hippy
ONE<br>love, blood, life
[SIMG]http://forum.interference.com/gallery/data//585/39656sicko-sml.jpg[/SIMG]
By Jennifer B. Kaufman
2007.07
Two years ago I was mugged and beaten close to my home. I was just out of school, working a crappy temp job and woefully uninsured. But being a victim of a violent crime did have an upside. All my related medical bills were covered by a special Wisconsin program that pays the medical expenses of victims of violent crimes. I never had to worry about adding crushing medical bills to my student loan debt.
Now it’s two years later and I have a good job. I also have health insurance. If I get sick, suffer an injury or, heaven forbid, become a victim of another violent crime, I should be okay. My insurance will cover my expenses, right? Right?
The ordinary people in Michael Moore’s latest documentary, “Sicko,” thought they were covered by their health insurance, too. Then catastrophic illness or horrific injury struck them or a loved one. These people found themselves facing stiff penalties, sky-rocketing drug prices and sometimes, no coverage. And often they couldn’t get any help due to “pre-existing” conditions or “experimental” treatments.
Through interviews with these people, “Sicko” gives us heartbreaking and human stories and not dry, abstract statistics. These stories are living and breathing elements to a very real problem – America’s health care crisis. One middle-class couple, driven to bankruptcy by mounting medical bills, are forced to move in with one of their children. A woman tearfully recalls the passing of her beloved husband who was denied a life-saving transplant.
“Sicko” also features health care industry employees haunted by their experiences. One call-center employee falls apart as she recalls denying claims due to pre-existing conditions. Another talks about looking for discrepancies in an insured’s medical history to avoid payment. One of the most chilling scenes is of an insurance company-employed doctor telling the members of Congress how she would get bonuses if she denied someone special medical procedures and therefore saved the company money.
The health insurance companies aren’t the only bad guys. Not surprisingly, Moore points an accusing finger at our elected officials, most notably Senator Hillary Clinton. Remember when Senator Clinton was First Lady and tried to get us health care reform back in 1993? Well, now she’s one the largest recipients of health care industry donations. As for one of the Republicans who defeated health care reform, he’s now a very well-paid health care industry lobbyist.
After setting up the faults of the American health insurance industry, Moore shows us how state sponsored health care is done in other countries like Canada, Great Britain and France. Hospital waiting rooms are filled with happy customers, drugs are very cheap and doctors still make a great living. And in Great Britain hospitals pay for a patient’s mileage. One of the most intriguing moments is when Moore interviews American citizens now living in France. Free healthcare isn’t the only thing they get. Maternity leave, child care and several weeks of vacation are also considered rights, not privileges. When asked why they get these things from the French government, someone mentions that the government is afraid of the people, not the other way around, and the French are not afraid to march in the streets for what they want. This is definitely food for thought.
The most notorious segment of “Sicko” is when Moore takes some 9/11 rescue workers suffering from respiratory ailments to Guatanamo Bay. Via a bullhorn, Moore demands that they get the same healthcare as the “evil doers.” Not surprisingly, they are denied, so Moore takes them to a Cuban hospital where they get the care they so desperately need. It is this segment that is probably the most gimmicky and Michael Moore-ish.
However, not all sides of universal health care are examined in Moore’s documentary. “Sicko” doesn’t mention that someone has to pay for all of this “free” health care, usually through higher taxes. And I wouldn’t be surprised if hassles and red tape are involved in national health care systems.
Still, “Sicko” is an important movie. Health care is not a blue state vs. red state issue. It transcends all political stripes. “Sicko” is a movie that will make you angry, make you laugh, and make you cry. Certain scenes will stay with you long after the credits role. I’m still bothered by scenes of Los Angeles hospitals dumping indigent patients, many of them elderly, frail and mentally ill, onto the streets with no one to look after them.
But most of all “Sicko” will make you think. “Sicko” has the ability to start a dialogue on a basic human need and a collective responsibility to look out for all American citizens.
