arena, Dublin). Band releases a 2-track single, produced by Jacknife Lee and Brian Eno
Spring/summer 2026 - tour 5-8 cities, road testing new material. Mainly Europe.
Fall 2026 - just in time for 50th anniversary, the new (last?) big U2 album is released. Again, Lee/Eno producing. Coupled with farewell/50th anniversary world tour announcement, starting in 2027.
This would honestly be ideal!

I've adjusted my expectations the last decade. They are almost at zero now. Not because I don't think they still have it in them. I've just come to terms with the reality that we are in overtime and have been since the Vertigo tour.

Of course, it has helped that they've done what I really hoped for over the years with JT and AB. I honestly never thought they'd lean into their past like that- never mind with 2 huge events. That fulfilled a lot of my personal U2 bucket list.

I'm way less picky than I used to be. I'll greatly anticipate whatever is next and enjoy it- not because it's JT or AB level great- but because it may well be the last time.

All that said, I'd strongly prefer shows that aren't tied to traditional promote the album/big production model they always follow.

I'd love to see them do what you suggested and have that give them the confidence to use that singles/smaller venues /shorter tours model going forward.

It would be the closest thing to the best of both worlds until the fast approaching day all this ends.

If they stick to the new album or JT 30/Sphere big statement or nothing, I don't have to tell anyone here we're very likely looking at the last time it will happen.

Adapting as you laid out is the only way to extend U2 as we know them for a while.

I also think a mini tour without all the pressure of new material will make it less likely that they load up the set with new songs most don't want to hear on the bigger tour.

Having more room to play with the back catalog on a smaller /shorter , more fan based tour I think they'll see the positive reception and take that into account when crafting the bigger show.
 
Wishful thinking + safe prediction?

Feb 2026 - U2 announce tour of theatres / small arenas (at biggest, I'm thinking something like the 3arena, Dublin). Band releases a 2-track single, produced by Jacknife Lee and Brian Eno
Spring/summer 2026 - tour 5-8 cities, road testing new material. Mainly Europe.
Fall 2026 - just in time for 50th anniversary, the new (last?) big U2 album is released. Again, Lee/Eno producing. Coupled with farewell/50th anniversary world tour announcement, starting in 2027.
I would love this to happen - firstly because it obviously means hearing new music sooner, but also because it would be so cool if they played a series of shows featuring a bunch of unreleased music, showcasing an upcoming album.

There’s a real magic when they play unreleased stuff. The blackout music video, ‘Little Things’ closing the JT shows, or that whole stretch of 360 shows back around 2010. As someone still very much interested in new material, I’ve really enjoyed that method of debuting new material.

That alone would be great fun, but it would also be cool to listen to and compare the eventual studio versions with what we first hear. I remember listening to the album versions of ‘Little Things’ and ‘Blackout’, and being quite surprised with how much they had transformed since they were debuted live (I really enjoyed the atmospheric textures and synth keys on the album version of ‘Little Things’ in particular).
 
All I know is I'll be absolutely floored if they use the word "farewell" in any of their marketing. This isn't that band. I don't think they'll ever own up to it being their "last time" even when it is. The closest we'll get is Bono on stage saying something to the effect of "Thanks for staying with us. We don't know how many more times we'll get to do this kind of thing."

Of course, if any one of them, like a certain drummer, says "I'm out after this" then we'll all pretty much know anyway, but again, my money is on them never officially closing that door and never being that band that says farewell and then 5 years later says just kidding.

Even if the aforementioned happens, maybe we'll get a little lucky and B&E will feel more freed up to do some work as just a duo and we'll get some cool late-stage U2-Lite kinds of things (Yes, it could end up like SOS, but I'd rather have that vibe continue than, say...nothing)
 
I still think (and maybe it's misguided optimism at this point) starting next year will be a flurry of about five years of activity, culminating in an ATYCLB 30th even if it's a limited dates/cities thing.
 
I think the rest of them will tour and perform until they can't anymore. They love being in a rock band.

Larry is donezo after this. I don't think they'll get a replacement drummer, just have someone they like to use ala the Who and Zak Starkey for the longest time.
 
+1 - JT and Achtung Baby work fine, but none of their other albums are strong enough to carry a show.
I would be happy if Achtung Baby was played in Europe and other non USA countries,too. Because not every plumber from Poland and painter from Brazil could go to see the Las Vegas residency as shown in their Super Bowl advert
 
With all due respect, no more anniversary tours.
Not saying I want it. It just feels like a possible future and a way I could see them "riding into the sunset" so-to-speak.

My ideal future: New album and tour next year and into 27; which I think everyone is cautiously expecting here anyway. They go back "into the studio" in 28 realizing they don't have to be perfectionists because us die-hards will show up acting like they **** gold despite coming here to endlessly complain about "the middle three" or whatever happens to "ruin" any subsequent album and then they do it all again in 29-30; no more nostalgia aside from the 50th celebration stuff next year and of course the obligatory hits in the setlists.

I put "into the studio" in quotes because these are four guys that know each other better than anyone and surely by now they could figure out how to toss ideas around online to each other as inspiration strikes rather than waiting until they can all get in a room together. I know "four men in a room" makes for good sound bites or whatever and they're a writing-in-the-studio kind of band, but again this is me speaking in ideals and it'd be cool if they just work out their parts and get together to glue it all together as they can to kind of speed up the process. I'm sure that's part of what slows them down these days is the coordination of schedules.
 
Re the NLOTH sessions and how the experiment with local musicians didn't work, that's the sort of thing where there's probably interesting demos, alternate mixes etc which we'd all love to hear. If they're packaged in the right way and the band accepts them for what they are, I'm sure you could get a decent expanded anniversary edition.

Same goes for the Pop sessions - the earlier mixes of songs and the stuff where Larry was out injured so they were leaning on Howie B more. I bet there's some really cool stuff in there.

After the AB Sphere shows, we did wonder if they'd just hit the road with Bram for a bit then take a breaking get back in the studio.
 
Re the NLOTH sessions and how the experiment with local musicians didn't work, that's the sort of thing where there's probably interesting demos, alternate mixes etc which we'd all love to hear. If they're packaged in the right way and the band accepts them for what they are, I'm sure you could get a decent expanded anniversary edition.

Same goes for the Pop sessions - the earlier mixes of songs and the stuff where Larry was out injured so they were leaning on Howie B more. I bet there's some really cool stuff in there.

After the AB Sphere shows, we did wonder if they'd just hit the road with Bram for a bit then take a breaking get back in the studio.

The NLOTH sessions/Demos are what I hold out for the most. I would prefer that to new studio material
 
I would like a WAR-tour with a WAR part II album, with songs that are about the madness in this world. Let's rebel again.

Touring The Unforgettable fire would be also great.
 
Same goes for the Pop sessions - the earlier mixes of songs and the stuff where Larry was out injured so they were leaning on Howie B more. I bet there's some really cool stuff in there.

I've always wondered if the Howie B, Hairy B mix of Discotheque is from that period. It sounds like Howie B setting down a groove with Bono figuring out some lyrics on top, with bits they would later turn into the album and single versions.
 
I would like a WAR-tour with a WAR part II album, with songs that are about the madness in this world. Let's rebel again.

Touring The Unforgettable fire would be also great.
These would certainly be interesting but I wonder if Bono’s voice could do justice to all those songs anymore. I don’t mind if artists drop the key to songs to accommodate an aging vocalist, but only if it still sounds good. Don’t do it just to do it, cause it could backfire
 
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