namkcuR
ONE love, blood, life
I've been listening to U2's official live releases a lot lately(R&H, ZooTV Sydney, Popmart Mexico City, Elevation Boston&Slane, Vertigo Chicago), and I've noticed something that I found sort of profound.
When the first notes of the NYD bassline are heard, the crowd goes nuts, screaming and cheering.
When the guitar riff for Pride starts, the crowd goes nuts.
When the SBS drumline starts, the crowd goes nuts.
When the intro to BD starts, the crowd goes nuts.
All of these huge anthemic hits make the crowd scream and cheer.
Except for one....
Where The Streets Have No Name.
Listen to it live on any of the official live releases or even bootlegs within the last 15 years, especially the last 10. Instead of the crowd going nuts and screaming and cheering like they do for the aforementioned hits, what you hear as the Streets organ slowly overtakes the venue and as Edge starts playing the soon-to-be(if not already)-legendary guitar intro, is a steady, consistant stream of applause and a more controlled kind of cheering. I don't know about you, but what I hear is a standing ovation of sorts. Like, instead of jumping up and down and screaming at the top of their lungs because their favorite song is starting, they are taking part in a show of respect for what could very - I would even say most - likely go down as U2's 'Stairway'.
I just thought the difference between the crowd reactions to Streets and to everything else, given the reasons I stated above, was a profound thing.
When the first notes of the NYD bassline are heard, the crowd goes nuts, screaming and cheering.
When the guitar riff for Pride starts, the crowd goes nuts.
When the SBS drumline starts, the crowd goes nuts.
When the intro to BD starts, the crowd goes nuts.
All of these huge anthemic hits make the crowd scream and cheer.
Except for one....
Where The Streets Have No Name.
Listen to it live on any of the official live releases or even bootlegs within the last 15 years, especially the last 10. Instead of the crowd going nuts and screaming and cheering like they do for the aforementioned hits, what you hear as the Streets organ slowly overtakes the venue and as Edge starts playing the soon-to-be(if not already)-legendary guitar intro, is a steady, consistant stream of applause and a more controlled kind of cheering. I don't know about you, but what I hear is a standing ovation of sorts. Like, instead of jumping up and down and screaming at the top of their lungs because their favorite song is starting, they are taking part in a show of respect for what could very - I would even say most - likely go down as U2's 'Stairway'.
I just thought the difference between the crowd reactions to Streets and to everything else, given the reasons I stated above, was a profound thing.