For more information about Michael Moore's "Sicko," please visit his official website at http://www.michaelmoore.com.
By Jennifer B. Kaufman
2007.07
Two years ago I was mugged and beaten close to my home. I was just out of school, working a crappy temp job and woefully uninsured. But being a victim of a violent crime did have an upside. All my related medical bills were covered by a special Wisconsin program that pays the medical expenses of victims of violent crimes. I never had to worry about adding crushing medical bills to my student loan debt.
Now it’s two years later and I have a good job. I also have health insurance. If I get sick, suffer an injury or, heaven forbid, become a victim of another violent crime, I should be okay. My insurance will cover my expenses, right? Right?
The ordinary people in Michael Moore’s latest documentary, “Sicko,” thought they were covered by their health insurance, too. Then catastrophic illness or horrific injury struck them or a loved one. These people found themselves facing stiff penalties, sky-rocketing drug prices and sometimes, no coverage. And often they couldn’t get any help due to “pre-existing” conditions or “experimental” treatments.
Through interviews with these people, “Sicko” gives us heartbreaking and human stories and not dry, abstract statistics. These stories are living and breathing elements to a very real problem – America’s health care crisis. One middle-class couple, driven to bankruptcy by mounting medical bills, are forced to move in with one of their children. A woman tearfully recalls the passing of her beloved husband who was denied a life-saving transplant.
“Sicko” also features health care industry employees haunted by their experiences. One call-center employee falls apart as she recalls denying claims due to pre-existing conditions. Another talks about looking for discrepancies in an insured’s medical history to avoid payment. One of the most chilling scenes is of an insurance company-employed doctor telling the members of Congress how she would get bonuses if she denied someone special medical procedures and therefore saved the company money.

The health insurance companies aren’t the only bad guys. Not surprisingly, Moore points an accusing finger at our elected officials, most notably Senator Hillary Clinton. Remember when Senator Clinton was First Lady and tried to get us health care reform back in 1993? Well, now she’s one the largest recipients of health care industry donations. As for one of the Republicans who defeated health care reform, he’s now a very well-paid health care industry lobbyist.
After setting up the faults of the American health insurance industry, Moore shows us how state sponsored health care is done in other countries like Canada, Great Britain and France. Hospital waiting rooms are filled with happy customers, drugs are very cheap and doctors still make a great living. And in Great Britain hospitals pay for a patient’s mileage. One of the most intriguing moments is when Moore interviews American citizens now living in France. Free healthcare isn’t the only thing they get. Maternity leave, child care and several weeks of vacation are also considered rights, not privileges. When asked why they get these things from the French government, someone mentions that the government is afraid of the people, not the other way around, and the French are not afraid to march in the streets for what they want. This is definitely food for thought.
The most notorious segment of “Sicko” is when Moore takes some 9/11 rescue workers suffering from respiratory ailments to Guatanamo Bay. Via a bullhorn, Moore demands that they get the same healthcare as the “evil doers.” Not surprisingly, they are denied, so Moore takes them to a Cuban hospital where they get the care they so desperately need. It is this segment that is probably the most gimmicky and Michael Moore-ish.
However, not all sides of universal health care are examined in Moore’s documentary. “Sicko” doesn’t mention that someone has to pay for all of this “free” health care, usually through higher taxes. And I wouldn’t be surprised if hassles and red tape are involved in national health care systems.
Still, “Sicko” is an important movie. Health care is not a blue state vs. red state issue. It transcends all political stripes. “Sicko” is a movie that will make you angry, make you laugh, and make you cry. Certain scenes will stay with you long after the credits role. I’m still bothered by scenes of Los Angeles hospitals dumping indigent patients, many of them elderly, frail and mentally ill, onto the streets with no one to look after them.
But most of all “Sicko” will make you think. “Sicko” has the ability to start a dialogue on a basic human need and a collective responsibility to look out for all American citizens.
For more information about Michael Moore's "Sicko," please visit his official website at http://www.michaelmoore.com.