n its final 20 minutes, the documentary film AKA Jane Roe delivers quite the blow to conservatives who have weaponized the story of Jane Roe herself—real name, Norma McCorvey—to argue that people with uteruses should have to carry any and all pregnancies to term.
McCorvey, who died in 2017, became Jane Roe when, as a young homeless woman, she was unable to get a legal or safe abortion in the state of Texas. Her willingness to lend her experience to the legal case for abortion led to the passing of Roe v. Wade in 1973, which legalized abortions in all 50 states (though red states do all they can to get around this; recently, several have even used the COVID-19 pandemic to make abortions functionally impossible to procure). But conservatives had a field day in the mid '90s when the assertive, media-savvy pro-choice advocate and activist McCorvey became an anti-abortion born-again ex-gay Christian with the help of leaders of the evangelical Christian right, Reverend Flip Benham (of the infamous Operation Rescue) and Reverend Rob Schenck. A conservative film, Roe v. Wade, starring Jon Voight and Stacey Dash, will dramatize McCorvey’s “conversion.”
But those filmmakers, and the rest of the pro-life evangelical community, have another curveball coming. In the final third of director Nick Sweeney’s 79-minute documentary, featuring many end-of-life reflections from McCorvey—who grew up queer, poor, and was sexually abused by a family member her mother sent her to live with after leaving reform school—the former Jane Roe admits that her later turn to the anti-abortion camp as a born-again Christian was “all an act.”
“This is my deathbed confession,” she chuckles, sitting in a chair in her nursing home room, on oxygen. Sweeney asks McCorvey, “Did [the evangelicals] use you as a trophy?” “Of course,” she replies. “I was the Big Fish.” “Do you think you would say that you used them?” Sweeney responds. “Well,” says McCorvey, “I think it was a mutual thing. I took their money and they took me out in front of the cameras and told me what to say. That’s what I’d say.” She even gives an example of her scripted anti-abortion lines. “I’m a good actress,” she points out. “Of course, I’m not acting now.”
Sweeney shows the video of McCorvey’s confession to her friends and acquaintances on the pro-abortion and anti-abortion sides, including pro-choice activist Charlotte Taft who, on the verge of tears, says, “That just really hurts because it’s big stakes. It’s just really big stakes.”
Reverend Schenck, the much more reasonable of the two evangelical leaders featured in the film, also watches the confession and is taken aback. But he’s not surprised, and easily corroborates, saying, “I had never heard her say anything like this… But I knew what we were doing. And there were times when I was sure she knew. And I wondered, Is she playing us? What I didn’t have the guts to say was, because I know damn well we’re playing her.”
https://www.thedailybeast.com/jane-...iRmR_SxUjkbvHfqkKQDFERpJyRqNpZKh1CIfPiTIGzGjk
Oh, dear. That's terrible! 
They could hang it in the least used broom closet with a black cloth draped over it? 
